Mind Explorer - Psychedelic Font. Mind Explorer is a psychedelic style font. This font is inspired by vintage albums and posters from 1960s music bands. The classic, fun and groovy impression is very visible. But in this font I combine several variations such as the ligature. It makes this font even more unique and different. Euphoria Party is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. This font is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Spongy is a rubbery sans-serif typeface. It has round, soft shapes but a stiff and funny character. A quirky, clowny font, Spongy's highlighted cartoon letters looks like levitating balloons. Drawn and created by Mans Greback in 2021, this comic lettering has a satirical style and a light-hearted personality. It is provided as Highlighted, Bold, Light, Solid and Outlined! The combination of these jolly jelly fonts makes for the perfect set of party and birthday types. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Meets Glaw, A new carefully crafted Fonts from Ilham Herry to bring a new heavy look of Psychedelic Theme. The Ideas of this fonts are from 70s, Psychedelic, Funk, Hippie, Party, Music and Etc. Even though it’s a specific theme for this fonts. It doesn’t ruled out the possibility of creating a new style or themes. Glaw Created with a 3 Weight on the traditional OTF, Condensed, Regular and Expanded. Not Just that, If your software are support for Variable Fonts like Adobe Illustrator or Photoshop, The Weight are going to 100 Weight!. Glaw Best used for a Large Text such as Headline, Poster, Branding, Logos, Concert, Branding and Any other use that needs a Heavy looks for the Title. Our creation on the display to give you a reference what it looks like on your project. It shows that how Glaw will look on your design style.

This is our Valentine's Day-themed font that weaves the romantic melodies of love songs into your designs. This unique typeface infuses the spirit of Valentine's Day with the heartfelt emotions of music. Valentine's Day Cards: Create heartfelt and visually stunning Valentine's Day cards that sing with romance, making your loved ones feel cherished and special. Love Letters: Craft beautiful love letters that showcase the beauty of Valentines Notes, making your declarations of love even more touching and memorable. Event Invitations: Design enchanting invitations for romantic dinners, engagement parties, or weddings, setting the tone for a truly memorable celebration of love. Digital Expressions: Elevate your digital expressions of love with Valentine's Day-themed social media posts, e-cards, and website elements that capture the essence of love in a unique and musical way. Functional As far as we know, this font includes everything you would need to write a music sheet.

Childa Script with the kind of modern calligraphy font, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Childa Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc.

It’s bold, brazen, and irresistibly fun – it’s Hot Mess! A super realistic hand brushed font just raring to get the party started. It’s guaranteed to leave a vibrant, long lasting impression on social media posts, advertisements, posters, products packaging & more. Ligatures • Hot Mess includes 17 ligatures built in to the font. These letter pairs help to create authentic, naturally flowing hand-lettering. Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Ligatures will automatically be switched on when using supported software. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. Swashes • Hot Mess includes 4 swashes; use these to underline your script text and add a stylish finishing touch. Simply type any of the square brackets to generate a swash [ ] { }

Introducing the Inflate PTx font family, a delightful and playful typeface collection that embodies the buoyant spirit of celebration and festivity. This font can be use in old and new apps that use/read fonts, because it's format (old school format :)), not OpenType SVG format. To install fast on the PC: right click in the OpenType file, then "Install". But if you want to open the file, please be pacient. It takes time to open and read the OpenType file depending of the capacity of your PC. The Inflate PTx font family is tailor-made for creative projects, from birthday party invitations and children's book illustrations to social media graphics for Instagram or themed event posters. Its rounded edges and bubbly forms infuse any design with an infectious sense of joy and lightheartedness, making it an ideal choice for those seeking a playful and festive typographic solution.

The alcoholic beverage Gin is drunk around the world, as far back as the 13th century. Originally distilled as a medicine, it draws its main flavour from juniper berries. Gin is colourless itself but – due to its smooth taste – a major ingredient in a long list of famous colourful cocktails. Gimlet, Singapore Sling, Negroni, Charlie Chaplin, French 75, Vesper, Tom Collins, White Lady, Aviation, Monkey Gland, Southside, Gin Gin Mule and New Orleans Fizz are but a few of them. That made us decide it simply cannot be missing from the Vette Letters font collection. Vette Letters designer Henning Brehm originally designed VLNL Gindicate for the 2015 action movie Hitman: Agent 47. It was specifically used for the logo and signage of the maverick ‘Syndicate International’ organisation in the film. It lay dormant in a folder for a while, when it was reworked into this flashy 5 weight family. VLNL Gindicate is a rounded modern sans serif family, suitable for a multitide of applications, corporate or otherwise. It has somewhat of a warm sci-fy feel, without being overtly techno-ish. In the family are 3 regular weights (Light - Regular - Bold), but also an Inline and Multiline weight for extra design possibilities. Company logos, brand identities, music flyers or posters, you name it. VLNL Gindicate will spice up any design. Bottom’s up!

