Saulifriend feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Alright is a cursive font is based on the handwriting alphabets used in education, but with modern short ascenders and descenders. Most of the lowercase letters and half of the capitals join up smartly. A useful teaching alphabet and surprisingly stylish too.

Sweet Mia is a playful modern calligraphy font with a dancing baseline. This sweet font has nice smooth lines and is perfect for crafters and cutting machines. Sweet Mia will look gorgeous on cards, mugs, quotes, logos and all your other lovely projects.

Eagle Bold was designed by M.F. Benton in 1933. It is a heavy geometric Sans Serif font with unusual spurs on Capital G and Q. An all-Capitals design, the Eagle Bold font is perfect for magazine and book covers, posters and packaging.

This font is a modern urban script. Very impressive because of its heavy and rounded shape. Upright stems and wide width of their shape gives easy and slow impression. There is one more script designed by in the same concept. -Nothing -Banana

Tabina is a sweet, romantic and timeless handwritten font. It looks stunning on wedding invitations,thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.It features a varying baseline, smoothlines, gorgeous glyphs and stunning alternates.

This font has wide letterforms and bends which echo the continuous roads traveled on when reaching distant holiday destinations. The typography aims to be clear and legible, as do helpful road signs. This font can function as headings, subheadings and body text.

Mandatory is a full small caps font developed from the typeface used for UK vehicle registration plates. There is improved stroke separation on the M and W which are pointed at the centre, and the tail of the Q is thinner and clearer.

Vafthrudnir is an original font design which draws on the tradition of Germanic uncial and early gothic calligraphy. It is designed to be extra bold and somewhat rough-hewn, for use in title design, and features variant versions of many of the characters.

Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting Celtic and Eastern European languages. It has both regular and italic styles.

"Couple Valentine" is a very unique and beautiful display font. This font has a heart shape on each letter. It is suitable for romantic moments, Valentine's Day, weddings, and more. This font is equipped with uppercase, lowercase, numerals, punctuations, and multilingual support.

Kripke is a slab serif with rounded corners. It's readable and soft at small sizes, strong and friendly at large sizes. It's got a Greek and Cyrillic glyphs, as well as a large complement of accented characters. Try it on your designs!

"Christmas Laurent" is a beautiful and unique handwritten font with Christmas decorations on the letters. Equipped with uppercase letters, lowercase letters, numerals, punctuation, swash, titling, alternates, and multilingual support Very suitable for Christmas, Christmas gifts, Christmas decorations, Christmas ornaments, winter, and others.

Ancoa is a Sans Serif Display typeface, which plays with its rough form and works perfectly on posters, designs of different uses, contains 19 fonts and includes different styles from Inline, Layer Inline, Rough and the different Weights between Regular to Fat.

Sato is a playful sans type designed to be legible without sacrificing authenticity. The subtle ink traps is a nice touch on display sizes, and the balance between curve and edgy terminals make it a great option for identity design and signage.

Haney Love feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Olivier is based on painted black ink letters. Inspiration for this typeface is fluidity of wine. Shifting base-, mean- and cap lines, varying tails and ascenders give it an organic, playful feel. The font is suitable for logo types, short paragraphs and headings.

Latimer is one of a series exploring a fusion of Roman and Gothic forms. Characteristics of each genre can be seen: the fluid tapering serifs and rounded shapes of the Roman form, contrasted with the angular diamond and hexagonal shapes of Gothic.

The GEOMETRY Font is based on a specific grid. The grid is made of vertical, horizontal, diagonal lines and circles. Every single letter, number and symbol fits perfectly in the grid, no exception! The GEOMETRY Font includes uppercase, lowercase, numbers and punctuation symbols.

Carot Sans is designed on the basis of three elements - square, circle and triangle. Simple and fresh typeface for visual identities, book covers, magazines and advertisement. The whole Carot system of 64 members offers a modern alternative for all types of design work.

Christmas Heart feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Rashford is a brush font that fulfils all your needs, made with a brush pen with a real brush tip that gives result of a rough and distorted font. It contains uppercase, lowercase, punctuation and symbols. Rashford is suitable for posters, graphics designs, quotes, greeting cards, invitation cards, logos, packaging, branding, magazines, titles, advertising, business cards, signs, greeting cards, flyers, kids t-shirts, logos, and every other design which needs a rough look.

