Karol was designed in 2011 as a project in the MA in Advanced Typography from EINA/UAB, in Barcelona. It was born as text typeface inspired by the work of East European type designers. Two years later, Karol is ready for public release, in a collection of eight styles (four weights and matching italics) with high readability, strength and character. A few days before its publication, we received the news that Karol had been awarded the Certificate of Typographic Excellence (Judges’ Choice) of the Type Directors Club. Please check the ‘Read me’ file located in the gallery for more specifications.

Athabasca is "Wild West" Tuscan on steroids. Remember those stylised tall and narrow typefaces that used to appear in Wild West comics, Western movies, "Wanted" posters and so forth? Well, here’s a new, 2017 released take on the idea. Have fun!

Compass St – a new addition to the existing Compass TRF Stencil fonts, originally released in 2010. Package consists of two fonts with rather different, both decorative, styles. Typeface is released in OpenType format with extended support for most Latin languages.

Dolce Caffe was a handwritten font designed in the 2011 inspired in some berliner menu. Now we developed a 3D, 3D Rough and a Shadow version. They are very legible and high in style and carefully constructed all-uppercase letters.

Crimes Times Six is a cool horror font, originally created with a chalk stick back in 2012, by Jonathan S Harris. The typeface design works very well in video games, movies and broadcasting, but also looks great on clothing and posters.

Lourino is a flowing script typeface, drawn by Måns Grebäck during 2018 It is a high-quality font with cute letter shapes and large, round capitals. The font has an extensive set of characters and supports all Latin based European languages.

ATC Abernathy, is a soft serif typeface based on retro package design. With a modern influence, it bridges the gap between old and new. Contains 330+ glyphs, full alphabet, ligatures, numerals, accents and punctuation. ATC Abernathy was released in 2018.

Tobi Greek Cyrillic is a typography based on Tobi (2015), now much improved with alternative ligatures and better than containing the Greek in capital letters and also in Cyrillic. Tobi Greek Cyrillic is a very cheerful typography, especially fun for children’s titles, juvenile children’s clothing comics, this typography was designed with a lot of love. Authors:  Rodrigo Araya https://www.behance.net/Rodrigotypo and Andrey Kudryavtsev.

ITC Veljovic was designed by Jovica Veljovic and displays an obvious calligraphic heritage. The designer was strongly influenced by German designer Hermann Zapf and Israeli designer Henri Friedlander. ITC Veljovic exhibits a crisp precision, as if the letters were cut in stone rather than drawn with pen and ink. In 2014 Veljovic revised this family and ITC New Veljovic was released with many more weights and styles

Decima Mono Cyr is an upgraded edition of Decima Mono X fonts (released in 2014). The new version consists of the same (six) styles updated with larger character sets by extending number of Latin and Cyrillics Asian region languages. The typeface is intended for use in display sizes, but is also quite legible in text and is well suited for editorial and brand design.

this is a revival of the Splandor font which was released in 2014. many have changed in this latest version, such as vector quality, available with lowercase, and various Opentype Features, such as Stylistic set, ligature, contextual alternate, languages support, and new ornaments. This font was created for display needs, such as headings, signage, posters, t-shirts, covers, labels, logos, etc Splandor PDF Specimen

See also other font families related: American Advertise 013, American Advertise 014, American Advertise 015, American Advertise 016, American Advertise 017, and American Advertise 019.

ISO GPS symbols without frames for producing ISO GPS specifications in documents such as CAD drawings, word processor documents, spreadsheets, and slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017 (without frames), ISO 1660:2017 (without frames), ISO 14405 (including all size modifiers), ISO 1302 (surface texture symbols) and ISO 8062 series (castings). Fully compliant with the ISO 3098 series and ISO 7083. Use in conjunction with IMA ISO GPS Frame font to create the full range of ISO GPS specifications This fonts is sold with a single user licence, contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multi-user licences, site licences or corporate licences.

Hodgepodge is a confused mixture of letters that somehow work together. While I know this has been done before I create fonts that I need. And I occasionally have found a need for this. And it was not there, so now it is. There is a mixture of light and dark, bold and regular, caps and lower case but not where you would expect them to be. Since this is a headline font you can set the headline and then easily go back and change a letter here or there to get the best-looking combination. Hodgepodge was in the 2011 Typodarium Page-A-Day Calendar on 7-17-2011.

Firmin Didot is credited with establishing the Modern genre of serif typefaces, of which Beaux Arts Didots stands as an exemplary model. Like the French neoclassical architecture of its namesake, Beaux Arts has all the hallmarks of the early nineteenth-century style: a clear and confident construction consisting of simple yet strong lines. Use it for elegant and formal settings, or when a direct typographic tone is desired. Mix it with styles of similar sensibilities such as Plinc Hanover and Davison Spencerian. Digitized from the original Photo-Lettering film matrix in 2014 by Jean-Baptiste Levée. BEAUX ARTS DIDOT CREDITS: Typeface Design: Photo-Lettering Staff Typeface Digitization: Jean-Baptiste Levée Typeface Production: Ben Kiel Typeface Direction: Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Toronto Subway is based on the lettering originally used for station identification and signs by the Toronto Transit Commission (TTC) in the Toronto, Canada, subway system. The first subway line opened in 1954. However, the original lettering remains unique. The lettering on the original signage consists only of uppercase characters and a few bits of punctuation in two weights: Regular and Bold, introduced in 2004. The Toronto Subway fonts were developed from rubbings of the lettering etched into station walls and photographs of painted signs. The overall style of the lettering is very mechanical, almost naive, yet still having a certain amount of elegance. This style was followed as much as possible in creating the extra lowercase, punctuation and other special characters. The Toronto Subway family was expanded in 2014 with the addition of the Light and Black weights.

See also some related font families: American Advertise 013 , American Advertise 014 , American Advertise 015 , American Advertise 016 , American Advertise 017 , and American Advertise Square Series .