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  1. DIN Next Cyrillic by Monotype, $65.00
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  2. DIN Next Paneuropean by Monotype, $92.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  3. Giza RE by Font Bureau, $40.00
    Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.
  4. Fox Cupid by Fox7, $16.00
    Fox Cupid is a cute and fun color display font. Fall in love with its authentic feel and use it to create gorgeous invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. Add this beautiful font to each of your creative ideas, and notice how it makes them stand out. 🌺🌺 Please note that the Canva do not support color fonts! 🌺🌺
  5. Action Jackson - Unknown license
  6. I suck at golf - Unknown license
  7. Awesome Lathusca by Kulokale, $25.00
    Awesome Lathusca is a unique and stylish serif font. Awesome Lathusca is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We hope you enjoy the font. Thanks for purchasing and have fun!
  8. Kaftus by Kulokale, $28.00
    Kaftus is a unique and stylish serif font. Kaftus is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We hope you enjoy the font. Thanks for purchasing and have fun!
  9. Aveghia by Kulokale, $27.00
    Aveghia is a modern and expressive serif font. Aveghia is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We hope you enjoy the font. Thanks for purchasing and have fun!
  10. Insecurity - Unknown license
  11. Bionic City by Evo Studio, $16.00
    Bionic CIty is a bold and authentic slab serif font. It has a cool style and it will make any of your designs stand out. Use it for sports, racing design, or anything sports-related.
  12. Vala by Monotype, $29.99
    Vala™ dances across printed pages and shines on screen. This is a high-energy design that blends the grace of an English Roundhand script with the gravitas of an extra bold Bodoni. There is even a bit of romance in the design. Vala speaks with a resonant voice – and knows few bounds. The typeface enhances print headlines, subheads, cover art and packaging. The design also brings its distinctive melding of verve and poise to banners, headings, navigational links and branding in web sites, blog posts, games and apps. Oscar Guerrero found inspiration for Vala in shop window lettering near his home in Bogotá, Colombia. “The capital A, R and V caught my attention and I photographed the window for future reference,” he explains. “Later I started to draw more letters inspired by the ones in the window.” Guerrero admits that he has always admired the work of Giambattista Bodoni and allowed his classic Didone designs to infuse Vala. Striking contrast in stroke weights, lively ball-terminals and a large x-height give Vala the grace and force of a Waikiki wave. Not satisfied with just a basic character set, Guerrero also took advantage of OpenType’s capabilities and drew a complete set of swash capitals, a bevy of fancy ligatures, and a suite of lowercase alternative designs. The result is that Vala easily emulates custom lettering in posters, headlines and logotypes. The “romantic” part of Vala? Guerrero dedicated the design to his girlfriend, Valentina, and named it after her.
  13. Ratushy by Sealoung, $19.00
    Ratushy is a serif-based display font with lowercase letters that have connecting characters for a unique look and crafted with care that will make your designs stand out and modern. You can use this font for any purpose, especially to make your business more attractive. This font is also suitable for sports, e-sport logos, games or hi-tech company logos. This font also supports multilanguage. Featured Fonts: Uppercase Lowercase Numbers & Punctuation Accented characters: ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝÞŒŠŽßàááâãäåæçèéêëìíîïñòóôõöøùúûüýþÿœš ž
  14. Easy Ornaments by Intellecta Design, $17.50
    a sort of classic typographical ornaments
  15. Ongunkan Wardruna Arabic Runes by Runic World Tamgacı, $50.00
    Wardruna Arabic is a method of writing Arabic with a Runic-like alphabet devised by Devin Lester. He imagined that if some vikings had settled in the Middle East, they might have started speaking Arabic and writing it with a version of the Runic alphabet. This particular alphabet is based on Tolkien's Cirth Runes. A band of vikings went to Baghdad after raiding in Europe. The markets in Constantinople were closed as the Turks had just sacked the city. These men had heard of the great market in Baghdad and went there to sell their wares, seeing that this land was warm and fertile they decided to stay. They ended up settling the land and taking Arab wives and having children, because of thier Northern European accent their Arabic evolved into a part-Arabic dialect of Iraqi arabic. This is why today you see a few Arabs with green eyes and dark blonde or red hair. The Arabic alphabet was too fluid for them and vikings disdained the use of paper as a persons writings could be burned, so the evolved their runes to fit Arabic.
  16. Litto by VladB, $12.00
    The name of the font is taken from the concept "Littoral zone" - this is the part of the sea that is close to the shore. The width of the shore varies as a result of the tides. Hence the idea of my font family — changing the width of a character from condenced to extra expanded. Litto is a modern sans serif geometric font, includes upper and lower case characters, Latin and Cyrillic. Graphically, the characters have uniform thickness for all family.