Luftayah is a modern display typeface, designed by Anna Seslavinskaya in 2018. The typeface was inspired by the sociological concept of the “melting pot”, by a fusion of different cultures, isolated in a geometric form. Two traditions, Kufic script and German fraktur blend into a new symbiotic form. Luftayah adapt it for use in display contexts, as headings and book blurbs, through the use of a range of unusual combined characters and ligatures.

Skunkling was born out of a contest, where its initial design won first place. It was inspired by a real-life encounter between a spraying skunk and a defenseless designer. Skunkling is carefully designed to be playful and even awkward. Unique letter forms and ligatures allow the letters to fit snugly together. The two "weights" can be used individually or they have the unique capability to be overlaid to create a two-color font.

Javar is an all-caps display font. This font is designed in a colossal Middle Eastern style, with dynamic strokes using a flat pen which produces a magnificent and authoritative letterform. This font has a high historical taste, so it is perfect to be applied to specific themes such as culture, history, religion, kingdom, and battles. Equipped with accented characters, and special characters to boost your design. Thank you for your support!

In 1994, John Benson designed the typefaces Caliban, Alexa and Balzano, all with similar characteristics. The typefaces are distinguished by their calligraphic style and their closeness to handwritten script. Caliban looks as though it were written with a broad tipped pen, with reserved yet lively figures which retain their legibility. Caliban is a good typefaces to use in short and middle length texts as well as headlines, wherever a personal touch is desired.

Queenty is a fun monoline font that can be applied to many of your precious designs. It's really handwriting that's kept simple and has an elegant style that makes this font a lot of fun. Queenty has a unique additional swash to complement this font, and it's very easy to pop it just by pressing a+underscore.. You can use it for posters, titles, greeting cards, packaging, invitations and more. Included : - Multi-language - Unique Swash

Limoen means 'lemon' in Dutch. Why did I call this font Limoen? Well, I guess I ran out of meaningful names, so I had to work with whatever popped in my head - which happened to be Limoen. Don't ask… Limoen is a very cute, very threedee-ish typeface. It works great in poster ads and as a display font. It comes with upper and lower case letters and a whole bunch of diacritics. Enjoy!

Hi...Thank for your visit :) Bertrade monoline stylish script Fonts are font designs that are made for various vector designs, printing such as digital wedding invitations, blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... Bertrade is equipped with complete alternates, so it can make your product look elegant and attractive, and also Multilingual support!!! Happy design ...

BR Segma is a geometric sans-serif type family of 8 weights plus matching italics. Geometric precision and modern utility create a contemporary modern aesthetic, while open apertures, and low contrast strokes provide a comfortable reading experience. Segma builds upon geometric traditions but remains firmly in the present. BR Segma provides advanced typographic support with features such as case sensitive forms, fractions, slashed zeros and multiple figure sets. For custom enquiries please contact: mail@brinktype.com

Brouillard means ‘fog’ in French. I like the ‘oui’ letter combination and I was looking for a name for this font that contained those letters. I found Brouillard and presto: a new font was born! Brouillard font was handmade with a Japanese pen. It is an elegant, curvy and quite stylish font with a bit of a roughness to it - just enough to catch your attention. All three styles come with a load of diacritics.

A blackletter font by William Caslon (1692-1766), with Dutch influences, which appeared for the first time in a font sample book of William Caslon & Son, London, 1763. To access all ligatures in this font, it is recommended to activate both OT features Standard and Discretionary Ligatures. The round s occupies the number sign key, and typing N - o - period and activating this combination with the OT feature Ordinals gives you the numero sign.

The Ascent of Rum Doodle is short story written in 1956 by W. E. Bowman. The story is a parody of the many non-fictional mountaineering chronicles and tells the adventures of a group of incompetent climbers, trying to conquer the highest mountain in the world. Rum Doodle is an angular, uneven font, ideal for posters and book covers. The lower case letters all have alternates and it comes with a mountain of language support.

