It's casual and contemporary.

Grottel is a modern grotesque sans serif font family that follows the philosophy of original grotesque typefaces with enhanced personality. Fine details and tuning, balance functionality and the beauty representative of the aesthetic movement in the 19th century. Details include 5 weights, manually edited kerning, ligatures and alternatives to allow users to add further personality to the font.

ITC Nora was designed by James Montalbano when he was on a 1930s sign-lettering kick, poring over showcard manuals to find inspiration for new typeface designs. A few letters led him to create this informal, goofy" script, which falls between the many formal scripts and the completely extravagant. ITC Nora displays a free-flowing openness and elegance."

Contage is the Display Sans Serif family, designed to look modern & minimal in any setting. Designed for optimal readability, its clean geometric look is perfect for things like fashion, magazine, logo, branding, headers, titles, corporate brochure designs. Typeface also supports Latin-based languages. Other details include 12 font weights, 368 characters, manually edited kerning and the Opentype alternates feature.

A modern geometric typeface evolved from a systematic grid. The consistency of form lends itself to a wide variety of applications and used at large scale creates a powerful impact. Also the characters have compact widths allowing for a great economy of space across layouts. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to wide range of applications including magazines, newspapers and handheld devices. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

A clean modern sans serif typeface. The balanced proportions of each character demonstrate great legibility at both small and large scale. The distinctively open apertures further improves visibility when used across the web and hand held devices. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

Frieda is a handwritten calligraphy script equipped with contextual alternates features and ligature variations for a customised look. Just add "+" before the letter or manually choose the character from Glyph Palette. Authentic, chic, but also relaxed with a set of beginning and ending extensions. Frieda can be used for weddings, greeting cards, invitations, books, menus, advertising, etc.

A precise rounded typeface with a clean and linear appearance. The simple compact nature of the design allows for great economy of space across layouts. Also deliberate consideration has been paid to inner corners to ensure no dark areas are produced within texts. Details include 6 weights, an extended European character set, manually edited kerning and Euro symbol.

DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction.

A typewriter style slab serif typeface. The design is influenced by the font Rockwell and uses a combination of precise geometry with subtle elliptical curves. The harmony of these elements creates a distinctive and functional typeface suitable for a variety of graphic design applications. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

A modern geometric typeface influenced by the work of Dutch designer Wim Crouwel . The angular nature of the design lends itself strongly towards large display applications but because each character is formed from a consistent grid, stylish body copy can also be achieved. Details include 6 weights, a complete character set, manually edited kerning and Euro symbol.

La Rose is Display Sans, designed to look modern & minimal in any setting. Designed for optimal readability, its clean geometric look is perfect for things like fashion, magazine, logo, branding, headers, titles, corporate brochure designs. Typeface also supports Latin-based languages. Other details include 4 font weights, 290 characters, manually edited kerning and an Opentype alternative feature.

Saturday Detentions is based on the classic serif "High School" style. However, this version is handmade and a bit rugged here and there - and loose in a legible/organic way. I've added 7 different versions of each letter and they automatically cycle as you type - or you can manually choose the one you prefer from the glyph menu.

Eckhardt Poster Deco JNL is a continuation of a series of sign painter's fonts, and was modeled from a lettering example found within the pages of an old sign design manual. It is named, as always, in honor of the late Albert Eckhardt, Jr., the owner of Allied signs in Miami, Florida and Jeff Levine's good friend.

Black Mustang is is an Condensed font with a modern look, go for the alternates titling or manually choose from the Glyph Palette from more alternative characters to give it a borderless design. Black Mustang offers you: - Upper and Lowercase characters (All Caps) - Stylistic alternates (Uppercase 52 charcters, Lowwercase 26 characters) - Numbers and Punctuation - Multilingual Support (Latin Western Europe)

1950's style casual script.

Electricity Generation is a cute, quirky and casual handwritten font. Its informal style and casual vibe will make this font a go-to choice for each of the creations that require a relaxed touch.

Developed at ParaType in 1996 by Alexander Tarbeev, based on PT Compact, 1991, by Vladimir Yefimov. For use in advertising and display typography.

Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.

Pier Georad is a great, casual and playful typeface designed in 2020. This font can be used for anything such as logo, packaging, poster, branding, header, poster, apparel, and other cute or casual design projects.

Casual script styled after 1950s signage.

Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.

PT Vesna™ was designed by Natalia Vasilyeva in 2000. Licensed by ParaType. An original calligraphic script for use in advertising and display typography.

Suti is a non-connected sign painters casual script with upper and lower cases. Suti was originally designed in 2010 but it was completely re-drawn in 2016. Casual lettering is a style sign painters use. Every sign painter has more or less their own style to make these letters. The casual alphabets are painted with speed and they don’t need to line perfectly but letters are still clean and easy to read. Suti has smooth and round forms. Friendly and casual looks. It is suitable for logos, titles, package design or where ever you need a fun and sympathetic display font.

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

The design of Eurotech Pro was inspired by Thannhaeuser’s Technotyp font family which was cut by Typoart, Dresden, in 1949. Eurotech is not a mere revival of the old Typoart version but many letterforms have been updated and modernized. The Cyrillic letters are designed entirely by myself. Eurotech Pro is well suited for technical purposes, like catalogs, manuals or articles which are multilingual.

A modern display typeface with ultra sharp detailing. The unique line style takes influence from earlier fonts produced in the 1970’s by Letraset. These lines are then blended with a stronger letterform creating a more visually dynamic font suitable for today’s market. Details include: three unique styles, all caps character set with alternatives, manually edited kerning and Euro symbol.

Moldiv is a sans serif display typeface with geometric appearance. Its clean and angular shapes provide a futuristic and robust design. Moldiv consists of a single weight, an extended European character set, and kerning and symbols were manually edited. It has a timeless style which is great for display purposes, especially for headlines, posters, magazines, book covers, logos, and much more.

A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include 9 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

Kuro is a precisely rendered sans-serif type family. Modern geometric forms combined with subtle detailing create a charming, straightforward and versatile design. The lighter weights bring a contemporary touch to body copy while the bold weights add the strength of character to branding, identity and packaging. Details include eight weights, over 450 characters, manually edited kerning and Opentype features.

Pepita is a flexible and easy to use connected script. Pepita has plenty to offer: a selection of 72 ornaments and plenty of ligatures and alternate characters: try turning on Contextual Alternates, Swash or Stylistic Alternates in any Opentype savvy program or manually choose the characters from the glyph palette. For best results combine all 3 weights of the font.

A simple, mechanical typeface without distractions. Slightly condensed curves are developed from a compact grid layout to produce a crisp, fresh and legible type family. The unadorned letterforms work perfectly with complex information-based applications such as user interfaces, mobile devices and websites. Details include six weights with italics, 480 characters, five variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

La Paz is a typeface created to emulate handwriting. It consists of three different alphabets which are interleaved to provide variations in height, weight and inclination, typical of handwriting. In addition it has tens of ligatures, ornaments and opentype programming that help to recreate human gestures. It's ideal for use in small sizes for designs with a warm imprint and with manual gestures.

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

Artegra Soft is the round cornered addition to the Artegra superfamily. It's based on the perfectionist geometric forms of Artegra Sans, all the glyphs are softened with round corners with manual corrections to the soft edges. The family has 54 fonts in condensed, normal and extended widths, 9 weights per width with matching true italics to achieve the upmost versatility.