This is a fully connected script font, not calligraphic, but entirely designed to follow handwritten cursive ligatures rules as teached in schools. In order to correctly visualize it, you have to enable OpenType features (Contextual Alternates, Discretionary Ligatures, Standard Ligatues and Kerning). Trying to write All Capitals will generate Block Letters writings, since cursive style doesn't allow more than the first uppercase per word, however this font is not meant to be a Block Letters font. Using specific type combinations will generate special glyphs. All of these features are intended to reproduce a classic schoolboy or schoolgirl notebook.

Deskplate JNL is a solid version of the stencil font Stencil Mark JNL.

DSType proudly presents Diversa Std, the same system as Diversa, but with separate styles: Serif, Serif Stencil, Inline, Soft Serif, Sans, Sans Stencil, Slab, Slab Stencil and Baroque. Diversa Std: Because uniformity still sucks!

Crayon En Folie ('Pencil Madness' in French) is a straightforward pencil font, created with an extra thick black pencil. Use it for books, posters and packaging. Comes with a coloring box full of diacritics.

On February 15, 1926, the Display Material Company of St. Paul Minnesota patented a sign making outfit consisting of a series of stencils in various sizes and styles, paints, brushes, instructions for use and all stored inside a convenient wooden case. Sold to any business in need of making many signs at low cost, this versatile stencil set enabled many a merchant to produce posters, show cards and price tags for pennies over what a commercial sign shop would charge. Floorwalker JNL is the digital version of one of these stencil fonts, solidified into a pre-Art Deco-era typeface.

Stencilvania JNL is one of the growing number of stencil fonts based on original source material by Jeff Levine. In this case, a "solid letter" stencil from years ago was modified to give it the classic stencil look of broken lines.

Evidence JNL is a serif stencil font in Jeff Levine's large collection of stencil designs from vintage and unusual sources.

BillieKid is a so called stencil font. Created by firmly pushing a small marker into the holes of the stencil.

Based on a 1940s lettering stencil, Teacher JNL continues Jeff Levine's extensive collection of stencil fonts based on original sources.

Here's yet another stencil font based on a vintage source, and part of Jeff Levine's extensive library of stencil typefaces.

Pochoir is a sweet stencil antiqua typeface with round and thick serifs. Once, on a university trip to Paris, Yanone saw some spray-stencil street art. This inspired him to redraw Underware’s Dolly (with permission) in a spray-stencil style, making many adjustments to weight and character shapes to bring about Pochoir. The art form of stencils have first appeared in Paris in the 1980s.

PiS Penny Serenade is an elegant all caps high-contrast sans with some serif-y elements in the caps, inspired by the handwritten titles of the 1941 melodrama movie of the same name. Be sure to use the art deco style alternate glyph set for more 1920s vintageness!

The unusually-shaped hand lettering of Penny Wise JNL was modeled from the cover of the 1936 sheet music for "You Dropped Me Like a Red Hot Penny", and is available in both regular and oblique versions. Although it was drawn during the Art Deco period, this type of lettering design style was revived during the Hippie movement of the 1960s and 1970s.

The range of subtle differences in the many different sized lettering stencils of the 1940s and 1950s allows for a wonderful library of authentic-looking stencil fonts. Storage JNL is another Roman (serif) type design by Jeff Levine and modeled from a 1950s stencil set.

Paramilitary JNL from Jeff Levine was modeled after a set of brass interlocking stencils and offers another choice in digital stencil typeface design.

Case Closed JNL is a bold, slab serif stencil font inspired by a set of brass stencils spotted for sale in an internet auction.

Ramshackle JNL was modeled from a 1940s lettering stencil and takes its place amongst the many vintage stencil font designs redrawn by Jeff Levine.

What started as an image of a single vintage brass stencil of the letter 'P' spotted in an online auction has turned into Blacksmith JNL. From that single letter Jeff Levine has created a complete Western stencil font, retaining the hand-made look of the original stencil piece.

HUNKSTER is heypentype journey to simplified a stencil fonts. Simplified means it must easy and fast to cut when creating stencil art. Hence, this typeface inspired a lot from stencil arts and fonts right from the beginning of its creations. When a lot of stencil fonts out there used to create political message and self-expression, Hunkster take it beyond that. This typefaces can be applied to anything, from motorsports, branding, logo or logotype, industrial design, products packaging, software, games, website headlines,etc. Whatever it will be used, the spirit of the stencil and street art remains. Include in this typeface family is plenty of ligatures because the nature of stencil and our design aims, easy-to-cut but still beautiful. Most importantly its thrown away an image of stencil fonts bound on military themes. This ligatures will be developed in the future release along with updates on Hunkster variable fonts.

Stenson JNL is another "lost" stencil typeface, re-drawn from punches made by a commercial stencil machine as used in rubber stamp shops and industrial warehouses.

Totebag JNL continues the stencil font series from Jeff Levine originally inspired by classic lettering stencils of the 1940s and 1950s. This particular design is common amongst "painting stencils", the individual letters used for marking and identification. Some characters are solid shapes while others have the more traditional "breaks" in the letters.

Wolfsburg is a classic blackletter stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Madison is a classic slab serif stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Jailbreak JNL takes the wood type design used for Hoosegow JNL and gives it a stencil treatment; offering a wide and bold stencil alphabet with a Western feel.

Window Sign JNL is a solidified re-working of Sign Stencil JNL; originally modeled from some vintage lettering stencils that were part of a store sign making kit.

Findon is a classic sans serif uppercase stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Mechanized JNL is a solid interpretation of Jeff Levine's stencil font Trencher JNL. Both fonts were based on a photo of hand-cut stencils found on a 1940's trenching machine in the collection of the Marine Corps Mechanized Museum at Camp Pendleton, California. Thanks to restoration volunteer Brian Platzer for providing the images of those stencils.

Project Fairfax is a unique stencil typeface designed on a strict grid. It is perfect for any stencil design, especially a military look. It comes in three styles, sans, regular, and slab; each with a non stencil counterpart. It comes with a full Latin character set, tabular and lining figures, numerous ligatures, and stars and arrows for ornaments.

Censorship JNL joins the wide array of stencil-themed fonts from Jeff Levine. An advantage to this particular design is the larger amount of stencil sections per letter or number. When used with a plotter/cutter, stencils in excess of 12 inches high can be cut into masking material without the cut-out characters becoming floppy or unstable.

Stencil in nature, Western in feel, this font has both form and function. Can be used as a retro design or in a setting where a stencil font is needed.