Backbone is a unique blackletter font. It’s suitable for use in various projects such as gothic letters, tattoos, headlines, posters, magazines, newspapers, t-shirts, labels, and any other designs that you wish to create. Get inspired by Black metal and It will add an edgy feel to any crafting project! Bold and spooky, Ideal for any October project or Halloween party, this font will become your top choice in no time!

Royalbrick is a contemporary display unicase typeface. It is a part of upcoming type family — light and condensed style. The font was inspired by factory stamps’ typography on bricks made in 19-20 century on Russian manufactures — this kind of bricks was also called “royal bricks”. It has a unique image with “squashed” stems and dynamic expanding strokes, and there are also some kind of ancient Cyrillic’s vibes in it’s letterforms. It is an excellent example of combining national character with modern trends and expressive graphics. Royalbrick consist of extended Latin and Cyrillic, figures, two sets of punctuation (normal and "thin" with ss01), few ligatures and stylistic alternatives and a special set for letters with accents — ss02 named "Downstairs Accents". The font has 292 glyphs.

Blue Sugar is a grunge font which has one letter-shape in white set within a different grunge letter-shape in black. The Regular and Dirty versions have their characters in conventionally upright positions; and there are 3 varieties with the characters in various states of disorder and at slightly varied angles and sizes - called Twirled and Whirled. The Mixed Caps version introduces no new characters, but combines straight capitals and jumbled capitals in the same font, for convenience, in which Upper Case A-Z displays conventional upright Capitals, and lower case a-z displays jumbled Capitals. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

Mataö is a bold and gorgeous and is great for headlines and elegant designs with a vintage and classic flair. Mataö's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. Mataö is a versatile typeface that's full of character and one you'll come back to time and again. Make your awesome design layout with Mataö.

PF Stamps covers a wide range of applications which require the stamp effect. This is a form of lettering which was very popular in the mid-twentieth century for product labeling. Special machinery was developed by mainly two companies, one in the United States and the other in Germany. This machinery produced paper die cuts which were later used as a base for the marking with a paintbrush. PF Stamps Paint was developed to simulate this type of lettering. Two other styles, Metal and Flex, have been very popular since its original release. The first one was developed from a metallic stamp imprint, whereas the second one with its slight 3-D look simulates letters stamped on plastic. To insure realistic results, uppercase letters are different from lowercase. This is very useful when two similar letters sit next to each other. There 3 more styles: Solid (the stencil in its regular clean form), Rough and the very interesting Blur. The all new “Pro” version comes to complete this series with what was missing: 93 matching frames and frames parts which will satisfy the most demanding designer. This is a bonus font which is available only with the purchase of the whole family. Use these frames “as is” at any size, or connect the frame parts to each other to create longer frames. Finally, this series supports more than hundred languages which are based on the Latin, Greek or Cyrillic scripts.

Ariata™, from Malou Verlomme, is three typefaces in one. Like phases of the moon, they gracefully meld from one to the other. The “Text” weights are sturdy designs that perform as well in blocks of copy as they do in the occasional headline. The “Display” versions of Ariata are delicate but confident designs that shine in large sizes, while the “Stencil” typefaces are eye-catching and provocative. Each version is available in four weights, from a forthright regular to a robust black, making for a family that is comfortable taking on a wide variety of tasks. The individual designs can be combined with each other to create a distinctive, yet cohesive typographic statement, or stand on their own as confident communication tools. If you want a little more variety, Ariata’s solid glyphic shapes will serve as a dynamic counterpoint to just about any Humanistic sans. Space economical and distinctly original, Ariata easily creates commanding headlines, pull-quotes and subheads. Packaging, game branding, posters, book jackets and advertising design are all also within its comfort zone. While primarily intended for print applications, Ariata’s full-bodied x-heights, generous counters and clear apertures make for a design that is also at home in many digital environments. Verlomme is an award-winning Senior Type Designer at Monotype. He has a degree in graphic design from l'École Duperré in Paris, and an MA in Typeface Design from the University of Reading. He taught type design at several universities in Paris and still occasionally lectures and gives workshops. His typeface Camille has the honor of being part of the collection at France’s Centre National des Arts Plastiques (CNAP). Verlomme also designed Placard® Next, Madera™ and Johnston100, London’s new underground branding typeface. Click here to see all of https://www.monotype.com/studio/malou-verlomme Malou Verlomme’s typeface designs.