The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

Sign Helpers JNL is a collection of silhouette images carefully redrawn from two distinct sources. Prior to their bankruptcy in 1984, the Holes-Webway Company of St. Cloud, MN produced thousands of their "Webway" sign kits that were utilized by merchants, libraries and schools throughout the country. At one point they included in their sales catalog a selection of die-cut images for embellishing sign work. In the late 50s and throughout the 60s, the Joseph Struhl Company (now known as Magic Master Industries) produced cling vinyl sign kits for business, and a home movie titling set for do-it-yourself film makers. This set also featured die-cut embellishments. A generous selection of designs from both kits have been faithfully re-drawn in digital form to pay tribute to two innovative companies. Other fonts based on products from these companies are Sign Kit JNL (Webway® Sign Kit), Cling Vinyl JNL, and Sign Maker JNL (Magic Master® Sign Kits). Trademarked names are used purely for reference purposes.

A typeface of grace, power and exceptional versatility, the Slate collection is a truly beautiful design that achieves stellar levels of readability, both in print and on screen. Created by the award winning type designer Rod McDonald, this six-weight sans serif family is a rare example of sublime aesthetics meeting world-class functionality. The typeface’s legible letterforms embody an amalgam of the best traits of both humanistic and grotesque letterforms. “I didn’t want a face with an ‘engineered’ look, or with any noticeable design gimmicks or devices,” admits designer McDonald. “I wanted a pure design. I confess that I was ruthless with any character that wanted to stand out from the rest.” The Slate collection is available in six weights with complementary italics, with slight changes in structure from the light to the black weights. Its light weight is reminiscent of early American sans. Whether for use in display work or in longer-form settings, few typefaces possess the beauty and power of this design, leaving the Slate family an excellent addition to any designer’s typographic quiver.

Vocal is a sans serif type family designed by Ani Dimitrova. The family has 28 weights, ranging from Hairline to Heavy with matching Italics and Small Caps. In addition, you get a nice alternate version of the Heavy weight with extra thin accents. Which is a pure joy for setting titles. Vocal comes with extended coverage of the Latin, Greek and Cyrillic Script. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The stems are a little tapered to the middle and the corners are cutted, which makes them a little rounded in small sizes. That gives the font an organic, warm and friendly touch. Vocal is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. Vocal suits also ideal for book and editorial design.

Klimaks is a modern serif font family whose design refers to the style of transitional serifs. In the process of working on Klimaks font, we have significantly revised the initial idea and expanded the areas of possible font application, while maintaining the original spirit of the project. Despite a large number of display details, the typeface looks great in small point sizes, and also when it is used in large text arrays. Klimaks - Luxury Serif Font has been crafted from scratch with a structural logic of its own: a fusion of pure geometry and optical balance. By combining a variety of styles Klimaks Font is suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography Klimaks - Luxury Serif Font also suitable for art, modern envelope lettering or book design, happening style like the hand-drawn design or watercolor design theme, craft design, any DIY project, book title, wedding font, pop vintage design, or any purpose to make our art/design project look pretty and trendy.

Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration that still lives in our subconscious. At first, we made a pure geometrical typeface with modern caps proportion, then we combine those proportions with the 70s traditional caps ligatures. It was at that point that we knew Sonny Gothic was ready to arise. Even though Chile is not the origin of a modern visual culture, for us geometric typefaces and Lubalin’s work are one of the most attractive aesthetics of the creative realm, and therefore, this is our homage. Designed with powerful opentype features, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more… Perfectly suited for the several areas of graphic design. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

DT Portal: This stylised, partially serifed font, made with a slightly rounded square form, may have been inspired initially by old cathode ray tubes and computer screens. Although not intended to be purely a ‘tech’ font, it can have a strong tech feel to it. More suited to being a headline font than body text. It also appears to have a monospaced look to it, since most letters, (other than letters like ‘i, l and t’), do have the same width. There is some automatic contextual shape adjustment happening in places, to avoid taking up too much space, so contextual ligatures should be turned on. As is the case with most of my fonts, when given the choice, ‘metric’ spacing should be used in preference to ‘optical’. Initially this font was going to be called ‘DT Portal’, because its form was similar to that of a window or doorway. But due to other fonts already having that name, I chose to rename it as ‘DT Partel’, for no reason other than it is only a very small change visually.

