Presenting 🍃The Rallomy Nature Beauty Serif🍃 by alitdesign. Rallomy is a serif font designed with the concept of nature's beauty in mind. It has a dynamic alternating swash featuring a leaf symbol and a ligature system that ensures a harmonious combination of characters. This font is ideal for design projects that aim to capture the essence of nature. Rallomy has 660 characters and supports Unicode and multiple languages, including PUA encoding, making it a versatile font for various design projects. With its nature-inspired design, elegant serifs, and modern look, Rallomy is highly suitable for designs with a natural, elegant, and modern concept. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Resaden is a powerful display font designed to grab attention and highlight any project that calls for a bold, strong, vibrant, and sporty look made to add a dynamic touch to your sports-themed designs. a sporty and modern font, perfect for sports t-shirts, sports events, and more. Its bold style conveys a strong and sporty impression. This font can also be used for any headline or documentary project. This font has 67 alternates and 124 ligatures for all letters, as well as 4 styles making it a versatile tool for creating originality in your various design needs. What’s Included : - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

"Old is Gold".. Perhaps that's the best words to represent this typeface called Fragtude - a pair of vintage display typeface consist of bold script and serif. One of our finest typeface, crafted carefully to make sure its quality. Inspired by 40s 50s lettering and signage, the nostalgic feels will bring you back to the good ol' days. This typeface is perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Introducing the new font Making Signature Font. This font suitable for use in a variety of design fields, such as event advertisements, vintage design, product promotions, mug design, book titles, activity titles, logos, and others. This font can when paired with serif font types will make your design project more beautiful and perfect. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual Accents - StylisticSet - Stylistic Alternate - Swashes ligatures - 72 Standard ligatures - PUA encoded I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/ application. I hope you enjoy the font, thank you.

Kyoda Ascher is a classy bold serif font with beautiful alternate characters and also ligature which makes it easy for you to create a logo for your personal branding and your business beautifully. Kyoda Ascher is perfect for many different projects such as logos and branding, invitations, stationery, wedding invite designs, social media posts, advertisements, printed quotes, product packaging, product designs, labels, photography, watermark, special events and more. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We hope you enjoy the font and have fun! Thank You.

Bee Think This is a Rough Brush Typeface that is written casually and quickly. comes in two mode Standart this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Bee Think has Rough and strong characteristic more natural look to your text with a more modern look to your text. You can activate Ligature OpenType panel to make these two styles. Bee Think is perfect for homeware designs,branding projects, Logo design, Quotes product packaging, especially with horror and scary themes Bee Think a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! That is has charming, authentic and relaxed characteristic more natural look to your text.

Bourton Text is a modern sans-serif typeface family perfect for both text type settings and display purposes. While it’s not a layering type family like its brother, Bourton, it come packed with features, extras and over 2,000 characters that make it stand on its own. HISTORY Bourton Text is a new take of the Bourton family that was one of the best-selling and favorite fonts of 2016. After countless requests for lowercase alphabet, or suggestions for a font pairing with Bourton, this new text setting family is based on the original shapes of Bourton. DESIGN & CREATION In taking Bourton Base was the starting point as they narrowest width and boldest weight. From there, lowercase shapes were designed that matched the aesthetic and details of the popular capitals. As Bourton was a heavy display font, some small tweaks were done to make it more fitting for smaller text settings, including reducing the letter-spacing and reworking some counters. Some areas needed complete reconstruction, such as the figures. The design of those began anew with a style that worked with the capitals and lowercase but also as a standalone set. Currency shapes were updated to match the numerals. Punctuation was also reimagined to work better in smaller type settings. Diacritics and extended language support was also updated and expanded to include full Latin plus language support for 219 latin based language spoken in 212 countries. Once the basic alphabet for Bourton Text Bold Narrow was formed, the font was expanded in both weight and width. Taking the weight from Bold down to Hairline, it allowed for more range in use. The typeface needed to be expanded in order to reach better as a book weight and width, in addition to a regular width, a wider version was create as well. FEATURES Once the extremes were set in place, small capital forms were designed for text and display purposes. These also allow for nested capital letters, lifted small caps and other display features offered in the typeface. One of the most popular fonts in the Bourton layering font family is Bourton Line. This led to an experimentation with rounded Bourton Text completely and thus a complete set of duplicated characters with rounded terminals. By using the Opentype Panel, a rounded font is a single click away. Every feature has been carefully thought out and updated across the entire font. In total, Bourton boasts over 2,300 glyphs, 42 font files with 3 widths and 7 weights in upright and italic.

