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  1. Celebrate - Unknown license
  2. GermanFatman - 100% free
  3. Espania - Unknown license
  4. Werbedeutsch - Personal use only
  5. Caligula - Unknown license
  6. Elegant Capitals - Unknown license
  7. Oldchristmas - Unknown license
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  13. KoenigsbergerGotisch - Unknown license
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  17. Theuerdank Fraktur - Personal use only
  18. GingkoFraktur - Unknown license
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  25. Uberhölme Light - Personal use only
  26. Moderne Fraktur - Personal use only
  27. TypographerFraktur - Unknown license
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  30. Monumental Gothic Demo - Unknown license
  31. Zenda - Unknown license
  32. Gutenberg Textura - Unknown license
  33. MonAmourFraktur-Broken - Unknown license
  34. Cadeaulx™ - Unknown license
  35. Faustus - Unknown license
  36. Thannhaeuser Zier - Personal use only
  37. WilhelmKlingsporGotisch - Unknown license
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  39. Ongunkan South Picene by Runic World Tamgacı, $50.00
    South Picene (also known as Paleo-Sabellic, Mid-Adriatic or Eastern Italic) is an extinct Italic language belonging to the Sabellic subfamily. It is apparently unrelated to the North Picene language, which is not understood and therefore unclassified. South Picene texts were at first relatively inscrutable even though some words were clearly Indo-European. The discovery in 1983 that two of the apparently redundant punctuation marks were in reality simplified letters led to an incremental improvement in their understanding and a first translation in 1985. Difficulties remain. It may represent a third branch of Sabellic, along with Oscan and Umbrian (and their dialects), or the whole Sabellic linguistic area may be best regarded as a linguistic continuum. The paucity of evidence from most of the 'minor dialects' contributes to these difficulties. The corpus of South Picene inscriptions consists of 23 inscriptions on stone or bronze dating from as early as the 6th century BC to as late as the 4th century BC. The dating is estimated according to the features of the letters and in some cases the archaeological context. As the known history of the Picentes does not begin until their subjugation by Rome in the 3rd century, the inscriptions open an earlier window onto their culture as far back as the late Roman Kingdom. Most are stelai or cippi of sandstone or limestone in whole or fragmentary condition sculpted for funerary contexts, but some are monumental statues.
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