Debacle is a super bold contrastive display face built upon pure geometric shapes. Sharp, angular lines are countered against obtuse rounded forms creating a striking visual discord. Select inner corners are rounded, giving characters dual attributes, while linear round-end counters simultaneously contrast and compliment the square-ended punctuation and symbols. Stylistically, Debacle’s prominent letterforms effortlessly create type-as-image text settings. Its style relates to the lush display typefaces from the seventies, yet is highly contemporary in its refinement and finish. Features include: Precision kerning Basic Ligature set including ‘f’ ligatures (ae, oe, fi, fl, ffi, ffl, ff, fh, fj, ft, tt, th, ct, st, la, aj, fa, ls, es, ev, ew, tz, lv, lw, ti, it, ea, kv, ka, ky, yx, xy, yy, km, yw, wy, yv, vy, kw) Alternate characters (O, Q, _, $, ®, •) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as “modern” typefaces. (Their serifs kept them from being too modern.) The first slab serif typefaces were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in “Wild West” America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. The Beton family is a type “family” in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces.

Smilodon an ancient distressed font made with raptor claws, cat’s teeth, stone and sky? It's a corroded, distressed, punk scrawl with lots of attitude. This is a basic minimal glyph set with uppercase and lowercase forms. This is a headline display font suggested use would be 60 point or larger. Note: The metric and kerning on this font is extremely tight spacing and user should letterspace to desired width within application type controls. This monster cat is pre-historic indeed.

This series of faces was designed initially by Morris Fuller Benton, circa 1900. The design is a refinement of Taylor Gothic from 1897. It features a sans serif thick and thin design with angular stems. Pre-dating art deco, this design feels quaint, yet it still has a touch of modernism. Frederic Goudy designed a bold version of Globe Gothic in 1905 for ATF. The Bold and Bold Italic digital versions have been added to the LTC library in early 2007.

In the 70's I went out with a girl whose father was a card-carrying member of 3 of the biggest unions in the printing arts. He gave me 2 things, a pre-war Linotype specimen book and an ancient 'how to' lettering book that contained 30 or 40 script specimens from lettering artists of the time. Tiamaria is the developed glyphs of one of these specimens. Tiamaria is the name of one of the islands in the Galapagos chain.

This is a well-built, functional (all caps) typeface, which is very modern in character. The use of diagonal corners in this angular typeface is inspired by the pennant numbers on British Royal Navy warships, which adds an military quality to this typeface. The gaps, which form the Stencil divisions, follow pre-established horizontal and vertical lines, they help to achieve both geometric and proportional harmony. The direction of the gaps is always at a right angle to the stroke.

The script equivalent of the cool, header font. This font is essentially embedded, by its styling, in the 20th century. Inspired by fragments of some pre-20th century script fonts, I modernized it and added lower case characters. The result captures the cool elegance of the 1920s & 30s, yet also embodies the free optimism of the 60s. Aqua Casual is a fully professional font, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Challah is a display font containing 295 glyphs. Letters are very diverse, but because they contain several shapes characteristic for each other - they retain a certain coherence. When creating the font, the main inspiration was to take from the Brazilian graffiti trend - Pichação and Korean typography. Most of the letters are the same size and width, however, when designing, we also tried to include at certain moments small "surprises" that will surely interest and surprise the user of the above-mentioned typeface. The font fits very well into the urban structure, therefore it perfectly matches the art on the walls with the art on the billboards, creating a kind of dialogue.

Toma Sans is a sans serif type family of seven weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Toma Sans has a functional look with a friendly open touch. While the ExtraLight and the black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts. The small x-height and the restrained forms lend it a distinctive elegance. The typeface has an extended character set to support most European languages.

Beverly Hills is an all-caps display face in the Art Deco style. Its design features dramatically low crossbars, and each letter has a fine inline highlight. The most prominent letters in this typeface are clearly the E, F, G, and K, while the elegantly narrow S is sure to delight. A classy offering like Beverly Hills should only be set very large, either as a magazine headline, a store sign, or on the cover of a fine invitation. If you like Beverly Hills, you make enjoy other high-contrast Art Deco designs in Linotype's library, including ITC Anna, Avenida, Broadway, Jazz, and ITC Manhattan.

Afronaut PRO (New version of typeface published in 2019) was inspired by vernacular Latin & Arabic typography in St. Louis (on Senegal-Mauretania Border, Africa). Geometric forms working well and contrasting with smooth, round elements. After reading "Afronautics – from Zambia to the Moon" by Bartek Sabela (about Zambian conquest of space) a breif was set to create typeface that looks like mix between: vernacular Arabic script, futuristic typography and some special lettering that I found in Africa during my travels to Guinée, Bissau, Gambia, Senegal, Mauritania and West Sahara. Afronaut has seven weights, also many letters have 3 different forms. Afronaut PRO can work as regular version of my Yalla Typeface.

