Newly remastered, this elegant font features over 770 characters. P22 Pouty Pro is a light contemporary italic, including a large set of ligatures and alternate characters, offering plenty of options for customization. Award winning commercial lettering artist, Michael Clark had noticed that italic, and its limitless variants, is more utilitarian than other calligraphic styles and Pouty—named for his youngest daughter Jennifer, a sulky beauty—is one of his favorite variations. Perfect for wedding materials, fashion editorial, packaging design, product labels and anywhere a sophisticated calligraphic style is desired.

Alice is a formal fantasy font. It’s inspired in the fairy tales and magical lands that my mother used to tell me as a child when I went to sleep. The capitals are really nice and complex, while the minuscules are cleaner for easier reading. The style Curly uses some features of the normal uppercase letters in the lowercase ones. There are some minor, yet noticable, flaws in a number of characters that will need correction for signage/vinyl letter cuts (characters appx. 2-1/2" and larger).

William Caslon (1692-1766) laid the foundation for English typefounding, when he cut his first roman face in London in 1722. He modeled his designs on late seventeenth-century Dutch types; thus his typefaces are classified as Old Styles. The original Caslon punches have been preserved, enabling a perfect recutting of his faces. Notice the hollow in the apex of A and the two full serifs or beaks in the C. The italic capitals are irregular in their inclination. The Caslon font family is distinctive for use in subheadings or continuous text.

Le Brond is a sporty, strong and elegant typeface, in a college style. Inspired by design styles that are currently popular, and this is the answer to every need for ideas that you will pour in this modern era, with a thick and sturdy style in each letter as if this font has a soul in it. It excels in posters, social media, headlines, headlines, large format print - and anywhere else you want to get noticed. What are you waiting for get Le Brond soon. Let's play basketball!

Bayoneta is not your usual handcut alphabet, though it can seem so. It can also seem like carefully constructed lettering inspired by Polynesian cultures. By bridging that gap between knife-wielding kitsch and studied display lettering, Bayoneta offers quite a various range of theme possibilities. Its clear and attractive shapes can provide the eye-catching spontaneity on a book cover, the expressive shout on a skateboard or a muscle shirt, the mouth-watering brand on a protein bar package, or the main notice on a theme park ride sign.

Amaral is a family of 12 fonts with a contemporary design style, based on different historical models. The calligraphic influences are subtle, best noticed in italics. The result is a set of fonts that look more "constructed" than "written". Available in six weights of the Roman and Italic types, Amaral has a wide palette of glyphs. In addition to offering extensive support for Latin sets, among many OpenType resources, each font contains small caps and contextual ligatures, totaling more than 728 glyphs. Amaral is an option for editorial design projects and other related applications.

Harriella is a refined and delicate handwritten font. This lovely script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs, swashes, and ligatures.

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

Wee Todd is a well-connected script font in the rough style of a lefty. Several of my closest friends are lefties and I, over the years, have carefully observed their writing style. For the most part they have unique, interesting handwriting and Wee Todd is a reflection of that style. Notice how Wee Todd’s characters connect. I’ve designed additional ligatures and characters into the typeface so that characters are substituted as you type (in OpenType savvy applications), giving the appearance of natural, spontaneous handwriting. Try it and see!

Typek is a sans serif typeface for the lovers of minimal design and great curves. Typek outlines' professional shapes are perfect for large display usage.. Perfect for branding, posters, web and publications. The idea is to treat the letters' stroke create absorbing and interlaced shape. The design of small interfering in letters' construction makes Typek unique. Typek contains uppercase, diacritics and digits. The Typek Family is in two versions: Regular and Outline. Outline version can be an interesting addition and decoration for the Regular version.

Basquiat Irregular is a font inspired by graffitti and children's writing. Contains 3 alternative characters for each letter, multilanguage support including cyryllic. It's perfect for creating artistic publications, writing quotes and many other designs. The family also has two fonts with frames, lines and ornaments. Its apperance is rough, hand painted and casual. Perfect for music and street art designs. Frames and lines are created by typing uppercase letters for starting or ending frame or creating an arrow and lowercase letters for typing lines.

This illustrative alphabet was inspired by the decorations of Godfrey Sykes, whose work was greatly influenced by that of Raphael and Michelangelo. This tile alphabet follows a Venetian 16th-century tradition of letters decorated with figures symbolizing each initial, a High Renaissance style. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for artistic publications, storybooks, fairy tales, and texts conveying the feel of the apogee of the visual arts in the Italian Renaissance.

The inspiration source for Triangulus Monogram is a vintage publication called “Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series”. Found in that specimen book, is an alternative to the traditionally seen diamond monogram style. A triangular form, this monogram style is now digitally recreated and revived for modern use in Triangulus Monogram, with two letter monograms and a selection of additional frame styles for a final classy touch! Download and view the MFC Triangulus Monogram Guidebook if you would like to learn a little more.

Telephone Extended is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A normal width family, Telephone, is also available.

