Gerry Powell’s stencil version of Clarendon designed for ATF in 1938.

Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.

Straker is named after the beige Nehru-collared commander in Gerry Anderson's masterpiece, UFO.

DoodleBat Falalalala Doodle combines Holiday themed words and doodles to make one very merry DoodleBat!

Ornaments 6 are based on designs for the Curwen Press by Edward Bawden and Percy Smith.

If squirrels could write, chances are they would love to use this perky new font from Jillustration.

Domestic Bliss is a perky dot fonts that can bring some fun and bounce to your project.

Freunlaven JNL is a wild and partying font with a name inspired by the nonsense verbage often uttered by Jerry Lewis in his comedy classics.

On April 20, 1950, film comedian Jerry Lewis indulged his love of cameras by opening up Jerry Lewis’ Camera Exchange on Vine Street in Hollywood. It closed in 1951. Thanks to an image preserved within newsreel footage of the shop’s grand opening night, a glimpse of the post-Art Deco signage with its unusual, block style lettering inspired a digital version. Highly unusual and best for novelty projects, Shutterbug JNL is available in both regular and oblique versions.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them. The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

Anything could happen in the next Half Hour! Inspired by the work of Gerry Anderson, this font graces the pages of Marvel's AVENGERS and THUNDERBOLTS Each and Every Month!

Out from a turn-of-the-century cartoon, Pennywhistle evokes the silly symphonies and merry melodies of an earlier age, while playing footloose and fancy free for a modern age.

Arsis Regular Font was designed by Gerry Powell in 1937. It is a Serif (Antiqua) Modern Style font. Arsis Regular font attributes include roman serif, Didone, elegant, formal, modern style, feminine.

Art Nouveau lettering on the cover of sheet music for the 1911 song "The Skeleton Rag" (by Edward Madden and Percy Wenrich) is both the lettering inspiration and namesake for Skeleton Rag JNL.

Patsy is a quirky sans-serif font inspired by the titling sequence from the 1964 film, "The Patsy", starring Jerry Lewis. Heavyweight, yet fun and full of personality, it was a lettering styles that was so much fun to flesh out and make into a typeface. I've opened up the letter spacing lightly from the original film poster design for better readability at a range of sizes. With an alternating all-caps character set, and offbeat letter weighting, Patsy is fun to typeset with as the font auto-switches between Capitals and Lowercase (alternate capitals) no matter if you type all caps or all lowercase.

Butterworth was designed to reflect the dying, degraded and worn, hand painted signs I had seen around the old Butterworth ferry terminal in Penang Malaysia. I plan for Butterworth to be the first of many Malaysia inspired typefaces.