Lutfey Arabic is new version of Lutfey with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. It is a chunky & cute typeface, visually featuring bold, firm and gentle characters. It’s has smooth lines on each side, especially on the outside, with subtle ink-trap details at every corner.
Choc is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.
Roma Initial Caps JNL is a set of alphabet caps drawn from elegant lettering found in an old sign painter's manual. The upper case keys have the letters in white on black backgrounds, while the lower case has the letters in black on a white background with a black border.
Label Machine JNL is Jeff Levine's take on the embossed labels popularly used for years as a marking and identifying method. This font has a limited character set. On the left bracket is a wide blank for label ends, and the right bracket has a narrower space for use between words.
Institut is an industrial-strength display face, with a no-nonsense feel of a research lab and audacity of a space mission control. Based on assertive geometric forms, it is suitable for a variety of on-screen and print uses. Designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan in 2013.
Glypha was designed by Adrian Frutiger and appeared with D. Stempel AG in 1977. The font consists of ten cuts and is formally based on its predecessor, Serifa, although its lower case letters are a bit larger. Like Serifa, Glypha is also based on the general scheme used to design Univers.
Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard. Based on samples taken from early and mid Nineteenth century Clarendons, the font carefully preserves all the battered idiosyncracies of vintage print shop type.
The National Show Card Writer sign making set contained many different sizes and styles of lettering stencils, and additional type designs could be purchased as add-ons. This product was one of the many economical ways merchants, religious organizations, schools and others could make their own signs at low cost.
Roselyn Script is an elegant calligraphic font that will look awesome on wedding and event stationery, logos and branding materials, cards and so on. Roselyn Script includes Uppercase and Lowercase Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates to perfectly re-create natural calligraphy.
Calligrapher Rustic Black is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on modern Rustic calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Calligrapher Rustic Black contains all the Latin glyphs.
Calligrapher Insular Minuscule Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Insular Majuscule calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs.
The font LED BOARD REVERSED, created by Paul Hustava, adopts the unique allure and characteristics of classic LED displays and signs but propels its essence in a novel direction. The characteristic f...
Absolutely, I'd be delighted to give you a rundown on the KG Holocene font crafted by the talented Kimberly Geswein. Kimberly has a knack for creating fonts with a lot of character and a personal tou...
The Bertolt Brecht font by Thiago Matsunaga is an evocative and expressive typeface that captures the spirit of innovation and sophistication. Named after the famed German playwright and poet Bertolt...
Barlos-Random, crafted by Manfred Klein, is an intriguing and distinctive typeface that dances on the fine line between the organized structure of traditional typography and the liberated expression ...
Oh, Lausanne, you charming little typeface, you! Crafted by the hands of Ivan Filipov, it brings to the canvas of typography a breath of fresh, Swiss-inspired air, without the added calories of Swiss...
Ganz Egal, masterfully crafted by the enigmatic designer Nihilschiz, is not just a font; it's an adventure in typography that refuses to take itself too seriously. Picture this: if fonts were people,...
As of my last update in 2023, the font "26WOMAN" hasn't been widely recognized as a standard or well-known typeface in the vast ocean of fonts available to graphic designers, typographers, and enthus...
As an artist with a penchant for typography, exploring the attributes and unique qualities of SF Diego Sans by ShyFoundry is a delightful journey. This particular font stands out as a testament to th...
As of my last update in early 2023, "Kiloton" isn't widely recognized as a standard or popular font within the vast landscape of typography. However, the art of font design is ever-evolving, with new...
As of my last update in April 2023, there is no widely recognized font specifically named "Chlorinej". However, let's imagine a font with this unique name and what characteristics it might embody, dr...
The WebType family was designed to be used on screen with web design applications.
Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.
Corky by Typadelic, $19.00 A typeface based on my own handwriting, Fontographer-ized. Fun, quirky and very legible.
Free form scribble is what you get when you draw freely on your canvas.
One of the original Egyptian types. With a tall x-height, very short descenders.
An old turn-of-the-century style commonly used on billheads, letterheads, certificates, etc.
Cheltenham ExtraCondensed Pro Bold is one of the fonts of the SoftMaker font library.
Westkreep is based on wood type with characters extremely wide relative to their height.
This is based on the handwriting of a teen girl- bubbly, round, optimistic handwriting.
Sonica brush is our first script designed with a pentel brush on watercolor paper
Distressed stencil font that looks wildly windswept, eaten away, or coarsely misprinted on fabric.
Telegrafo was developed from a couple of words on a 1920s telegram from Argentina.
