A heavy black display face with lots of retro 'cool'. Modernist to the extreme MB SIXTYTHREE oozes 'mod' culture. Great for magazines & headlines, logotypes, posters, album artwork.

Borders, embellishments, spot illustrations and a miscellany of other dingbats are gathered in Print Art JNL as another collective of nostalgic imagery for print and web projects.

This baby's got a fancy look to it. I personally used it for the nameplate at my frontdoor. You oughta do the same for your frontdoor too!

Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.

Retro British A classy eighties Poster inspired serif, offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Gallero Vintage Inspired by Renaissance Design Era. Gallero offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Penitentiary Gothic is a digital recreation of the letters used on California state license plates, designed in order to make props for movies and television shows. The regular style is meant to be used on its own, but the other four styles are meant to be used one on top of another in different colors to create an embossed 3D effect. For best results, use the fill style in a dark color on top of a light colored background. Put the lolite style directly on top of the fill style in 10 - 30% of the background color. Put the hilite style directly on top of that in 10 - 30% of your fill color. Put the shadow style directly on top of that using your background color plus 50 - 80% black.

Sharik Sans (named after the brave and smart dog-hero from my favorite TV series) has a warm and gentle personality. It does not shout; it does not stand out. Sharik serves his master in everyday work. Although it is a sans serif, you can feel a calligrapher’s touch in its subtle details and endings. They shine out, especially at display sizes. The family consists of nine weights plus matching italics. It meets most of the needs designers deal with on a daily basis, including web usage. It is stuffed up with various OpenType features such as small capitals, a wide set of numerals, fractions, ordinals, alternates, and, of course, ligatures. And it perfectly harmonises with my other serif-like typeface family Clavo. NB: This font is NOT style linked by weight!

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! The Philosopher Script is a different take on what a monoline script should be. It’s not like anything else out there and it works in any context The conciseness of The Philosopher Script makes it well-suited not just for those seeking a new direction in design, but also for anyone producing art, looking to add their own style. Professional design and smoothed curves that are inherently better than a standard font. It comes with a vast array of ligatures, alternates, and many other helpful glyphs not found in any other typeface A Million Thanks Colllab Studio www.colllabstudio.com

Kestia is a modern and elegant typeface, which leans towards the Neue Nouveau type style. The inspiration for the Kestia typeface came from the early Art Nouveau typographic designs. I wanted to combine type styles from different eras, to create a typeface that is strong yet modern and unique. I designed the typeface with creative letters and ligatures, which makes it perfect for creating nostalgic and retro designs such as: posters, magazines, logos, wedding invitations, Instagram posts, websites, blog posts, pull quotes, social media posts and much more. If you are looking for something modern and retro for you next project, Kestia is the font for you. KESTIA INCLUDES A FULL SET OF: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Multilingual symbols. I hope you enjoy using the Kestia typeface.

JUST BE is a playful brush script. Perfect for titles, headings and logotypes for blogs, ads, quote prints, home decor, book title, invitation, birthday, custom product, lifestyle imagery (like quotes and stuff). Character set contains Eastern and Western European Latin accented letters. For additional customisations (for logotypes for example) please email me at contact@rolandhuse.com You MAY NOT sell this font or claim them as your own. You MAY NOT edit or rename this font. You MAY NOT redistribute this font. Thank you I hope you like this font & good luck with your project! Roland Instagram: @rolandhusedesign Background images of "Just Be" main poster by Annie Spratt from unsplash https://unsplash.com/@anniespratt "Your best moments in life are ahead" by Helena Hertz https://unsplash.com/@imperiumnordique paper bag mock up by Graphic Burger https://graphicburger.com"

Tire Swing BB is lighthearted without being silly. It's whimsical without being cliche. It's a body copy font, or great for headers, and includes lots of European characters.

Modern Aesthetic Inspired by Renaissance Design Era. Modern Aesthetic offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Hi! Introducing calligraphic font named "Megawatt". It's a script with connected letters, lots of characters including West European languages support and few ligatures. Thank you and have fun!

Vxtr11 is a experimental typeface for use on logos and titles this typeface is not for text! see the presentation here http://www.behance.net/gallery/Vxtr11-Experimental-Typeface/818127

Finesolla is a cool brush script font. It’s perfect for creating logos, product branding, posters, social media posts and much more! Ignite your creativity with this fun font.

Bubblewrap is based on a 10 x 14 dot matrix grid and is perfect for projects where a little care and attention is the order of the day.

Danu font is a font with a traditional style with a minimalist approach, this font is inspired by Javanese script with curved letters and some dots in it.

Yes, it's handmade - and yes, it's super funky! Sticky Beat is quite useful for everything that needs a quirky approach, and at the same time not overdoing It.