  17. Beverly Shores Script SG by Spiece Graphics, $39.00
    If you take the South Shore Line from Chicago to South Bend, your train will pass though the small community of Beverly Shores, Indiana. The beautifully restored and highly colorful “Beverly Shores” train station sign not far from the Lake Michigan beach is the source of inspiration for this connecting script typeface. The sign’s existing ten letters have now been extended to include the entire alphabet. This old-fashioned depot letterstyle is much in the spirit of such faces as Fulton Sign and Inserat Cursive. Ascenders and descenders have been lengthened and capitals are now much larger. Alternate lowercase swashes, capitals, and small figures have been included for your convenience. And custom uphill words such as “The,” “for,” and “to” have been added for more novelty and spark in headline settings. Beverly Shores Script with Alternates is also available in the OpenType Std format. Some new characters including old style figures have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades. All aboard for Beverly Shores!
  18. Rabbit Boss by Mightyfire, $15.00
    Hi! Rabbit Boss is here. This typeface has a clean, modern and firm looks. This font use capital letters for all letter but has a 'cute' looks. If you want to write a book title, headline or magazine title, we suggest to use this font. We're honored and proud if Rabbit Boss can be the part of your special works. Thankyou.
  19. Moonart by Scratch Design, $12.00
    Introducing “Moonart” It's handwritten with natural and rough character. This font is suitable for designs that emphasize the authenticity of slightly rough writing. Perfect for creating Instagram quote posts, novel or book typefaces, branding, invitations, labels, packaging, stationery, etc. This is a full font, which features all uppercase and lowercase letters, numbers and punctuation, stylish alternates, multilingual, alternates and ligatures. Enjoy this font!
  20. Mignonette by Magpie Paper Works, $46.00
    Hand-drawn with calligraphy ink and an antique dip pen, Mignonette is ready for all uses charming and rustic. She's heavy on the bottom and hairline at the top, and includes all sorts of additional numerals, currency figures as well as multi-language support. Mignonette shines in both correspondence and display; she has a particular affinity for offbeat and heartfelt branding.
  21. Light Bearer by Letterara, $12.00
    Light Bearer is a cool handwritten font. It's ideal for branding and decorate your projects. The Light Bearer font has a classy and modern look that can be used for logos, branding, posters, advertisements, stationery, movies, social media posts, youtube channels, and much more! This is a PUA code which means you can access all the glyphs and sweeps easily!
  22. Fox Cherry by Fox7, $14.00
    Fox Cherry is a groovy and playful display font that captures the cool, and retro style. Fun and funky, this font is perfect for adding a touch of personality to any design project. Whether you’re creating T-shirts, stickers, children’s book covers, social media posts, or anything in between, Fox Cherry is the perfect choice for making your designs stand out.
  23. Une Nuit Parisienne by Megami Studios, $10.00
    This font is based on a lot of the downtempo culture in Paris. Smoky bars, jazz clubs, that sort of thing. How a font can be influenced by intangibles is a question that I can't quite answer, but I can say that when I created it, it strongly reminded me of a couple of times spent in Paris back in the mid-90s.
  24. Monem by Wiescher Design, $39.50
    Monem is the word for the smallest significance-carrying part of a language. I thought that was a good name for a clean, straightforward Sans typeface. Monem is very sturdy and usable for lots of occasions. I am using this font myself for those of my clients that want to convey a clean unobtrusive image. Your very restrained Gert Wiescher
  25. ITC Matisse by ITC, $40.99
    ITC Matisse was designed by Gregory Gray while he was designing an editorial layout for Madame Figaro, a supplement to the Paris newspaper Figaro. While working on a feature on the work of Henri Matisse, Gray created a typeface with paper and an X-Acto knife, and then scanned the cutouts into a computer. The style of the design comes in part from Gray's passion for African art, with its contrasts between flat areas and protruding surfaces. ITC Matisse is ideal for offbeat display applications and initial capitals.
  26. Grasond by Just Font You, $19.00
    A new reopening of an Art-Deco gate. Different vibes of the Gatsbyesque era, sculpted with the touch of lavish modernism for an everywhere and every timeline of the multiverse purpose. Inspired by the purpose above, here's an attempt to resurrect the great from the past. Please welcome, GRASOND. A vintage art-deco display sans serif fonts. Perfectly fit for your luxury branding, logo, vintage design, beer labels, signage, anytime you need a massive throwback, please, be my guest, oldsport.
  27. Quadrica by Sesa Grafika, $32.00
    Quadrica is a stylish, retro script font. Its unique letterforms make this font perfect for logos, social media posts, packaging, magazine covers, and more.