Barceloneta is a simple sans-serif font, with heavy bold and very characteristic soaring accents, referring to the shape of sharp towers in the building standing in the very center of Barcelona, designed by Gaudí - the Sagrada Familia. Most of the design work on the font also took place during the stay in the aforementioned city. As a result, a typeface with very different thicknesses was created, containing 364 glyphs, characteristic - in eight varieties, which, thanks to its diversity, can be used both as a headline typeface, but also one used for the composition of continuous text (which was not present in the initial assumptions).

Say hello to “Rosiana Script”. This font is bold, fun, and cheerful which visualizes slightly bouncy and elegant looks that are sure to bring your design projects to life. This font is designed with a fun, exciting, and dynamic shape, so it is perfect for use on headlines, storefronts, flyers, stickers, logotypes, storefronts, merchandise, quotes, and more! This font is the perfect choice for you. With so many unique options available, such as stylistic alternates, ligatures & multilingual support. This is the right style that will give your project a professional look and feel. Font featured : Uppercase Lowercase Numbers & symbols Stylistic alternates Stylistic set Ligatures Accented characters Thanks for supporting us!

Introducing by Balpirick Studio. Camelia Boutiue - a Monoline Handwritten that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Milky Based - a monoline handwritten that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Büro Destruct’s «BDR mono» typeface has a long tradition in the font library of typedifferent. Initially designed by Lopetz as a single weight, monospaced Mac PostScript Type 1 font way back in 1999, it got a first update as a little family with light, regular and bold weights, plus an extended glyphs set in Opentype format during 2006. With this 2021 update the typeface received a second rounded family and a complete glyphs set with all needed characters used in the north, east, south and west of Europe. The «BDR mono 2021» serves great in signage, routing people, architecture, technical plans, manuals, or even science and fiction related communications.

During development of Colophon 30, the base font of the typeface family, two requirements emerged; namely that it should demonstrate good legibility and robustness when used for text composition, and where individual characters become more apparent, as in much larger sizes, these should appear well formed. Colophon 60 and 90 progressively increase in x-height to allow the counters to retain openness. The italics lean towards informality, this being apparent in the descender tails. On account of its neutrality there are few instances where the use of Colophon would be inappropriate; a quality that can also be attributed to Roy Cole's other typeface families: Lina, Zeta and Coleface.

The Waratah flower is the the emblem of the State of New South Wales, Australia and is unique in its color and design. So too is this new contemporary sans serif typeface that bears its name. With a warmth and friendliness that echoes its origin Waratah Gothic is at home in both text and display and has potential to become a font family with a variety of weights and italics. For corporate, packaging or simple one-line display settings Waratah Gothic is sure to please. Waratah Gothic features a generous x-height and subtle rounding on alternate terminals providing a softness that makes for easy reading.

Stuffed Shirt JNL acquires its name from a term popularized during the years when the Art Deco period flourished. The Great Depression further widened the gap between the 'haves' and the 'have nots'. Occasionally, some of those that 'had' (and some who pretended they did) came off as standoffish, egotistical and pompously arrogant. Such individuals were referred to as a "stuffed shirt"; a blowhard who thought he was better than others. In this case, Stuffed Shirt JNL is no more than a dual-line adaptation of Playwright JNL, itself an interpretation of the classic Broadway type design in a way that emulates the hand lettering of old-time sign painters.

Script Typewriter Rough from Jeremia Adatte Studio is the very first complete cursive typewriter font ever made after the original 1960 Smith-Corona Electra 210 typewriter that comes with a unique script typeface design. It’s loaded with more than 270 ligatures to avoid letter texture repetition in a word (switch Discretionary Ligatures on) and is extremely detailed to imitate the subtle letterpress effect you get with a real typewriter. During the typewriting era, only a few models came with this rare type style that was created to imitate hand-lettering to add more personality in a correspondence. You can send letters around the world in more than 80 languages!

Introducing the new Billie Eilish Modern Ligature Serif!!! Billie Eilish is a modern, elegant and classy serif typeface, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Billie Eilish comes with clean lines and smooth curves that give any project an extra touch of class. Billie Eilish is built with OpenType features and includes 136 ligatures, alternatives, numbers, punctuation, and also supports other languages. If there's anything else you're not sure about, feel free to message me :) That's it! Have fun using Sparkling Modern Serif Ligatures!!! Feel free to follow, like and share. Thank you so much for checking out my shop!

Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast. Two main groups are Mode 0 (with rounded shapes) and Mode 1 (with angular shapes). Each of them varies from Thin to Black in six cuts, in the same manner it varies from contrast shapes to negative contrast. Mode comes in total of 72 cuts regular and italic, it speaks majority of Latin based languages and is equipped with smcp, c2sc, Old style and all caps numerals. Mode is made by DAGGERtypo during a period of 2019/2020

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.

