The starting point for Wildcat was the 3×5 squared grid popular for tiled lettering and American sportswear typefaces. However, Wildcat breaks free of the net whenever necessary. This typeface comes across as tough, it has no soft curves, and evokes strength and confidence. Unlike other collegiate-style fonts, Wildcat includes a real lowercase which makes the face particularly usable and adaptable. Wildcat also contains a full complement of Latin Extended-A characters. Three fonts are included in the download; Regular, College and Outline. The College and Outline fonts share identical spacing and kerning, so can be overlapped to create bicolor artwork.

Povetarac Didone font family is part of Povetarac Superfamily together with Povetarac Sans and Povetarac Display. Available in 6 weights with matching italics, Povetarac Didone relays on lively uppercase proportions that took inspiration from vintage typefaces. It is well balanced family, elegant and fully recognizable. One of its characteristics are straight and wide terminals without usual serifs for this kind of typefaces. Playful and harmonic italics are one more uniqueness of Povetarac Didone. They were gently crafted to fulfil they role not just for editorial use, but as display typeface as well. Comes with Fractions and extended Latin character map.

Inspired by the Art Nouveau movement in Belgium we've created a new and bold typeface. Amberes® is a sans serif font, it can be a loud and proud hero or a humble supporting actor, upgrading your lay-outs in no time. 3 weights plus matching Obliques. The font is distributed in OpenType format, including kerning and other features. This font also includes Latin extended glyphs, so it supports languages such as: Dutch, French, Vietnamese, German, English, Afrikaans, Catalan, Croatian, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbian, Slovak, Slovene, Sorbian, Turkish and Welsh.

The Tervia Family Font is an oldstyle handmade typeface inspired by sign painting art. This font family consists of 4 layer-based fonts and 1 dingbats which very ideal as display font. It will help you create outstanding design for posters, logos, cards, labels and more design project that need creativity. Just play with the stylistic alternates using common Open-Type Features supported software and application and get the classic, fun, cool yet natural feel. Tervia Family font also includes extended characters for multilingual support. Here a link where you can see the alternate characters : https://goo.gl/ApLtuV

Leipzer is a serif typeface with a modern feel and is suitable for various magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. The font is very flexible in terms of your creativity, you can adjust the letterspacing to design unique textual presentations, especially for creating amazing logotypes and branding designs. Please see the examples shown above to get an idea of the capability of this typeface. The font comes with extended language support including Western European, Central European, and South-Eastern European character sets (a total of 266 glyphs).

Andove is a narrow sans font with very tight compression. With a slim character and a fairly large x-height, Andove looks great for very large and eye-catching typesettings. The one-sided serif in ascenders makes this font very unique and stands out to show it is sporty and strong enough. What's even more interesting is Andove has a true italic on each weight so it can be an option for really big headlines and poster title. Andove consists of 10 styles in six weights — Thin to Bold — Upright and True Italics and comes with extended language support including Cyrillic.

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™, and Soho®.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™ and Soho®.

Fonzie redefining versatility. With four charming styles seamlessly blended together, it offers the perfect balance between tradition and innovation. Fonzie's basic style embodies timeless elegance with a Space-saving Condensed form with a modern twist. The SS01 explores futuristic aesthetics with a geometric style, or embraces the sophistication and form of the Extended with the SS02 features, and for the SS03 it is added for those of you who like the extreme extended style that is now a trend.

The Fuel typefaces are a modern update on the techno sans, complete with soft rounded corners as well as decorative inktraps. Stylistic Alternates included within all styles are alternates for the capital B, E, G, and R characters, as well as all of their accented siblings. The Fuel Complete package bundles all of the dynamic styles of the Fuel, Fuel Extended, Fuel Uni, Fuel Uni Extended, and Fuel Script typefaces into one powerhouse of a collection.

The "C Elle F" is a typographic family, as a stencil letter, originally intended for cutting and engraving to carry out marking and signaling work. But of course, the very characteristic shape of these letters evokes much more. This typographic family can therefore be used for communication in various fields, commercial, import-export, military, etc.

SG Gluper - inspired by the OG Cooper Black typeface that is intended for display use. This retro serif font combination can handle many typographic uses but is best suited for headlines, branding, and logos. It has a multilingual feature that supports more than 200 languages. Gluper also has an alternate version including swashes and ligatures.