HS Almaha is a modern OpenType Arabic Typeface. It combines the features of linear Naskh and modern Kufi. Segments of its letters are curvy and sharp. They are refinement more readable and present in extended texts in magazines, newspapers, books and other publications. This typeface supports Arabic, Persian, Urdu and Kurdish languages and it contains four weights; light, regular, medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes.

Telephone is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A wide version, Telephone Extended, is also available.

High-quality ornamental initials superimposed on nursery rhyme backgrounds such as Humpty Dumpty, Ride a Cock Horse, Baa Baa Black Sheep, Tom Tom the Piper's Son, Rub-A-Dub-Dub, the Queen of Hearts, Old King Cole, and many others. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Ornate and accurate renderings that can be used for the beginning of paragraphs in any children's publication or texts relating to nursery rhymes and fairy tales.

6th Aniversario is a rounded condensed typography, handwritten and elegant, perfect for writing good advertising titles in graphic design of posters, flyers or publications in general where space saving and readability is required. Includes the Bitcoin symbol (ligatures): b# The Commercial version includes: - 492 glyphs. Latin Extended-A • OTF & TTF - OpenType Functions: Fractions, Alternate Annotation Forms, All Alternates, Superscript, Superiors, Slashed Zero, Superior letters, Localized Forms, Numbers Small Caps, Inferiors, Scientific Inferiors, Discretionary Ligatures, Numerators, Standard Ligatures, Subscript, Extended Fractions, Ordinals, Denominators, Oldstyle Figures, Historical Forms.

Rasputin is a sharp, curvy and versatile modern slab serif typeface with 4 weights. These are complemented by unique discretionary ligatures that pay attention to detail to make this font stand out and stand out in all its shapes and weights. Its sharp uniqueness, for example in the letter "A R K" provides a great personality type in the title and body text while maintaining optimized readability. Characters that are well-suited for a wide variety of applications from editorial design to branding, advertising, publicity and digital.

Vako Mave a modern, contemporary of serif font. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters .

A new design inspired by the various mastheads used in children’s comic books in the United Kingdom, published by D.C. Thomson of Dundee, Scotland.

The influence for this font came from the Fred Africian's uppercase letter composition shapes, published in "The Art of Letter-type" album, Yerevan, 1984.

Waleed est une police de caractère Arabe, et latin inspirée du Naskh

Cervo Neue Condensed is the new perfected and Condensed version of Cervo Neue, containing 18 variants. It differs from the previous version of Cervo with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. Recently, Cervo Neue Condensed has started being used as a display text in „Przekrój Magazine” which was published in years 1945–2013 in Krakow (2002–2009 in Warsaw) as a weekly and again from 2016 as a quarterly journal in Warsaw.

Clementine, from Okaycat, is a font designed to be expressive. First, we wanted Clementine to be uplifting, friendly and warm. Secondly, we wanted it to be familiar, but neither staid nor boring. To make Clementine more warm and friendly, 90 degree corners and cubic forms were not allowed. All straight edges are either subtly curved or lightly tapered (with the small exception of the serif foundations, to create a secure base). To add an uplifting feel, all tapering flows towards the apex of the forms and the ascenders were allowed extra rising freedom above the capital height, similar to the effect intended in the architecture of old European churches -- to point all elements gently upwards towards heaven. To keep Clementine familiar, traditional type setting shapes were used throughout the font. To avoid the usual coldness of typical typewritten fonts, all forms were opened up, calligraphic touches were introduced, and any unnecessary serif elements were omitted. The result is a look that brings a touch of nostalgia or a "retro" feel. Clementine is highly appropriate anywhere a soft and friendly feel is desired. Can work well as a body text, or as ad copy. Clementine is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

When I first saw the scrapbook pages of Danielle Paradis, I was immediately struck by the funky-cool distinction of her handwriting style. I was inspired and felt moved to ask her for samples, from which to build a complete font. This warm and friendly font is applicable to a wide variety of uses. Use it wherever a casual cool look is desired. It's right at home on trendy restaurant menus, children's publications, organic food labels, correspondence and of course, scrapbooks, to suggest a few. A number of stylistic alternates are included.

She may not be the heaviest font on the street but Thickset can throw her weight around with the best of them. Designed as a display font, Thickset is a solid slab-serif with thin counters that makes it ideal for publications like fashion and editorial magazines. But don’t get me wrong, she’s more than willing to give anything a try. Just as long as you respect her in the morning. In addition to ligatures and fractions, Thickset’s other OpenType features include old style numbers and small caps.

Fette Deutsche Schrift also known as Koch-Fraktur or Kochschrift was created by Rudolf Koch for Klingspor foundry between 1908 and 1910. The basis of this font is a publication in the magazine “Das Plakat” of September 1921. The font contains swash capitals to use as dropcaps, contextual alternates, glyphs for line endings, ligatures, discretional ligatures for use in German, ornaments and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed long s used in Latvian old orthography till 1930s).