Christmas Sheep is a modern and relaxed display font. It embodies playfulness and authenticity and is the perfect choice for any children activity, school project, Christmas, New Year, Birthday and many more. Add this playful font to your designs and notice how it makes them come alive! This font is PUA encoded which means you can access all of the cute glyphs with ease!

Recht is a geometric sans with much attention to curvature compensations, classifying between classic geometric sans-serif typefaces and neo-grotesques. The family contains 10 weights with corresponding italics, Cyrillic script with inclusion of Ukrainian Cyrillic, and a bunch of OpenType features. Recht has a closed aperture and is extremely versatile, working exceptionally well in both headlines and long text paragraphs. You can use stylistic sets for added geometric or humanist flavour.

Longbow BB is an unconventional gothic/blackletter typeface with a hefty compliment of European characters. The Opentype version has autoligatures to make any two adjacent, duplicate letters or numbers look slightly different for a more hand-lettered look.

Based on gnostic studies of indecipherable Lovecraftian mausoleum inscriptions conducted in hidden colonnaded antechambers, Saintbride has an architectural and stone-carved heritage that makes it suitable for Gothic romances, metal CD covers, biker gang tattoos and wedding invitations.

Parquillian is a calligraphic display face with good legibility. It is based on a hand using elements of Italic, Gothic and Fraktur, developed for creating wedding certificates. It has numerous ligatures and alternates with subtle yet elegant swashes.

Godhong is a typeface inspired from gothic and rebel style. The Godhong typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.

The Roman alphabet has seen endless variations in interpretations of its classical form, and various wood type styles managed to explore everything from XXX condensed to hyper extended and expanded. This delicate and handsomely proportioned extended Roman was issued by Page Manufacturing Co. in 1872 and released as simply “No. 251” after Page was acquired by Hamilton. It is a rare font to find in print shops, most likely due to the very fine lines that would no doubt be less durable that bolder gothic jobbing fonts. While being quite wide, it still holds the elegant grace of wide Romans such as Craw Modern. This new digitization features a full Western and Eastern European Character set as well as ligatures and alternate characters.

Fusion Sans is an amalgamation of traditional early nineteenth-century sans-serif letters. Despite its monotone structure it retains certain features common to roman. For instance lowercase ‘a’ and the two-storey ‘g’ are normal roman characters, while most letters are designed with a thinning of stroke at the junction of rounds to stems. Other letters are borrowed from earlier gothics, like lowercase ‘t’ which was first seen on a typeface that was developed by Paul Rand for Westinghouse in 1960. Fusion Sans is a tall family of 4 weights which is suitable for long headlines. The new ‘Pro’ version developed in 2006, provides support for all European languages including Greek and Cyrillic while it comes loaded with 19 special OpenType features.

Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.

‘Conflict’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Boomshell is a very eye-catching font with natural-looking textural strokes, plus a few ligatures and swash additions. Perfect for project branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm, etc.

‘Charm’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Jheronimus is a neo-humanistic grotesque. A font with an open aperture. It has straight terminals and a moderated height of the lowercase characters. Jheronimus is a font with a uniform ordered rhythm. Well readable on the screen in small size. Consistent letter proportions. The rounded elements are pill shaped and the font has pronounced connections strokes. Punctuation marks are well decorated. Jheronimus will satisfy the demanding typographer. There are oldstyle figures in the best traditions of humanism. The bright recognizable character is combined with a clear form. This creates a sharp, crystal impression. Jheronimus is suitable for the design of an ambitious, temperamental text. It is stylistically similar to the paintings of the Dutch artist Hieronymus Bosch. From this comes its name.