In 1994, Edward Benguiat designed ITC Edwardian Script, an emotional, lyrical, even passionate calligraphic typeface. Its appearance was influenced by the look of writing with a steel pointed pen, an instrument which can be pushed as well as pulled, and which produces stroke contrast when pressure upon it is varied. The delicate, sophisticated letterforms of ITC Edwardian Script font were drawn and redrawn until the connective elements of the letters were perfected to create the look of true handwriting.

Stuph Light is a collection of drawings pulled from one of the many sketch books Steve Zafarana is always doodling in. Because they are in a font, the drawings can be used in font format or opened and manipulated in vector programs like Freehand or Illustrator. Stuph Light continues to inflict upon an unsuspecting public Steves’ cockeyed outlook on the world that was started with ITC Fontoonies, ITC Gargoonies and ITC Backyard Beasties. Will this lunacy ever end?

It Had to Happen! Here Comes The World's Greatest Comic Book Font! It's A Collector's Item Classic! It's One of Comicraft's Greatest! You Wanted Our Silver Age Style Font -- last seen in the Pulse Pounding Pages of DC's SUPERBOY and Marvel's FLASHBACK titles -- and Now You've Got It! Three Thrilling Feature-Length Fonts! They're the Strangest Sans Serif Fonts of All! Proof Yet Again That This is Indeed the Comicraft Age of Comics! Etcetera, etcetera, etcetera, Blah Blah Blah...

The script typeface named Fineprint is based on its designer's own handwriting, or at least as Steve Matteson saw his handwriting on a really good day. Unlike many digitizations of handwriting, Fineprint maintains a consistent harmony and balance across its letters in a line of text. The Fineprint family includes a number of swash and alternate letterforms, which helps pull this quirky personal nature off. Use Fineprint whenever you want to make something appear personal, friendly, or informal!

Baghadeer, from the hand of Stephen Rapp, is an upright connecting script brimming with personality. With its exuberant capitals, dashing crossover strokes, and rhythmic pulse; it retains the active spirit most associated with slanted scripts, but with the grounded presence of an upright. Baghadeer contains 780 glyphs featuring a plethora of swashes, ligatures, and alternate letters to individualize the look of your project. There is also a set of small caps and ornamental flourishes to add some finishing touches. It contains feature programming to make typesetting seamless and has all the language coverage you'd expect in a pro font.

Hello Introducing, Elegante Classica - Luxurious Serif Display is an elegant, inspired by the famous minimalist logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more. Perfect for adding a unique twist to word-mark logos, monograms or pull quotes. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Hello! I’m SideNote. I specialize in annotations, headings and friendly dialogue. I’m perfect for descriptions and explanatory text. Use me to deliver tricky information in a helpful, reassuring manner. I look friendly and relaxed but professional enough to make you look awesome. I add personality to otherwise dry information making it fun and easier to understand. Whether you’re pulling some slides together or explaining your work, think of me as your friendly assistant I come with all sorts of useful features, like emoji, arrows and underlines. See my webpage for more details: https://www.jamieclarketype.com/SideNote

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Agatized Informal is a rough-edged stencil typeface with chunky letterforms and tight spacing. Designed primarily for display use, it’s ideal for posters, logos, advertising, book cover designs or small chunks of text such as pull-out quotes. The design is something of an enigma, a curious mish-mash of genres – imagine splicing Uncle Buck and Deadpool into a horror movie – it’s big, bold and funny although has a dark side. But what really makes this typeface a joy to drive is its boot full of alternative characters and ligatures. There is a saying: Use sparingly. Not on this street! Make your Glyphs palette burn rubber. Set your OpenType to full throttle: crank up your style and get those liga-tyres screeching. Agatized is a souped-up old campervan spinning doughnuts on the beach. The design started life as a piece of lettering for a book design that didn’t progress past the sketch stage. I liked the rough, dense character shapes, so during some down time I started drawing more characters and the lure of a new typeface pulled me in from there. Although this is a single-weight typeface it has a younger sibling, Agatized Formal, a neater, more dapper brother, smoother round the chops and smartly dressed – certainly no less fun though.

Bardot is a versatile swashed type family that combines modern elegance with technical structure. It features swashed alternate caps, as well as various ligatures and alternative characters. Uppercase swash alternates can be applied to all characters or just the first of each word. These alternates can be accessed easily through any OpenType-enabled application for specific needs. Bardot works best as a display font at large sizes but is equally adept to paragraphs of text or small pull quotes. Graceful, curvaceous and attention seeking, Bardot offers elegance and charm in abundance.