Caxton font is the work of Canadian designer Leslie Usherwood. Caxton is a serif font graced with subtle details and calligraphic influence resulting in elegant simplicity suitable for both text and display.

Solina is an exciting typeface that is inspired by the future life which is full of robots, mechanics, speed races, automotive and life in space. References to this font are based on the science-fiction visual of the modern-futurism mindset, making it perfect for any project that requires a futuristic and technologically advanced design. This font is perfect for creating sci-fi movie posters, technology-based branding, packaging, event and festival materials, automotive designs, and many more.

Sportage is a sports font family from thin to extra bold. The Italic styles bring another vibe of speed. This family is built for people who are enthusiasts with racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

Coppint is a font formed with serenity and imagery in patterns that refer to warmth and harmony. Even so, this font also gives each letter an elegant and semi-modern impression. When this font was created, Ridwan Fadilah, the designer, said that this font must race in a contextual and basic fundamental hierarchy. Thus, this font also provides stylistic weight, from smallest to largest. So that it can become a unit that can be used in optical text.

A revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic, Lexington is the ultimate art deco expression of the high times of signage and theater during the first half of the twentieth century. Big feminine caps and cozy direct minuscules make for a unique combination rarely found in other deco faces. Topped off with the humorous and quite suave tall and pointy ascenders and descenders of the alternates, Lexington makes for a versatile and uniquely eye-catching display face beneficial to poster art, book covers, classy menus, product packaging and music paraphernalia. The original specimen Hans van Maanen worked from showed the majuscules, minuscules, figures, and 4 alternates of some ascending minuscules. This new digital version includes all of the above, plus many more additions: - Plenty more alternates, for some caps as well as for all the ascending and descending lowercase. - Three different size variations for the comma and the period. - Oldstyle figures. - A full complement of accented characters to support more Latin-based languages than ever, including Baltic, Celtic, Turkish, and Central/Eastern European languages. - A Handtooled style variation that covers both the main character set and the alternates. Lexington was named after Manhattan's Lexington Avenue, home of the some of the most famous and polished art deco architecture of the 1920s and 1930s. Lexington and Lexington Handtooled come in all popular font formats. The OpenType versions combine their respective alternates with the main character sets, for ease of use within OpenType-savvy applications.

Aviano returns to lend its classic line to its newest variation, Aviano Royale--named so because of the rich flow the calligraphic capitals give the established font. The extended lowercase characters give an air of formality to the face as well and bestow on the family a deeper sense of wealth and power. This recent development of a timeless font, part of insigne’s annual tradition of adding to the Aviano family, was elected the clear winner in a poll of insigne design’s social media followers. And is it any wonder why? The long-handed elegance of Royale features graceful script capitals as well as widely tracked and smaller titling capitals, all which make Royale ideal in high-end applications and branding where titling with a taste of gentility is required. Royale’s suite boasts a number of OpenType alternates, most importantly of which are the alternate forms for the capitals. Whereas the default forms of the face are regal, it’s flourishes must be activated through the swash set. For a look more restrained, activate the stylistic alternates. It’s like having three different fonts in one! Additionally, there are baseline lowercase forms. The lowercase forms are 20% smaller in height than Aviano’s lowercase forms, so the families are not interchangeable. However, they can still be used well together. The script capitals could also be used separately as drop capitals and nicely complement any of the other 12 Aviano families. It’s time to look beyond common. For the look of refinement you desire, design with Aviano Royale.

The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse. The type was originally intended as a newspaper text face by Linotype. Hermann Zapf’s Melior exhibits a robust character through classic and objective forms. Versatile and extremely legible, it can be used for a variety of texts and point sizes. Cyrillic version was developed by Natalya Vasilyeva and licensed by ParaType in 2002.

The elegant handwritten font for this brand exudes sophistication and timeless charm. Its strokes are fluid and graceful, reminiscent of a skilled calligrapher's penmanship. The letters are carefully crafted with a balance of curves and straight lines, creating a harmonious and refined look. The font maintains a moderate size, allowing for readability without sacrificing the delicate details that make it elegant. Each letter flows seamlessly into the next, creating a sense of continuity and grace. The spacing between characters is thoughtfully considered, striking the right balance between openness and cohesion.

Core Bandi is a grunge 3D font supported by equivalent ‘flat’ styles named Core Bandi Face. This typeface is very cute and has rhythmic flow line, but not distracted. And you can easily make various color combination with CoreBandi & CoreBandi Face. Its really hard to find doodled 3D Korean(Hangul) fonts even in Korea because Hangul has as many as 11,172 characters. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese. We recommend to use for books, magazines and posters.

Vingo is an understated, elegant, sans serif face. This font is among the first in a series of alphabets I am creating that are dignified and sophisticated. I wish these fonts had been available when I was designing wine labels. These fonts are rooted in "old world" tradition, but are more utilitarian. Some of the funky aspects are downplayed, some are enhanced and updated. Any job that requires understated sophistication is perfect for this face. The name comes from the French for wine, "Vin", and "Go" from gothic-wine gothic or Vingo.

