Amazing lightness of modern calligraphic writing is reproduced in handwritten script font Sadlyne. This font consists of a pair of handwritten script font and additional font with hand-drawn flourishes and decorative elements. An outstanding feature of them is the fanciful swirls of the initial and final tails of the letters, which will add a playful elegance to your typography designs. The handwritten font itself includes all abundance of modern calligraphic font capabilities. The font pair Sadlyne is the best option for your wedding stationery and wedding monograms. Also it will be perfect for branding, logos, social media, packaging, and other projects. Sadlyne script contains a full set of uppercase letters and 5 full sets of lowercase letters, (standard, alternative, and initial, final form and flourish form). To make a needed form just type a letter with a number (such as a1, b1, c1...) and 27 ligatures - which can be used to create a handwritten calligraphy look. Sadlyne script font contains the Cyrillic glyphs too. The Cyrillic part of the font contains the uppercase letters and 3 full sets of lowercase letters, (standard, initial and final form). To make a needed form just type a letter with a number such as a1, б1, в1... After that select the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) Also Cyrillic part of the font contains 12 Cyrillic ligatures. To use all features of the font you need to have an access to all Opentype Features in software you work with. Sadlyne Symbols is a font with over 36 hand-drawn elements, illustrations and swashes that can help you to make your design unique and matchless. Combine and merge swashes and illustrations to create your own designs and make borders, frames, dividers, logos, and more (just use A-Z and a-z keys in the included Sadlyne Symbols font). A different symbol is assigned to each uppercase or lowercase standard character, so you do not need graphics software, just type the letter you need. Multilingual Support for 31 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, and Ukrainian languages.

Green Fairy is a chromatic font family highly ornamented for display purposes. Green Fairy’s characters have been specifically designed to accommodate its loops and ornaments following a modern typeface structure. Green Fairy has four chromatic weights: 1. Green Fairy Outline 2. Green Fairy Dots 3. Green Fairy Stencil 4. Green Fairy Full The outline weight has been created as the base or structure for the other weights. You can combine these weights as well as add colours to obtain multiple effects and type styles. Green Fairy has also three combined weights (combos) to simplify your work flow, for these occasions when you only want to use one single colour in your font: 5. Green Fairy Dots Combo 6. Green Fairy Stencil Combo 7. Green Fairy Full Combo GREEN FAIRY ORIGINS The origin of this typeface is the lettering I designed in October 2015 as part of my illustrated cocktail artwork called “Absinthe. La Fée Verte (The Green Fairy)”. Originally, this lettering only featured eight letters “AB·SINTHE” vector drawn in Illustrator. Right after creating the full-colour artwork, I designed a fountain-letterpress print version of it, in collaboration with Ladies of Letters, A.K.A. Carla Hackett and Amy Constable from Saint Gertrude Fine Printing. At the beginning of 2016 –and thanks to the project @36daysoftype– I found the motivation, and most importantly the deadline, to draw the rest of the twenty-six letters of the uppercase alphabet using Illustrator. I started 2017 having my first two calligraphy courses sold out, so I took this amazing opportunity to devote myself to Green Fairy for a few months. In February 2017, I purchased the font software Glyphs and I started to re-draw all twenty-six letters of the uppercase alphabet again. PRODUCTION PROCESS Green Fairy started being one weight, but quickly turned into a layered/chromatic font. Things were going more or less fine till I arrived to the Dots weight: 1) I started drawing squares following a grid; 2) Then, the squares turned into diamonds following the same grid; 3) Then, the grid wasn’t working so well on the round letters so I tried randomising the position of the diamonds but it didn’t work; 4) So I went back to the grid, and this time scaled down the size of the diamonds creating a visual half-tone effect. I spent over four weeks working on the Dots weight and I felt like I was in the middle of a very long tunnel and I couldn’t see the light at the end. I encountered many other problems along the way but by June 2017, I felt I was back on track again. I kept working, tweaking, re-drawing and re-adjusting, and then the diacritics came on board… And then more re-drawing, re-tweaking, re-adjusting and then numbers… And then spacing, symbols, and currencies… And then more spacing, kerning, contextual kerning for triplets… In September 2017 I told myself “that’s it, I’m going to finish it now!” But guess what? More re-tweaking, testing, hinting, testing, rendering, testing… For those of you not familiarized with typeface design, it is extremely time consuming and it requires a lot of hard work, focus and determination. This project could not have been possible without the help of these generous professionals: Jose Manuel Urós, typeface designer based in Barcelona and my teacher twice in the past; Jamie Clarke, freelance letterer and typeface designer who has released a couple of chromatic fonts recently; Troy Leinster, Australian full-time typeface designer living and working in New York City; Noe Blanco, full-time typeface designer and hinting specialist based in Catalonia; And Nicole Phillips, typographer currently relocating from Australia to New Zealand. To all of you: THANK YOU VERY MUCH!