The main reason I wanted to design this font was because I really didn’t like how poorly some fonts tried to mimic an Oriental appearance. Trying to make western words appear Asian with a font composed of brush strokes is almost always doomed to failure. However, I find Croasian works extremely well with one syllable words that are Asian sounding. A good font to have if you want to express an Asian name or business phonetically in a western alphabet while still retaining an Asiatic feel. Croasian has a glyph count of 397 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Stray might be the lonesome cowboy in this big odd world, but it's his just public façade. Stray is handsome player that works well with any team or in any environment. He doesn't have a horse, but he can be the one, he can carry any weight. OK, let's talk serious now: Stray is distinctive geometric sans serif family in 9 weights and matching Italics. By it's design, Stray flirts with humanistic typefaces in some elements, while on the other side, we can see vintage letter forms as well. It is well balanced typeface, fully legible in any (reasonable) size, with power to present versatile tasks and situations. Specific joining of letter stem and bowl is one of design characteristics of Stray, so it is not just another geometric sans family, it really differs in it's own details. Contains extended Latin character map support and Cyrillic (no localizations, sorry). As any serious working horse family, it is equipped with decent OpenType features like Small Caps (for basic Latin only), Fractions, Tabular Figures, Denominator, Numerator, Ordinals and Ligatures. It also comes with small interesting set of dingbats. This Stray is not homeless, he just looks for the proper job :-)

A type designed in a grid, like on display panels Type is not only printed. There were always and still are a number of forms of type versions which function completely differently. Even very early in the history of script there were attempts to combine a few single elements into the diverse forms of individual characters and also efforts to construct the forms of letters within a geometric grid system. The “instructions” of Albrecht Dürer are probably most well-known. But although designers of past centuries assumed the ideal to basically be an artist’s handwritten script, the idea which developed in the course of mechanization was to “build” characters in a building block system only by stringing together one basic element — the so-called grid type was discovered, represented most commonly today by »pixel types.« But even before computers, there were display systems which presented types with the help of a mechanical grid display, like the display panels in public transportation (bus, train) or at airports and train stations. In a streetcar, I met up with a modern variation of this display which reveals the name of each tram stop as it is approached. This system was based on a customary coarse square grid, but the individual squares were also divided again diagonally in four triangles. In this way it is possible to display slants and to simulate round forms more accurately as with only squares. The displayed characters still aren’t comparable to a decent typeface — on the contrary, the lower case letters are surprisingly ugly — but they form a much more legible type than that of ordinary [quadrate] grid types. DeDisplay from ingoFonts is this kind of type, constructed from tiny triangles which are in turn grouped in small squares. The stem widths are formed by two squares; the height of upper case characters is 10, the x-height 7 squares. DeDisplay is available in three versions: DeDisplay 1 is the complex original with spaces between the triangles, DeDisplay 2 forgoes dividing the triangles and thus appears somewhat darker or “bold,” and DeDisplay 3 is to some extent the “black” and doesn’t even include spaces between the individual squares.

Ana is a chromatic typeface consisting of 26 uppercase Latin characters, inspired by arabesque patterns from the nineteenth century. Programmed to enable users to easily create multicolored drop caps and initials, this decorative display typeface features a different ornament for every letterform, which fits perfectly with its glyph shape. This ornament is usually more luxurious on the left side of the letter, while on the right it is scarce, so that the body text can be placed close to the initial. These initials are valuable for use in large sizes, like posters, magazines, packaging design, fairy tales, and so on. The final forms of the initials consist of 5 parts which can be individually colored. There are 5 font files named Ana Layer A, Ana Layer B, and so on. A font user can manually create a multicolored initial with these font files, if there is no possibility to use the Contextual Alternates option. To do that, it is necessary to make 5 layers in the page layout software. Then, the corresponding character should be placed on each layer, so that Ana Layer A is on the lowest layer and Ana Layer E is on the highest one. Note that the glyph shapes are contained in the lower case positions. In contrast, the font file named Ana is programmed, so it is possible to create a multicolored initial with the Contextual Alternates command. There is no need for additional layers, everything happens on a single layer. First, the Contextual Alternates command (usually under OpenType menu) should be disabled. Then, using lower case key, type the desired character 5 times and apply color to them. Select them all and turn on the Contextual Alternates. Also, the font file Ana comes with a set of ‘black’ initials that can be used just like any other non-color typeface. The ornamental versions are contained in the uppercase positions, while the letters without the ornaments are in the lower case. With the font file Ana Monochrome one can only get the monochrome initials. Ornamental letters are contained in the upper case positions, while the letterforms without the ornaments are in the lower case.