  28. Museum Ornaments by T4 Foundry, $7.00
    Museum Borders and Ornaments is part of a typographical treasure, the Norstedts type collection in Sweden. Type designer Torbjörn Olsson has painstakingly translated the original 34 Ornament matrices in the collection to Open Type. Among them are several of Granjon's arabesques, as well as symbols from both Swedish and Danish typefoundries. The signs were cut in the 16th, 17th and 18th centuries. The old Swedish name for these "type trademarks" were "rössjor". Museum Borders and Ornaments is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premiere new fonts every month. Museum Borders and Ornaments is our tenth introduction. Museum Borders and Ornaments is part of the growing Museum type family. Museum also includes Museum Tertia Cursive, an exquisite 1700's typeface with modern additions, and Museum Fournier, a set of Rococo capitals designed by Pierre Simon Fournier le Jeune circa 1760.
  29. Kings in Disguise by Elemeno, $25.00
    Kings in Disguise is a chunky, balloon font of the sort used extensively during the 1970s. It has a retro, disco feel and is ideal for signs and logos. The name comes from a great comic book series published in the late 1980s. The engraved style has a limited character set.
  30. Johabu by Monotype, $29.99
    Johabu is based on Gebrochene Fraktur, a lighter softer sort of type, compared to the German forms of the same period. Johabu was drawn by Johannes Bureus, around 1620, cut and cast by Peter van Selow in Stockholm. Johannes Bureus, archaeologist and linguist, designed and let Selow cast runes in 1598, and he became the first Swedish keeper, archivist, of the National Record Office State Archives.
  31. Linotype Sansara by Linotype, $29.99
    Linotype Sansara, from Swiss designer Grégoire Poget, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This fun font is a type experiment behind whose oriental facade hide Arabic letters, recognizable only at second glance. This font displays generous, pointed ascenders and descenders as well as a bar-like emphasis on the upper third of the figures which connects lines and words and gives them a decorative look. Linotype Sansara reveals an astounding variety of details which bring to mind 1001 Arabian Nights, flowing gowns and snake charmers. This font is best for display in point sizes of 14 or larger.
  32. Graffiti Rusty by Nirmana Visual, $22.00
    Inspired by the urban landscape and the rebellious spirit of youth culture. characterized by an edgy, raw, and energetic aesthetic that captures the dynamic energy of the street. Graffiti Rusty offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  33. Retail Stencil JNL by Jeff Levine, $29.00
    Retail Stencil JNL was modeled from a set of 2 inch lettering stencils manufactured during the 1980s. Although similar in design to Excess Baggage JNL, there are a number of character differences as to where the "breaks" (or division of the stencil parts of the character) are located.
  34. P22 Grenville by IHOF, $24.95
    Grenville is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grenville font is a graceful Italique hand similar in style to the classic designs of Arrighi's Operina.
  35. 1886 Romantic Initials by GLC, $20.00
    This family of decorated initial letters was inspired from a French catalogue dedicated to engravers, embroiders and jewelers. unfortunately, we don't know the name of the illustrator, no more than the publisher, because a large part of the pages seems to have been lost or have been damaging, so, we have had to redrawn a few of figures. The font is containing standard Latin capitals without diacritics, identically repeated in lower case keys, and numerals.
  36. Linotype Seven by Linotype, $29.99
    Linotype Seven is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Christian Vornehm. The font looks as though hastily drawn with a wide, bristly brush, as though the scribe was in a hurry. Linotype Seven is loaded with energy and spontaneity. It is intended exclusively for short headlines in larger point sizes.
  37. Christmas A2 uses the following OpenType features to set up to four different color layers. - Superscript/Superior (Trees) - Subscript/Inferior (Stars) - Numerator (Candles) - Denominator (Light, Bells) Note: Due to the complexity of some parts of the font, some printers may have problems of rendering it smoothly. To avoid this problem you should always outline the font data for the final documents. On lower systems turn font antialiasing off for faster screen redrawings.
  38. Christmas A uses the following OpenType features to set up to four different color layers. - Superscript/Superior (Trees) - Subscript/Inferior (Stars) - Numerator (Candles) - Denominator (Light, Bells) Note: Due to the complexity of some parts of the font, some printers may have problems of rendering it smoothly. To avoid this problem you should always outline the font data for the final documents. On lower systems turn font antialiasing off for faster screen redrawings.
  39. Linotype Down Town by Linotype, $29.99
    Linotype Down Town is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The cheerful character of this fun font from German designer Critzler is perfect for comics or posters. The figures dance across the base line, swinging between thick and thin, big and small. Linotype Down Town is intended exclusively for headlines and short texts in at least 18 point.
  40. Monkton Aged by Club Type, $36.99
    This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.
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