Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Oddsorts is delighted to present Bradley Wayside and Bradley Chicopee as its début offerings. Begun in 2000 as a wedding gift for the designer’s wife and used privately for years, they’re finally available to the public. The fonts were inspired by the masterful art nouveau lettering of Will H. Bradley, whose posters for Ault & Wiborg printing inks and Victor Bicycles continue to draw collectors after more than a century. Wayside and Chicopee expand the twenty-odd characters Bradley drew into a comprehensive multiscript system that includes modern Greek and extended Cyrillic alphabets, ordinals, automatic fractions, and ornaments. Bradley Wayside and Chicopee derive much of their charm from an organic mix of shape and spacing intrinsic to hand drawings. Mimicking that spirit in type used to mean painstaking substitution and adjustment of characters. The Bradley fonts make imaginative use of OpenType’s power to achieve the same effect — minus all the work. Wayside and Chicopee contain alternate forms for every letter — up to seven for some characters. Part of what makes these Bradley types delightfully “smart” fonts is that the fonts themselves actually choose the variation best suited to a letter’s place in a word. All you need to do is turn on your software’s “Ligatures” or “Contextual Alternates” option and the Bradleys do the rest. The alternates even work in most word processors. Bradley Wayside and Chicopee are available in “Standard” and “Pro” editions. The Pro editions sport all the bells and whistles, including the alternates. They support over one hundred forty languages and include localized forms especially for setting Bulgarian, Serbian, Polish, Romanian, and Turkish. The Standard editions are geared toward casual use and are ideal for license as webfonts, where streamlined character sets mean faster load times.

Revolution Gothic P font family is designed based on Revolution Gothic and a distressed offshoot from the original. Revolution Gothic is an arranged and extended version of PAG Revolucion released from Prop-A-Ganda type foundry in 2008. The original font is inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s. And the original PAG Revolucion is the most popular font from Prop-A-Ganda. The glyphs that damaged by printing the original had been tweaked by hand work with great care to be looked like natural damaged effect. This Revolution Gothic P family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of your creative works and it will be one of the most powerful solutions for printing and web.

Funghi Mania is a handwritten script font that comes along with over 60 decorative hand drawn funghi illustrations. Treasures from Finnish forest!

Gladstone Street is a handmade, script font featuring subtly distressed letterforms designed to emulate the look and feel of letterpress printed type.

Rech Munchase is a handmade script font. Rech Munchase is perfect for logotypes, posters, apparel designs, labels, website headers and much more!

This Contemporary style reflects a modern hand-lettered feel. Modeled from a camel hair brush, it is a very legible flowing script.

Star Blossom is a bold and playful handwritten script font. It is suitable for logo, branding, packaging, apparel, social media, and more.

FG April works great with all caps as well emphasized by the double lines. It doesn't connect but feels like a script.

Inspired by the hand lettering design for a friend’s yacht, this contemporary script style, TheNautiGal is sexy yet formal with beautiful connectors.

Introducing Qanthura Elegant bold script .With more alternates. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Günter Gerhard Lange designed El Greco for Berthold in 1964. This script dresses up informal documents and adds lightness to formal documents.

Overlia is a beautiful script font that is classy, elegant, and modern. It will add a romantic touch to any crafting project!

A script designed by Diego Giaccone and digitized by Alejandro Paul. A beautiful and sophisticated rough calligraphy for in packaging, cards, etc.

FG Rochelle has some special capitals like the B and R that makes it stand out from other script fonts. A beauty!

Make History is a bold and playful handwritten script font. It is suitable for logos, branding, apparel, social media, and much more.

Draft Beer is a bold script suitable for logos, letterheads & headlines and was inspired by the lettering used by Miller Brewing Co.

Balzac is one Script typeface, heavy, rough with alternate set of numbers and accompanied a set of ornaments, designed by Alejandro Leiva.

It is the Adapted Version of the Byzantine Imperial Script to the Latin Alphabet. The original Alphabet is also in my Foundry.

Pomthinq is a remarkable brush script font. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Selfila is an incredibly stunning script font featuring beautiful and rich swashes. It will elevate any design idea! Containing 150+ OpenType feature.

FG Alison is the sweet connected script of a young woman. It's perfect for greeting cards or for emphasized headers or slogans.

A great looking script can be used for many applications; it even works extremely well as text. Has a old fashioned charm.

Inspired by many hand-lettered European package designs. This script face is suitable for logos, casual headlines and designs calling for attention.

Blue Jeans, is a new unconnected brush script font designed with Pentel brush sign. More about Opentype Features: https://bit.ly/opentype-rsz

Belista is a beautiful and light script font with an amazing feel. It will turn any design project into a stand out!