A silk screened sign promoting a mattress sale that was spotted on Flickr features Art Deco-influenced sans serif lettering that is the basis for Innerspring JNL.

Beanstalk is a cute, cuddly, handwritten typeface. Its casual appearance is charming and easy to read. Beanstalk has an expanded character set including European letters and symbols!

As well as ArTarumianIshkhan font ArTarumianIshkhanuhi (Ishkhanuhi from Arm. “Princess” was created as a modern stylization of Armenian medieval lapidary letters. As his feminine, more delicate form.

Oil Barrel JNL is roughly based on lettering spotted in an online auction of custom brass stencils made for marking different petroleum grades on oil company barrels.

The Depot Trapharet 2D is based on lettering of Lviv tram stands describing the city tram routes. The font is characterized by brutal simplicity bordering with primitivity.

The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.

Kal08 is a Sans Serif Font, this font consists of Uppercase, Lowercase Letters & multilingual support. Kal08 is perfect for Logotype, Print Design, labels, Products, Text, and more.

Peace Maker is a dry Brush Script Font with hand-lettered style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.

A friendly sans serif font inspired by sign written lettering. Brushed Sans captures the nuances that come from the action and speed of the sign writing process.

In Shipment JNL is modeled after lettering made from an industrial stencil cutting machine - generally used for marking shipping and inventory information on boxes. Limited character set.

Funtastic is a carefully crafted fun font. Multilingual: It has Extended Latin and Extended Cyrillic letters. It's created for games, web design, branding and social media works.

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

Handwritten letters inspired by various ancient & modern scripts. Ballers is a "gangsterish" tag font that avoids overlap & features long acenders & decenders for an eye catching unique style.

GG Casual is based on a hand lettering style of Gerald Gallo. The family is casual and informal and is ideal for use in conveying these qualities.

Biscuit Recipe is handwritten font with pressure style. This font is good to application for wedding, tees, simple letter, notes, invitation, celebration, cute moment and many more.

Super head Club is a font made with line. The shape of the letters is a sans-serif style round and bold. Works perfectly for vintage artworks.

Originally issued as Marggraff Bold Script by the Dresden foundry of A.G. Vorm Brüder Butter. Minor variations were given to a few letters to even the color.

Martel is a variation on Carolingian Uncial calligraphy, with some elements of classic Celtic calligraphy and some characteristics peculiar to continental lettering of the early middle ages.

Party Invite JNL is a thin, condensed Art Deco sans based on lettering from a letterpress holiday stock cut (the predecessor to clip art) from the 1940s.

Frankly Plain JNL is an all-caps version of the ever-popular Franklin Gothic, while Frankly Ornate JNL adds a decorative embellishment to the letters and numbers.

KP Duty JNL emulates the lettering found on military equipment. It's a bold and macho design, perfectly suited for any project which has an armed forces theme.

Like fresh, warm just-out-of-the-oven bread, Wheat is wholesome and comforting. Wheat's crusty texture and bubbly, hand-drawn letters give it all natural appeal.

Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.

The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.

Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times.

Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.

Tadaam is a slab serif typeface with 5 font styles from light to heavy. It has ligatures and alternative symbols for each of 52 basic latin letters.

Vope Dome is an incredibly unique and chunky lettered display font. Add this font to your favorite creative ideas and notice how it makes them come alive!

Sookie is a hand designed font for posters, invitations, headlines, lettering of nursery hooks, signs, young, fresh and round. Designed in March 2022 by Joachim Frank, Germany.

Vunderscript is a calligraphic script with upper-case letters that have blackletter touches. It is available in two weights, plain and bold, each with an obilque style.

Happy Halloween is the perfect font for the scariest time of the year. Inside the font, you will not only find stunning letters to create Halloween decorations.

Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.

Grosfer is a cool, bold and thick lettered display font. This font reads as strong, confident, and dynamic and can add a fierce character to your designs.

Broken home is a cute handwritten font with display letters! This font is perfect for shirts, mugs, signs, children's designs, headings, blogs, logos, brandings, invitations, and more!

Hello! Presenting a calligraphic font with natural scratched texture effect. It's a script with connected letters, lots of characters including West European languages support and few ligatures.

This attractive handwriting typeface from Typadelic exudes casualness and informality. Very readable at small and large text sizes...perfect for scrapbooking, greeting cards and casual letter-writing.

Kircher is a typography inspired by old building facade letterings. It is a vintage style geometric sans serif typography great for logos, banners, posters and graphic artists.