This font family is an arranged and extended version of PAG Revolucion released from Prop-A-Ganda type foundry in 2008. The original font is inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s. And the original PAG Revolucion is the most popular font from Prop-A-Ganda. In redesigning this font, their detail and spacing was modified and new weights with matching slanted and also lowercase in each style were added to fit contemporary design needs. Then, Revolution Gothic became big family containing 10 styles and will be perfect family for your retrospective project. Be sure to check out distress version Revolution Gothic P.

Hanseat is a profonts typeface family by Ralph M. Unger, heavily inspired by Germany’s official DIN 1451 Engschrift. Originally, the German DIN (Deutsches Institut für Normung / German Committee for Industrial Standardization) typefaces were taken as the standard traffic fonts for street signs and house numbers. During the 1980s, the DIN fonts became digitally available for sign making systems, initially again primarily for traffic sign purposes. However, later on, the DIN fonts became also popular in the world of designers and art directors. Hanseat is a modern, contemporary interpretation of the DIN fonts, responding to the ever growing demand for such typeface designs reflecting the spirit of the industrial area.

Introducing, Jacky Chan - Brush Font Jacky Chan font preserves all the high definition detail of the original handwritten letters. This font it truly looks realistic. Take your design to the up level with a hyper-realistic font that truly looks hand painted. Jacky Chan uses feature Bitmap Trace in Inkscape that makes way for more authentic looking fonts and is sure to grab the attention of customers and designers alike. Jacky Chan installs like any other font, and can be used in any color, on any background. What's Included? :: Uppercase & Lowercase (Regular and Italic Version) :: Numbers & Punctuation : Swashes Ligature :: Multilingual Support Enjoy our font, thank you.

Introducing Möfita font This time we launched a formal font that is unique with the others. This font looks simple and elegant, the font is also very easy to read and suitable to be applied anywhere. Möfita fonts are supported with multilingual characters, and in the future, they will always be updated for additional characters and alternatives. This font is perfect for your collection for making designs that are elegant, unique and slightly formal. Very good for logotype, header texts, quote design, menu design, etc. We are sure you will not be sorry if you choose the Möfita font to be your collection. Thank you Alit

German designer Roberto Mannella first sketched out the idea for Bobotta Icons during a vacation in 1999. Recently, he fleshed these sketches out into a full-fledged symbol font, which was awarded with an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH. Bobotta Icons presents a lively, spontaneous style of drawing, guaranteed to bring a new voice to your funkiest typographic work. The characters contained in this font are a wide array of comic symbols, word shapes, and fantastical creatures. This font contains both symbols that resemble happy crocodiles, and symbols that resemble a neon sign flashing the word love.""

A visual reflection of progress and dynamism, Elevate your design projects to the next level with our cutting-edge bold techno display fonts. Suitable for a wide range of applications. Whether you’re designing sports event posters, tech product labels, or esports team branding, these fonts will make your content stand out. Features : Bold, Strong & Techno Display Typeface Versatile & Unique Design Alternates, Ligatures & Multilingual Support with PUA Encoded Capture attention, and make a bold impression with these fonts. Start creating the future today! Note : To be able to access ligatures and the alternate letters, please make sure the software you are using can support opentype features.

Hideko is a visually unique font that has the essence of both serif and san-serif fonts through integrating the body structure of san-serif while retaining the calligraphy from serif. Hideko was inspired by synthesizing Japanese calligraphy and western letters. During the process of creating Hideko, I attempted to make a font only for oriental use, but the result is a font with versatile uses. This multicultural font is most effectively used for oriental restaurants but is also ideal for western cafes, posters, books, etc. Along with the cultural synthesis of Japanese and western letters, Hideko features various ligatures, stylistic alternates, fractions, and languages as well.

Silhouette Phantom (Signature Stylish) is font in a natural signature shape with a modern and stylish form. A good match alloy will make it look professional from all sides. Make sure this becomes a part of your design. This font is readable, catchy, and easy to use. This font is suitable for quotes, logo designs, magazines, business cards, and many other design projects. Silhouette Phantom is includes: - full set uppercase and lowercase letter; - numerals; - multilingual support; - large number of punctuations; - ligatures, and swash. Please add this font as your favorit, hit like button, or follow me. I'll very happy for that and appreciated it.

Validity Script is a cute, outlined handwriting font family. The typeface was drawn and developed by Måns Grebäck and Misti Hammers during 2019. With swirly letters and charming wilderness it is perfect for a crafty project or an invitation with a personal touch. It comes in three weights and each weight as Italic, totaling in six styles: Thin, Thin Italic, Regular, Regular Italic, Bold, Bold Italic. Each font of this family is of high-quality and contains OpenType features. The fonts have extensive ranges of glyphs; they support all Latin-based European languages, contain numbers as well as all symbols and characters you'll ever need.