Ever think that supermarkets are becoming less personal and more clinical and cold? What will cost you less than a trip to the supermarket and put a smile on your face? Smiley was inspired by the hand-brush lettered signage at country grocery stores. There's something about the feeling you get when you visit a small town and stroll on over to the corner market. Everyone is pleasant, courteous, and they all have a smile on their face. You can have that local small town grocery store charm for yourself when you buy Smiley today.

Introducing Alessandra, a stunning script font inspired by the elegance of Victorian style. With its graceful curves and intricate details, Alessandra exudes a timeless beauty that captivates the senses. This font is adorned with exquisite ending and beginning swashes, adding a touch of refinement and sophistication to every letter. Perfectly suited for various design needs, Alessandra shines brightest on wedding invitations, greeting cards, and any project that calls for a touch of romance and charm. Let Alessandra elevate your designs with its enchanting allure, bringing a sense of elegance and grace to your creative endeavors.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.

Decorative, Display, Headline, Serif, 1920s, Hand Lettered, Engraved, Incised, Bold, Extra Bold, Retro, Vintage, Nostalgic An ad in the July 27, 1928 issue of The Film Daily for FBO Pictures was an encouragement to all theaters to accept the emergence of 'talking pictures' and "Don't be Panicked by Sound". The headline text was hand lettered in an extra bold serif type face with engraved [incised] lines. The lettering has been redrawn as the digital type face Movie Usher JNL, and is available in both regular and oblique versions.

Foundry Old Style was the first typeface to be released by The Foundry. Inspired by the incunabula typefaces of Nicolas Jensen, the letterforms were first created as calligraphy, with the aim of retaining the structure and free form of the pen stroke in the final drawing development. The resulting face is a contemporary translation that retains the classical tradition of the transitional roman style. Originally conceived as a text face, with a small weight range for good book work, Foundry Old Style is a versatile design that contrasts and compliments Foundry Sans.

Rosarian celebrates the grace of the pointed brush, flowing expressively from thick, rounded downward strokes to thin, delicate hairlines to create graceful and unique letterforms. Contextual alternates help Rosarian look convincingly hand-lettered, while stylistic alternates allow you to customize Rosarian into a less formal, unconnected script. See what’s included! http://bit.ly/2bIG4Pc *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

It is reasonable to assume that a majority of people interested in typography will attempt some variation on the blackletter theme at some time or another. However, there seems to be a paucity of open-faced designs in this style and, having played around with a few thoughts, eventually I came up with RM Whiteletter. Light in appearance but classical in design, this clean looking open-face font provides a good counterpoint to more traditional blackletter designs. This font includes both the full Latin-1 Supplement & Latin Extended-A sets.

Hello Aluyeaholics! Unveiling the Zephyre Conquer, a luxurious windy ligature display typeface, which masterfully blends the mysterious allure of the zephyr with the beauty and grace. It's a unique amalgamation of mindful design and desire that creates an inexplicably elegant aesthetic. Conquer and capture attention whilst adding a dash of elegance to your projects with Zephyre Conquer. Indulge in an opulent collection of more than 200+ quick-access ligatures and alternatives with Zephyre Conquer. It presents everyone the luxury to summon deeper creativity and mold their artistry with grace.

Young Finesse is a light, two-weight, announcement face with a large x-height whose characters contain only a few straight lines. It is based on the titling font that I designed for the dust jacket of my book Fonts & Logos. Its inspiration comes from Hermann Zapf’s Optima, a serifless roman text face, based on Renaissance inscriptions.Young Finesse italic has a set of elaborate swash caps that reference 16th-century writing hands. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.

Bell is a facsimile of the typeface cut originally for John Bell by Richard Austin in 1788~ using as a basis the matrices in the possession of Stephenson Blake & Co. Used in Bells newspaper~ The Oracle~ it was regarded by Stanley Morison as the first English Modern face. Although inspired by French punchcutters of the time~ with a vertical stress and fine hairlines~ Bell is less severe than the French models and is now classified as Transitional. Essentially a text face~ the Bell font family can be used for books~ magazines~ long articles~ etc.

Usually, the condensed version of a face comes after the regular design. Not with gogo squat. After gogo big, I thought how strong a regular version would be. A nice clean gutsy face. A "today" Franklin Gothic Extra Bold. I find it ideal for contemporary headlines as well as for logo solutions. As with gogo big, in my terms and conditions, I permit the modification of up to ten of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

William Caslon (1692-1766) laid the foundation for English typefounding, when he cut his first roman face in London in 1722. He modeled his designs on late seventeenth-century Dutch types; thus his typefaces are classified as Old Styles. The original Caslon punches have been preserved, enabling a perfect recutting of his faces. Notice the hollow in the apex of A and the two full serifs or beaks in the C. The italic capitals are irregular in their inclination. The Caslon font family is distinctive for use in subheadings or continuous text.