Above the Beyond is a font family that contains a high contrast Contemporary Garamond Serif and a Casual Signature Brush script. The serif comes in two styles - Regular and Italic - the italic angle is similar to the one used in the Script font. The main difference between traditional Garamond and Above the Beyond Garamond is that the ascenders are significantly shorter which makes the serif fonts more suitable for branding design and helps to reduce the distance between lines without scarifying the legibility. The Italic style has many stardard ligatures as well as calligraphic ones. Above the Beyond Script is full of OpenType enhancements such as ligatures and alternates - everything that is needed to create an organic handwritten look. It is fully unicode mapped and can be used in any software - either using OpenType panel of the application in use or your OS default Font management software - Character Map or FontBook - by copy-pasting the glyphs you need. The font family is perfect for all kind of designs: quotes, t-shirt, branding, social media, magazines, cards, packaging etc.

Introducing Zanky, the perfect solution for any project that requires a touch of retro, vintage, and classic display. With its unique condensed shape and stylistic set alternate, this font is the perfect addition to any design project. Zanky’s unique condensed shape ensures that it stands out in any design project, making it the perfect choice for anything from logos to posters. Additionally, its stylistic set alternate feature provides even more design flexibility, allowing you to create unique and eye-catching designs with ease. Whether you’re working on a vintage-inspired project or simply looking to add a touch of classic display to your design, Zanky is the perfect font for the job. Try it out today and see the difference it can make in your designs. What’s Included : - File font WOFF, WOFF2, CSS, HTML - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Presenting the LOVIOLA typeface from alitdesign. LOVIOLA font is designed by combining an elegant script font with a simple and charming serif font style. This font has a modern serif style combined with elegant script-style letters that make the LOVIOLA font look different and unique from the fonts you have on your computer collection. LOVIOLA is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "LOVIOLA"contains 541 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files. Thank You Alit

Milton Glaser commented about this type family: “The typeface is called Houdini after the famous American magician. I wanted to produce a letterform that would gradually disappear as one line after another was removed.” The various versions of Houdini presented by P22 include those originally offered as phototypesetting fonts, plus a solid and an outline version—a variation of which was used for Sesame Place children’s park in 1980. These Houdini variations can all be layered on top of each other for a range of chromatic effects. Each of the Houdini fonts contains over 375 characters for full European language coverage. The family is taken to its logical conclusion with the bonus font “P22 Glaser Houdini Vanished.” This font shares the same spacing and kerning as all of the Houdini font but lacks all visible outlines. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

New from the Monotype Studio, Cotford is a contemporary serif from Creative Type Director, Tom Foley. Dynamic, adaptable, and surprising—Cotford is a languid serif that ranges from delicate thins, bending and reaching like flower stems, to bold heavy weights that command the page and screen with confidence and vintage charm. And as a variable font, Cotford allows designers to explore and refine the design almost endlessly, unearthing its many visual tones and hidden secrets. Foley set out to design a soulful, contemporary serif typeface that delivers all the versatility and robustness today's designers expect. The variable font unlocks an expandsive spectrum of visual expression that allows designers to explore, tweak, and adjust the typeface until they find the perfect weight, contrast, and optical size for their project. At the same time, Cotford’s static weights follow a traditional model of 3 text and 5 display weights, making it a strong choice for brands looking for simple implementation. A pop serif for the digital age, Cotford takes you places. Cotford font field guide including best practices, font pairings and alternatives.

Introducing Bungire Retro, the ideal answer for your projects with a retro, vintage, or classic modernist theme! Bungire Retro is the perfect font for bringing a sense of nostalgia and charm to your creations because of its distinctive and eye-catching design. With its extensive selection of alternates, Bungire Retro lets you personalize and produce genuinely distinctive typographic designs. When creating logos, posters, invitations, or other creative endeavors, Bungire Retro’s distinct retro vibes will enthrall your audience. Additionally, because of its linguistic support, it may be used for projects everywhere. With Bungire Retro, you can take your ideas to the next level and let your creativity shine. Get Bungire Retro right away to take your audience back to the heyday of classical modernism! What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support. Thank you for your purchase!

Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final output a realistic, uneven look. The main typeface of the system is a wide freestyle brush cursive, featuring over four hundreds of alternate version for characters and double letter ligatures. A "brush easy" version is included without the substitutions if you need more consistent look in your design and better control over letter variation through the glyph panel. The two freehand brush weights are complemented by two sets of icons of matching style, one for ui design with navigation icons and one with food icons. The system also includes a blockletter family in two weights, to be used together with the other fonts to create variation and contrast in your design. Freehand covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics.

