LD Baskin Sundae is as cute as it can be, and versatile too! Use this font to make perfectly designed layouts ...you know, you can complete your paper or scrapbooking creation in minutes!

Biortec was designed to look as though it could be used in a futuristic graphical user interface. It could be equally useful as a logotype for a biotech company or some other application.

This roman face is suitable for text and captions. Designed for the graphic designer that is looking for a new and different text font as well as captions. It can be closely kerned.

Bralyo Bubble Font is friendly style font designed for such areas as Entertainment, Music, Y2K, Techno, Games & Applications etc. with Multilingual support (Latin Extended). Works well as Header, Title on posters and packages!

Quaint 235 is a regular and slant font with a modern concept with a bold typeface, good for products and very suitable for use as a display font and also as a header.

Athletico Clean is a clean version of Athletico font, inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Bold, Playful headline and text font with fun alternate glyphs that you can access on the glyph palette through programs such as Illustrator etc. Good for many categories such as food and entertainment.

Childos is a handwritten font in rounded, rough sans serifs style, as well as the development of free and attractive ligature to fill the space between letters and make playful children feel designs.

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

Farmhouse is a rustic serif typeface that was inspired by the woodcarved store signs on Main Street in a quaint little village nearby. Farmhouse is based upon the shapes of Baskerville but has a unique rustic character all its own.

A rollicking fun, freewheeling font based on designs compiled by R. Henderson in the 1903 book, The Signist. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Cybernaut is a bold, distinctive display font with a futuristic feel. It is ideal for all branding, advertising and publishing projects, and particularly well suited to science and science-fiction based applications. It boldly goes where no font has gone before!

Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use in both text and display matter.

Goodbees is built from a bold base, unique combinations, smooth curves, and sharp edges. Goodbees is best uses for headings, Logo types, quotes, apparel design, invitations, flyers, posters, greeting cards, product packaging, book covers, printed quotes, album covers, movies and more.

Gilgamesh is the work of British designer Michael Gills, based largely on his calligraphic experiments and named after a poem from Middle Eastern mythology, The Epic of Gilgamesh". Gilgamesh offers functionality with style and will give emphasis to any typographic design."

Odeon is the kind of font you would have seen on theatre or concert posters around the turn of the twentieth century. It is based on Art Nouveau sign lettering and has a heavy, playful look that's hard to miss.

A heavy block sans in chrome and solid variants. The high lower-case x-height and short ascenders and descenders permit tight line spacing for an impactful, punchy effect. The chrome variant works well at larger sizes and in shorter settings.

Aorta was designed for independent subcultural zine. It have stencil in place of lower-case and digit stencil in place of old style digit. Aorta good for headlines, posters, editorial design... Aorta have condensed proportion and good in solid matter.

Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for ist counterstrokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Your rhythmic type-designer Gert Wiescher

Estonia Nouveau is based on the calligraphic style found in the East European country of Estonia. The traditional lowercase forms are combined with the more non-traditional script uppercase alternates to give a truly up-to-date, yet traditional look.

Based on one of the earliest Tuscans, from Thorowgood's foundry. The original was very poorly rendered in 1822, but keep in mind that decorative types were still quite new in the early 1800s. We redrew it, but kept it recognizable.

This is a radically modernized uncial with many OpenType features and 415 characters: Caps, lower case, small caps, numerators, denominators, accents characters and so on. There are 21 ligatures. It is an experimental look at medieval writing for the 21st century.

Based on informal handwriting. The face resembles sophisticated but naive childish hand and brings associations of summer vacation and meadows spread with daisies. It may be useful in designing of invitations, picture-cards, posters, funny headers and certainly in advertising.

Arroyo is based on water flow. Little creeks on the surface of the earth formed by the action of fast-flowing water, this phenomenon inspired me to create this font. The little gaps/creeks form the letters of the font.

Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.

Hoxie JNL is based on an example found in an old sign painter's design book from the early 1900s and has been translated to digital form by Jeff Levine. All of the quirks and charm of hand lettering have remained.

Royalist Pro is an expanded OpenType font based on "Secretary Hand" from the time of the English Civil War, circa 1632. This Pro version includes over 500 glyphs with alternate characters, ligatures and full Western and Central European Characters sets.

Pacific Northwest Letters is a fun, handwritten font by Cultivated Mind. Pacific Northwest has been carefully hand painted and comes in two styles (Regular/Rough). This font includes a set of lower case letters and Pacific Northwest hand painted Labels B.

Kaaos Pro is based on the logo of the Finnish hardcore band of the same name. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

Dinosaur is a very grotesk and extremely condensed display font. Only useful for very big and short texts. The font comes with three regular weights and three italic weights. With 448 glyphs, Dinosaur font supports over 200 Latin-based languages.

Headline Modified, also called "Modified Gothic" by some type manufacturers, has a large stroke contrast and very small, pointed serifs. Curved characters feature a brushstroke appearance. Our version is based on a typeface designed by the Hamilton Manufacturing Company around 1897.