The compendium Alphabete: ein Schriftaltas von A bis Z listed the pattern for this family of faces under the name Chicago which, owing to the number of other faces using the same name, makes its origins difficult to ascertain. Nonetheless, its soft lines and round forms have a timeless appeal makes this family an excellent choice for both headlines and text use. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Anargya is a timeless beauty classic serif typeface that exudes elegance and sophistication. Its meticulously crafted letterforms showcase a harmonious balance between thick and thin strokes, creating a sense of timeless grace and legibility. With a refined, high-contrast design, Anargya brings a touch of traditional charm to contemporary designs, making it a versatile choice for branding, editorial, and luxury aesthetics. Its gracefully tapered serifs and graceful curves imbue it with an air of sophistication and refinement, making it a perfect choice for projects that demand a timeless, classic typographic style.

Frederic W. Goudy (1865-1947) created over 100 typefaces during his lifetime. Like most type designers, he is known principally to most people only through his eponymously titled faces such as Goudy Modern, Goudy Old Style etc. This set includes one of Goudy's rarest Arts & Crafts styled faces, a font known as Aries. The font was originally created by Goudy for a private press in Eden, New York in 1926. Also included in this set are two decorative fonts: one font of 52 decorative Ornaments & one font that contains 52 Ampersands.

Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

Militia is the face of well-orchestrated military coups, tanks and gun barrels, maps and covert plans, camouflage and war paint. It has no irony, patience, or give-and-take politic. It is strong, successful, swift and significantly in your face. Militia comes in all popular font formats, and offers a full range of Latin support, including Western, Eastern and Central European languages, as well as Baltic, Celtic/Welsh, Cyrillic, Esperanto, Greek, Maltese, Turkish, and Vietnamese. The Open Type font is entitled Militia Pro, and contains class-based kerning.

An uncredited typeface discovered within the pages of Alphabete: Ein Schriftatlas von A bis Z named "Fat Cat" provided the pattern for this exercise in minimalist type design. Best used sparingly for inescapable, if somewhat cryptic, headlines. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

All that remains from this once so proud and glorious antiqua are steel skeletons. Destroyed. Distorted. Ruins. The main focus and usage of LamentaX are headlines, posters for event graphics and music/media/game packaging. Lamenta X was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

Cyritech is stylish futuristic geometric tech Three Fonts' Family designed for such areas as hi-tech, future, sport, space, army, games and many others. The feature of this font that it has serifs of triangle shape, that allows organic letters' connection, which makes it interesting and unique. Multilingual support (Latin extended). It is designed for header and text both.

Gafata is a font designed for small sizes in medium-long text, mixing elegance and readability causing it to have great applicability in books, magazines and web pages. In the process of finding the finest legibility, particular features emerged making this whimsical sans serif different from the rest, creating an original mark to the text its applied to.

British type designer Neville Brody created this display FontFont in 1993. The family contains 3 weights and is ideally suited for advertising and packaging, film and tv, poster and billboards, software and gaming as well as sports. FF Dome provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Olivia Bloom is a Summer font monoline style, combine with alternates to make spectacular design Olivia Bloom is perfect for summer event, summer party, branding, logo, invitation, quotes, apparel design, product packaging, merchandise, game titles, cute style design, Book/Cover Title and more. What's Included : - Olivia Bloom.otf - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Joe Cool is a bold geometric sans with minimal counters designed to achieve the maximum weight, solidity and impact on the page. Joe Cool Extended was actually created first, then it seemed like a good idea to add progressively more compact versions for added variety and versatility. See also Gravitas, my Bauhaus inspired font family which explores similar territory.

Best Regardz is a casual, quirky handprinted font. A headline font that is kerned to be used at 24 pt or larger. This is the latest font in the Love Letters Series. Others in that series include Dearest John , Yourz Truly and Sincerely Yourz . Best Regardz was in the 2011 Typodarium Page-A-Day Calendar on 10-4-2011.

It doesn’t take long to see that Cheap Skit is a super legible, easy going font. It is intended to be used where text needs to be clear and legible, but have certain amount of handmade energy. I’d say that products that has something to do with children (toys, clothes, games, posters …) or something organic, recipes, bookcovers …

Hello guys! Introducing our newest product, we call this product the Thibero font Thibero font is a regular font with a retro style With a unique and firm touch Thibero fonts are great to use on: fashion magazines, logos, and photography, landing pages, flyers, What's included - multilingual support - ligatures -alternate Thank you, best regards Ali Sifak Muftari

DF Mercat is a tribute to the famous marketplace situated at ‘La Rambla’ in Barcelona's historic centre. It is a picture font containing over 240 illustrations of fish, crustacean, clams, poultry, game, meat, sausages, herbs, vegetables, fruit, bread, butter, a variety of cheese, wines and spirits, small dishes, drinks (coffee, beer, soft drinks), ice cream, pastry, etc.