Sweetheart Script revives handwriting from the mid 20th century with a lot of bounce and personality. Use it in casual settings where you need a bit of flair!

Inspired by the sign outside a beauty salon, it is an art-deco all-caps font. This font will NOT make you more attractive to the opposite sex.

Retro Brown, Inspired by 70s Design Era. Retro Brown offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

I was playing around with some brushes and ink, and out came Skulduggery. Use it for any project you can apply the term ‘skulduggery’ to. Or not. Whatever.

Quirky Fashion Quirky Fashion offers beautiful typographic with 2 style : Regular & Italic, harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Font with hexagonal dots for names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for text on posters, t-shirts and other surfaces.

Introducing Esport Graph Inspired by Esport style, Esport Graph offers Futuristic typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Kidspace is playful style font, with alphabet, numbers, symbol, and multilingual feature. You can use this on kids project, logo, social media post, book cover, and other project.

Argaka Fashion, contemporary of Serif Display font, Argaka Fashion offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

A unique looking sanserif that connects like a script. It's different and innovative design creates a whole new look. A great decorative display font with lots of applications.

Display Intense is a display font designed specifically for display, headline, logotype and similar applications. It is not intended for text use or for use at small sizes.

La Signora Inspired by Renaissance Design Era. La Signora offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

La Barokah , Contemporary of Bold Serif Typeface, La Barokah offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Zebramatic - A Lettering Safari Zebramatic is a font for editorial design use, to create headlines and titles in eye-catching stripes. Constructed to offer flexible and a variety of graphical possibilities, Zebramatic type is easy to use. The font is offered in three styles: POW, SLAM and WHAM. These styles work both as ready-made fonts and as patterns to create unique, individualized type. The font design’s full potential is unleashed by layering glyphs from two or all three styles in different colors or shades. Working with the different styles I was reminded of the late Jackson Pollock poured paintings—in particular the documentation of his painting process by Hanz Namuth and Paul Falkernburg in the film Jackson Pollock 51. In Pollock’s pictures the complex allure arises from how he layered the poured and dripped paint onto the canvas. Similar joyful experience and exciting results emerge by layering the different styles of Zebramatic type. Texture In the heart of the Design is Zebramatics unique texture. It is based on an analog distorted stripe pattern. The distortion is applied to a grade that makes the pattern complex but still consistent and legible. You can view some of the initial stripe patterns in the background of examples in the Gallery. Zebramatic POW, SLAM and WHAM each offer a distinct pallet of stripes—a unique zebra hide. POW and WHAM use different distortions of the same line width. SLAM is cut from a wider pattern with thicker stripes. The letter cut and kerning is consistent throughout styles. Design Concept Attention-grabbing textured or weathered fonts are ideal for headlines, ads, magazines and posters. In these situations rugged individuality, letter flow, and outline features are magnified and exposed. Textured fonts also immediately raise the design questions of how to create alignment across a word and deal with repeated letters. Zebramatic was conceived as an especially flexible font, one that could be used conveniently in a single style or by superimposing, interchanging and layering styles to create a unique type. The different styles are completely interchangeable (identical metrics and kerning). This architecture gives the typographer the freedom to decide which form or forms fit best to the specific project. Alignment and repetition were special concerns in the design process. The striped patterns in Zebramatic are carefully conceived to align horizontally but not to match. Matching patterns would create strong letter-pairs that would “stick out” of the word. For example, take the problematic word “stuff”. If Zebramatic aligned alphabetically, the texture of S T and U would align perfectly. The repeated F is also a problem. Imagine a headline that says »LOOK HERE«. If the letters OO and EE have copied »unique« glyphs - the headline suggests mass production, perhaps even that the designer does not care. Some OpenType features can work automatically around such disenchanting situations by accessing different glyphs from the extended glyph-table. However these automations are also repeated; the generated solutions become patterns themselves. Flip and stack To master the situation described above, Zebramatic offers a different programmatic practice. To eliminate alphabetic alignment, the letters in Zebramatic are developed individually. To avoid repetition, the designer can flip between the three styles (POW, SLAM, WHAM) providing three choices per glyph. Stacking layers in different sequences provides theoretical 27 (3*3*3) unique letterforms. A last variable to play with is color (i.e. red, blue, black). Images illustrating the layering potential of Zebramatic are provided in the Gallery. The design is robust and convenient. The font is easily operated through the main font panel (vs. the hidden sub-sub-menu for OpenType related features). The process of accessing different glyphs is also applicable in programs that do not support OpenType extensively (i.e. Word or older Versions of Illustrator). International Specs Zebramatic is ready for your international typographic safari. The font contains an international character set and additional symbols – useful in editorial and graphic design. The font comes in OpenType PostScript flavored and TrueType Format.