Sometimes a font idea can come from the most unlikely place. While watching a DVD of the 1950's TV Sitcom "My Little Margie", Jeff Levine spotted some unusual deco-styled numbers on the floor indicator of the apartment house elevator. Expanding this into a full character set, Desk Clerk JNL is the result.

A NEW STYLISH BOLD FONTS WITH LIGATURE & ALTERNATES, Hillray! Hillray is a stylish bold sans that contains ligatures and alternates each characters! You can make a unique branding with this fonts. This stylish bold fonts also included extrude and outline style that will compliments the regular style! This fonts suitable to use for poster, branding, merchandise, and any street art style! Also support multilingual and already PUA Encoded! Thank You!

Cloveron Media unveils its first serif font that goes beyond the formal nature of typography. It celebrates the artistic expressions of graphic designers within themselves. The Name Mary Anne Remulla is the Master Designer behind the Enchanter Font. She aims to make graphic designers filled with delight and enjoy typography with its extensively artistic alternates and multilingual characters. The Font Style The serif style, known for its formal touch to typographic design, infuses the font with its professionalism as its regular. Using its middle alternate adds a hint of unique touch without losing the serif style's essence. The Enchanter font's start and end alternates are the designer's illustrations of design balance, which elevates its charm and enticing nature that adds to its overall artistic power. "I am fascinated by art and so by design. A font with alternates was my great revelation that I can do typography artistically, enthusiastically, and with freedom. I later found myself fascinated and lost in paper space, which then ended up that I completed my first font creation with extensive alternates for each letter." - Mary Anne Remulla

3D Blocky is a hand-drawn 3-D font. Composed of friendly & fun letters, this font is sure to become a favorite for you. There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Blocky is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

BRIGNELL SQUARE is a ten font family designed by Ian Brignell. Modern and crisp, this strong-shouldered sans serif offers tonal neutrality. Like Helvetica, Brignell Square is a classic "do anything" font. Spatial balance defines these letter shapes. Creatively, this typeface was born in 1990 out of Ian’s frustration with ubiquitous, barely readable highway signage. Use everywhere. Extended Latin set.

This is a second edition of Deedee type family, originally designed in 2011. Deedee is a geometric sans serif typeface family of ten styles with extended support for most Latin languages plus Cyrillic. Revisions in this edition included minor adjustments to glyph shapes and improved kerning tables. The typeface is ideal for use in display sizes and is quite legible in the text.

Rundo is all-caps decorative font family available in 5 styles: Fill, Inline, Decline, Stencil and Partenon. With wide proportions and serifs characteristics for slab serif fonts, Rundo is lively family intended to be used for product names on packages, big titles and outdoor graphics. Comes with standard ligatures as OpenType features.

Kanjur was inspired by a page from an 18th century Buddhist book. Used for block text at first glance it has a very striking resemblance to Asian lettering. It is an English reading caps only font with minimal characters ( A-Z 0-9 & £ $ ¢ ! ? , . ). It is not intended as a serious font, just enjoy.

Bengala is a font based on Calligraphy & Geometry designed by Carlos Fabián Camargo. Its purpose is to be an innovative typographic system combining Script letters with geometric and hard Caps letters. The contradictory styles are ideal for designing covers, posters, branding and packaging. Its smooth calligraphic look meticulously incorporates characters to design logos and phrases that communicate dynamism and strategy. Bengala Script was inspired by Mistral by R. Excoffon. Bengala Script provides violent and unstable lines with generous spacing between the letters and tight horizontal proportions, producing showy upper and lower case italics inspired by French Gothic calligraphy late fifteenth century. For this reason, Bengala Script retains some uninterrupted calligraphic logic, up and down sometimes higher or shorter than the height of the lowercase, creating dynamism through a variable amount of contrast between thick and thin strokes. Bengala Dingbats has 62 drawings designed to accompany the designs. Script and Caps Bengala have different gender and the similar X height produces more visual appeal. This way Bengala Caps - inspired by the Porshe logo, due to its geometric uppercase Roman construction, extended horizontal proportions, light caliber, rounded strokes terminations and generous spacing between letters. Special thanks to John Moore and Manuel Corradine for their help with Open Type.

