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  1. As of my last update, there isn't a specific font publicly known as "Tekken 6 2." However, I can provide information that interprets this request in a way that might be helpful. "Tekken 6" refers to ...
  2. Once upon a time in the whimsical world of typography, where letters dance and serifs flirt with space, there was a font named Slicker. Crafted lovingly by the artisan wizards at WSI-Fonts, Slicker w...
  3. Beef'd, created by the talented Lewis Bauer, is a font that commands attention and exudes strength. This distinctive typeface blends the robustness of block letters with a unique flair that sets it a...
  4. As of my last update, "Flower1" doesn't refer to a specific, widely recognized typeface in the realms of typography. However, let's imagine what a font with such a whimsical, botanical title might em...
  5. As of my last update in April 2023, without specific knowledge of a font named "Convalescence," I can still create a conceptual description based on its evocative name. The name "Convalescence" sugge...
  6. The "AprendizCaligrafico" font by Intellecta Design embodies a delicate balance between elegance and expressiveness, capturing the essence of traditional calligraphy while infusing it with a contempo...
  7. Imagine, if you will, a font that captures the whimsical essence of a sunny afternoon spent lying in the grass, musing about the mysteries of life with your best friend—a friend who just happens to b...
  8. Imagine, if you will, Stroke Dimension by Måns Grebäck as the James Bond of the typography world—sophisticated, yet oozing with personality. Created by the masterful artist Måns Grebäck, a name that ...
  9. Kalenderblatt Grotesk is a true gem in the world of typography, crafted by the talented Dieter Steffmann. This particular font marries the enduring appeal of grotesque design with Steffmann's unique ...
  10. Rogue Hero Italic by Iconian Fonts, with its dynamic and assertive presence, stands as a testament to modern design infused with a touch of superhero charisma. This font takes the essence of adventur...
  11. As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
  12. Halter Pinchy by Apostrophic Labs is a typographic journey beyond the ordinary, embracing the quirky side of type design with open arms. This font, crafted with care and a sense of adventure, stands ...
  13. Ah, Kitsu XD, the font that decided it wasn't enough just to carry letters; it had to bring a dash of mischief and a bucketful of personality along for the ride too. Imagine a font that got up one mo...
  14. The Abduction2000 font, created by the imaginative mind behind the alias PizzaDude, is a font that encapsulates the quirkiness and creativity of the late 90s and early 2000s design ethos. This font i...
  15. As of my last update in April 2023, the font named "Linear Curve Fatty" by Matt Perkins represents a distinctive blend of design principles that make it stand out in the realm of typography. The name...
  16. East Anglia is a distinctive font creation by Bill Roach, a designer who clearly has a nuanced understanding of typeface design and a keen eye for merging traditional influences with a contemporary f...
  17. Teatral is an intriguing typeface designed by Tobias Sommer, who is also known by his online alias "Shasta." This particular font is a testament to the convergence of artistic flair and typographic f...
  18. As of my last update in April 2023, "Kroftsmann" is a distinctive font created by Abdulmakesfonts, a designer or font foundry known for expressing creativity, originality, and detail through typograp...
  19. Imagine if your high school chemistry teacher decided to become a typographer, and their first project was to somehow capture the essence of every "Eureka!" moment they ever had in a font. The result...
  20. As of my last update in early 2023, Andreas Sans Cnd may not be widely recognized in the mainstream of typographic designs, yet the essence of its name provides insight into its style and characteris...
  21. WinterthurCondensed is a captivating typeface designed by the accomplished German type designer, Manfred Klein. This particular font is named after the Swiss city of Winterthur, suggesting a connecti...
  22. The font !CRASS ROOTS OFL by !Exclamachine is an intriguing and captivating typeface that stands out for its raw energy and unapologetic boldness. It's a creation that embodies a fusion of graffiti-i...
  23. Oh, let me take you on a little journey through the cosmos of typography, where the star of our expedition is none other than the Voyager Grotesque! Dreamt up and meticulously crafted by the talented...
  24. The Running Shoe font by Levi Halmos is an imaginative and dynamic typeface that captures the essence of speed, movement, and athleticism. Its design is visibly inspired by the contours and sleekness...