Introducing The Lamontrush, a playful and elegant classic typeface. It has a unique and different style and will give your design a classic touch. The Lamontrush is perfect for logos & branding, photography, watermark, social media posts, advertisements, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need handwriting taste. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Imogen Agnes is a hand-made, signature-style font designed to create personal, stylish lettering quickly & easily. A bit of background; During my years as a freelance designer, I had always been a huge fan of signature-style fonts but frustratingly found them few and far between. Now don't get me wrong - some of them are visually stunning. But I found them almost too perfect, or too digitised, to make you think that someone had quickly scribbled it down on paper. So that's why I created Imogen Agnes. It works great for personal logos, but also makes for a strong standalone script font with a bit of a retro vibe to it. It comes with upper & lowercase characters, numerals, punctuation and supports international languages. It also comes with a bonus set of 15 swashes just to add that extra touch of finesse to your text. Stylistic alternates for several key lower case characters are also available, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu.

Amour is a calligraphy script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Amour Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, and others. . Amour Script features 1550+ glyphs and 1320 alternate characters. including multiple language support. It features OpenType with style alternatives, character binding and strokes, which allows you to mix and match letter pairs to match your designs, as well as a touch of ornament to make this font look elegant. • New Updated • Amour Script! Amour has now been updated to include 4 styles; bold/bold italic version, regular & italic version. This gives you the option to completely change your font style with the click of a mouse, whether you're looking for a smoother style, a bold version, or an italic finish.

Hiatus bridges the gap between formal scripts used for invitations and more classic settings and casual scripts that exude a warmer tone. Like many formal scripts, Hiatus is fully connecting. Its low body height combined with generous letterspacing adds an elegant profile to lines of text. Like casual scripts, Hiatus has a warm, hand-lettered appearance with great rhythm. Solid in structure; Hiatus also sets well at smaller sizes. Type enthusiasts will enjoy the variety of options. For optimal text flow, both letters and ligatures have alternate versions programmed to come in at the appropriate place for both beginnings and endings as well as in various contextual settings. In addition, there are variations and flourished versions of almost every letter and ligature. Some ligatures have as many as 12 variations. Also included are fractions, a set of old-style numbers, and a set of ornamental flourishes. Hiatus is a unique contemporary script with the strength of a time-tested classic. Please note that this version supports a wider range of languages compared with the lower-priced version available through other channels.

Introducing my new font Kampiun Samgor!!! A casual script font and combination with Hand Lettering style which gives a more personal touch and makes the font looks being customized. This font is suitable to use as a logotype, product designs, label, watermark, social media posts, apparel, invitation, signboard, sports club, motor/car, special events or anything that need handwriting taste. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Welcome fashionistas, we have designed a type family based on fashion and current trends. Trendy, the new font of our studio follows the same design line that represents us, processes with brush lettering, variety of characters, OpenType programming and a special touch that reflects a boho chic style. The soul of Trendy is inspired in the logotype of one of the most influential type foundries around the world. Because of its great contribution in graphic design we have decided to pay tribute by expressing our gratitude for being an icon in the design world, the most recognized type designers of the last years have been part of that type foundry and for being source of inspiration for new designers. Trendy represents a fashion house, a place that breathes fashion, there are inside 5 determining variables for designing time: Regular, Bold, Black, Display & Stencil. Discover this new way to see the glamour world all include in a type family. To know more about our new project, Trendy, visit our web site www.estudiocalderon.co and our portafolio in Behance.

“The Mumbai Sticker” is a layered script font. I have created this font from the sticker I designed for my Mumbai trip for my friend’s wedding, you can watch a short video of the process and the story behind. https://youtu.be/bO8e9lQ0DNU instructions to use: • for smooth connections of v s, v r, v z, w s, w r, and w z please enable “standard ligatures” in open type features panel • Type a text with the “Regular” version, then copy and paste in back (cmd B) and switch to “Outline” version. Please make sure you give it a different color to make the main font visible. Looks best in Black and white as you can see in the poster image but feel free to play around! (Please refer to the PDF included within the downloadable .zip file. • • • For full version and commercial license please visit https://rolandhuse.com or contact@rolandhuse.com The full / commercial version contains Western and Eastern European accented characters and special characters, punctuation and ligatures. @rolandhusedesign Follow me on Instagram

Introducing Kosans - Modern Look Typeface It is a modern and classic look font that has beautiful characters in it that makes this font look simple but still classy. You can apply it to your design projects such as logos, business cards, brands, social media posts, quotes and much more which you can make with this great item for any design! Features: -Uppercase & Lowercase ( All Caps ) -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.

Examors is an ultimate sports display font, and with a style that is very different from the others. This font comes in four styles, Regular, Outline, Oblique and Oblique Outline Version. Examors is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.