Cirkel is a contemporary font family based on circles. Its geometrical and unusual forms gives us a nice feel of modernity and humor. Created by Jarbas Gomes, Cirkel family is composed by 3 weights (Light, Medium & Bold) and its respective ornamented fonts made of patterns (Stripes Light, Stripes Medium & Stripes Bold). The fonts also have a great set of ligatures and swashes that can be accessed in softwares with support to OpenType features. Cirkel is indicated for hype designs, on titles and short texts.

Let us introduce you the official big update of Intro type family with essential upgrades to this contemporary sans serif. The weight distributions completely revised has brought 8 new weights and matching italics resulting in 72-fonts family with 22 fonts extra. Intro’s refined playfulness is further emphasized with additions of multiple ingredients, such as carefully adjusted Oblique alternatives next to the existing upright alternatives. All these styles are now available as a Condensed version. On top of that, there are 3 inline fonts. The glyph case was expanded to cover Extended Latin and Cyrillic with adequate language localization. The OpenType features rewritten and improved now allow case-sensitive forms and contextual alternates, and plenty of stylistic alternates. The standard numerals set includes as well tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions.

XKANZ is a futuristic, robotic, variable display font geared towards cyberpunk poster text, cover text, and futuristic UI. It can easily shine as both as header and body. Wide glyphs, high weight and corner contrast, and "connectors" that bridge the gap between the stems, it's this mix of elements that give XKANZ its unique look. The purchase includes two static styles, regular and oblique, and a variable font file with a interpolatable 0-12 degree slant axis. Extensive multilingual support covering most latin characters 4 stylistic sets that include alternates for the D, I, R, and E glyphs, along with symbol/punctuation alternates such as the parenthesis, brackets, and more. Possible updates include condensed versions. The updates will be free and available to everyone who has already purchases XKANZ. This one was a wild and weird journey. It took A LOT of iteration to get to this end product. I'm proud to share it. Enjoy All questions, requests, or inquiries can be sent to abe.xuveki@gmail.com or DM'd to Xuveki on Instagram (https://www.instagram.com/xuveki)

The Morgan Project can be considered a big type family with ‘many styles’ or a set of different types that match with each other. For me it’s one typeface with different versions with deliberate and visible differences according to the propose to which each version was created. The design started in 2000 as a display type with the design of the Morgan Tower, to which more two display versions were added; Morgan Poster and Morgan Big — all together the make our: FTF Morgan Display Kit 1. All three versions consist only in uppercase with alternate letters in the lowercase and a set of special ligatures. Morgan Tower has four variants that differ in width/weight, Morgan Poster has six variants (often called styles), three weights in upright and oblique and Morgan Big has twelve, six weights in upright and oblique. Lately, the FTF Morgan Tex Kit 1 was added. Apropriate versions to use in text setting. Both versions, FTF Morgan Sans and FTF Morgan Sans Condensed share the same structure and character mapping. Four variants each; regular, bold, oblique and bold oblique with a large character set including: small caps, lining and old style figures (here called Office figures) — both tabular —, small caps lining figures, mathematical symbols and fraction figures, and, a set of foreign characters expanding the possibilities of use for a wider range of languages. Characters are distributed in six different font layouts: Lining, Office, Expert, Caps, Figures & Pi.

Cruickshank is a decorative typeface from the late Victorian period. The upper case includes several letters with swash strokes, extending well below the baseline, as found in the original design. Alternatives to the swash caps are provided. The lower case contains small caps of simpler design. The face was designed by William W. Jackson and released by MacKellar, Smiths and Jordan Type Foundry of Samson Street, Philadelphia, Pennsylvania in 1886. MS&J was founded originally as Binny & Ronaldson in 1796 and later known as The Johnson Type Foundry. Cruickshank has a strong late Victorian flavor without the extravagance of so many fonts of the period. In its simplicity and clarity, it may be seen as a precursor to the Art Nouveau style that would develop a decade later.

Magnirum Serif is a serif typeface with a medieval flair. Drawing inspiration from historic Roman typography and medieval design, Magnirum Serif is a timeless creation that exudes beauty and elegance. While its serifs and ornaments echo the intricacies of ancient manuscripts, the typeface is designed for modern legibility and regular usage. It combines the best of both worlds, offering a unique blend of historic charm and contemporary readability. Add symbol # after any letter to place a crown on top of it. Example: Cro#wn Magnirum Serif is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, and includes all the characters and symbols you'll ever need. Behind this captivating creation is Mans Greback. Renowned for his skill in marrying historical elements with modern utility, Greback has crafted Magnirum Serif to be a versatile yet nostalgic typeface. His portfolio showcases his ability to bring stories and emotions into the realm of type design.