  25. Ah, B de Bonita by deFharo - the font that dances on the line between elegance and fun, dipping its typographical feet into pools of style and whimsy! Picture this: you're walking through a garden of...
  26. Ah, the Abysmal Gaze font - a creation that seems to hail from the depths of an artist's most intriguing nightmares, or perhaps, their most whimsical dreams. Crafted by the hands and imaginative geni...
  27. Imagine if a font went to the gym, skipped every workout except leg day, and then treated every day like a carb-loading day. Meet Fat Legs, the font that took "thick thighs save lives" as a personal ...
  28. Schmalfette Fraktur by Dieter Steffmann is an intriguing font that captures the essence of historical German printing and manuscript traditions. Dieter Steffmann, known for his passion for reviving v...
  29. Allow me to introduce you to the enchanting world of Dreamspeak, a font that could charm the socks off a centipede - not that they wear any, but let's not get bogged down by the details. Dreamspeak i...
  30. Imagine wandering into a neon-soaked, nostalgia-fueled cinema alley from the golden era of blockbusters. There, amidst the scent of buttery popcorn and the echoes of cinematic triumphs, emerges the e...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. As of my last update in 2023, Pungen is not a well-documented or widely recognized font in mainstream typography resources. This seems to suggest that Pungen may either be a niche, bespoke creation b...
  33. The font MCapitals, crafted by the prolific type designer Manfred Klein, is a distinctive and refined typeface that captures the essence of classic capital lettering while incorporating a modern twis...
  34. "City Burn Night After Night and We Spraypaint the Walls" is not just a font; it's a declaration, an embodiment of the urban spirit captured in digital typography. Imagine walking through the heart o...
  35. As of my last update in April 2023, there isn't a widely recognized or specific font named "Paramount" that has established itself within the typography community or the broader design world. However...
  36. The JustOldFashion font by Manfred Klein is a distinctive typographic style that captures the essence and charm of bygone eras, encapsulating a nostalgic feel in its design. Embodying characteristics...
  37. Gadolinium Rounded, designed by Matthew Gadd, represents a distinct blend of aesthetic fluidity and modern sensibility. This typeface exhibits rounded terminals, lending it a soft, approachable feel ...
  38. TT Milks by TypeType, $29.00
    TT Milks useful links: Specimen | Graphic presentation | Customization options About TT Milks: The collection of scripts and wonderful decorative typefaces. Initially the idea for TT Milks was to create a collection of fonts to be used for packaging and branding of dairy products. While working on the initial idea, we've tested all possible glyph variations, which resulted in a large decorative designer font family. Thanks to a variety of elements, TT Milks collection has exceeded its initial idea and now offers an unlimited application range. TT Milks type collection includes several subfamilies and consists of 26 typefaces: TT Milks Script subfamily is a satellite to the basic typefaces and features 5 weights. Every typeface of the TT Milks Script subfamily consists of 801 glyphs and supports a lot of OT features: ordn, frac, case, sups, sinf, numr, dnom, tnum, onum, pnum, liga, calt. TT Milks Casual Script consists of two script faces with a different degree of roughness. In TT Milks Casual we've collected 6 typefaces—the unique Black called 900 in three degrees of roughness, and the Bold called 700 featuring three degrees of roughness as well. TT Milks Casual Shadow is a version with broader letter setting and shadow effects. There's a clean shadowed version, three variants of rough typefaces with shadows, and a rough shadowed inline typeface—5 typefaces in total. TT Milks Casual Pie is a special set of typefaces which can be easily combined with each other using different layers. The set of the subfamily includes two basic typefaces—black and inline, and also features a typeface with a clean shadow, a shadowed inline typeface and line typeface. TT Milks Outline completes the collection. It consists of a total of 3 amusing super-display typefaces—outline, outline shadow, and a cow pelt patterned typeface. All typefaces belonging to TT Milks Casual and TT Milks Outline subfamilies contain uppercase letters only, and support tabular numbers and case sensitivity. TT Milks language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.
  39. As of my last update in April 2023, there isn't a widely recognized typeface named specifically "Snoopy" in the traditional sense that is acknowledged across major typography communities or databases...
  40. The font AnglosaxOblique, crafted by the renowned type designer Manfred Klein, is a distinctive and stylistically unique typeface that captures the essence of historical elegance with a modern twist....
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