FF Good is a straight-sided sans serif in the American Gothic tradition, designed by Warsaw-based Łukasz Dziedzic. Despite having something of an “old-fashioned” heritage, FF Good feels new. Many customers agree: the sturdy, legible forms of FF Good have been put to good use in the Polish-language magazine ‘Komputer Swiat,’ the German and Russian edition of the celebrity tabloid OK!, and the new corporate design for the Associated Press. Although initially released as a family of modest size, the typeface was fully overhauled in 2010, increasing it from nine styles to 30 styles, with an additional 30-style sibling for larger sizes, FF Good Headline. In 2014, the type system underwent additional expansion to become FontFont’s largest family ever with an incredible 196 total styles. This includes seven weights ranging from Light to Ultra, and an astonishing seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with companion italics and small caps in both roman and italic. With its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the typographer to pick the style best suited to their layout. As a contemporary competitor to classic American Gothic style typefaces—like Franklin Gothic, News Gothic, or Trade Gothic—it was necessary that an expanded FF Good also offers customers both Text and Display versions. The base FF Good fonts are mastered for text use, while FF Good Headline aims for maximum compactness. Its low cap height together with trimmed ascenders and descenders give punch to headlines and larger-sized copy in publications such as newspapers, magazines, and blogs.

Povetarac Sans font family is part of Povetarac Superfamily together with Povetarac Didone and Povetarac Didone. Available in 6 weights with matching italics, Povetarac Sans relays on lively uppercase proportions that took inspiration from vintage typefaces. It is well balanced, elegant and fully recognizable sans serif family. With sharp overhang, Povetarac Sans works pretty well in all situations – from editorial use to branding, websites or just titles. Comes with Fractions and extended Latin character map.

Compact and condensed, Fazon font family belongs to design inspired by vintage typefaces. It is available in 7 weights – from Light to Black. Contrast in letter design gets higher as weights get thicker which assigns dose of display elements in heavier weights of Fazon. Contains 5 stylistic sets (4 for uppercase and 1 for lowercase letters) and fractions. Fazon covers extended Latin character map. Ideal usage: packages and labels, posters, titles, websites.

Quinstar is an applicable hand marker font that contains uppercase, lowercase, number and symbol. You can use this font for any project. It's so fit for social media promotion and all. This font support multi language!

Introducing our brand new black metal font! It is Rusted Sabbath, baby! This savage death metal font can be used for logos or branding and your metal band name without having to pay for expensive logo-making services. You can immediately make your band or brand logo name by buying this font. Combine it with the death metal ornaments and make your death metal design with ease! This black metal typeface is perfect for logotypes, t-shirts, vintage badges, branding, packaging, posters, clothing brands, horror movies, album covers, and many more! ——— Rusted Sabbath features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +295 Total Glyphs +Death Metal Ornaments included! ——— Rusted Sabbath Includes: Rusted Sabbath Regular

Introducing, Huyton- a unique display script with reverse contrast, comes with extrude. The unusual reverse contrast make this typeface one of a kind. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : extrude version uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to tackle the same project for the 2009 issue. This time the magazine's design concept revolved around a typeface they created specifically for custom vertical malleability, and that can play just as well in single- or multi-color environments. The result was another iconic commemorative issue that shows exotic tri-line letters merging, swashing, extending and flourishing in stunning gold, silver and blue on black on the cover, and in black on white on the inside pages. Just like in the previous year, the issue won multiple publication design and typography awards. Crescendo is that typeface, finally issued for retail by public demand. Just turn your setting into outlines in your favorite vector program, grab single strands and extend away, and do your best alternating colours between strands. Crescendo comes with a limited punctuation set, but accented characters for Western Latin languages are included, and there many, many alternates and ligatures in there as well. This typeface is best used in large display sizes.

FP Quality is a extended stencil typeface with a slightly and rounded outline and classic shapes. The font contains only Uppercase, and is available in two versions.