Step right up, folks! Introducing Budmo, the font that’s always ready to party! This jubilant display typeface is inspired by classic light bulb marquee sign lettering and is perfect for all your festive needs. Whether you’re sending out dance invitations, announcing a gala, planning a parade, or just looking to add some pizzazz to your party, Budmo has got you covered. But that’s not all, folks! With Budmo Jiggler and Jigglish, you can really ramp up the carnival atmosphere. Layer the Bulbs, Honk, and Solid styles to create a truly carnivalesque effect. And don’t forget to try adding a glow effect to the Bulbs style for even more razzle-dazzle. But here’s the thing, friends. Even on its own, the Bulbs style is nothing short of snappy. Add your own special effects and watch it light up the night! So come on down and see Budmo for yourself. You won’t be disappointed! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Waba Pronounced ‘Vah-bah’, is a font family that I designed. The name comes from a historical variation on the Estonian word ‘vaba’ – meaning ‘free’, or 'at liberty'. Back in 2017 I visited the Estonian Print & Paper Museum in Tartu to see its great collection of type (well worth a visit!). While I was there I saw some big woodcut blocks of Reklameschrift Herold - a super Art Nouveau/Jugendstil style display font. The Print & Paper Museum's collection covers both Latin and Cyrillic faces and as a foreigner in these parts I'm kind of fascinated by the exoticism of Cyrillic. How it is different but the same to the Latin letters I take for granted (as a humble Englander – no excuses). Not to mention, Jugendstil with its imitation of natural form, reverse-weights and looping-delicious curves (like you've left the window open all summer and the garden plants are climbing in). This mix of Jugendstil, Cyrillic letters and the beautiful historical border town of Tartu inspired me to start drawing Waba. Trimming the serifs from Herold, simplifying those angles and expanding the category of weights, then taking look at the magical logic of Berthold Block and doing a few things that just seemed right at the time – Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. Waba Monogram Waba also contains a monogram face, which allows you to create any monogramming latin and cyrillic. Simply type out your 2-3-4 characters in Waba Monogram, making sure Contextual Alternates is turned on them voila! Monograms can be customised manually using the OpenType select-pop-up in Adobe. Also included are a few Discretionary Ligatures for Mc, De, Von etc. Monograms work best when Contextual Alternates is turned on.

Kake’s upper case letters are inspired by a hand-painted sign outside a temple in Ubud, Bali. The rest of the font is made to fit the style. The hand-made aesthetic is increased by the implementation of contextual alternates, which automatically swap glyphs to alternate forms to avoid the monotony of repeating letters. The amount of variations for each glyph is dependent on letter frequency in English; there are more a’s and e’s than q’s and j’s. Even with only two variations of some glyphs, the programming makes sure that no two matching glyphs are ever next to eachother, and for the most part they will rarely be even two letters apart. This all makes for type that looks like it isn't type. The glyphs bounce and subtly change weight with willful abandon. Some of the letters on that original sign are somewhat quirky. If you're not a fan you can engage stylistic alternates or stylistic sets to change the C, G, S, Y, c, s and y glyphs to a less idiosyncratic form. These variations still have variations themselves, so with contextual alternates on, they will look as random as all the rest. Case sensitive forms and automatic fractions are included, as are 98 ornaments, ranging from the useful to the (let’s just say) esoteric. These can be accessed from the glyph palette. I know you've probably never realized you need an anchor, a fuel pump, skull and crossbones and chess symbols in the same font before, but that doesn't mean you don't! Kake is full on display typography. It’s legible for small blocks of copy but don't go setting essays in it. Unless you really want to... in which case, go for it.

It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely well received, and a revitalized and remastered Chennai made its appearance two years later, complete with new weights and new, novel OpenType features. Then came Madurai, a variation of Chennai based on the same core, only without the rounded stems. Chennai’s rounded stems made it distinctive and great for headlines but left it lacking appeal as copy--a problem that Madurai easily solved. And now comes Sangli, the final iteration of my original 2007 vision. Sangli is a happy medium. Like Chennai, it’s great for headlines--but not too distinct for copy. Sangli keeps the same core structure as the other two, but new less sharp forms give this latest font a friendlier look that’s more versatile than the original Chennai and less formal than Madurai. The font includes a whole range of six weights from light to black, along with condensed and extended options as well for a total of 54 fonts. There are plenty of OpenType features, including small caps. Alternates include normalized capitals and lowercase letters that include stems for when you want a more traditional look or when you’re writing copy. Sangli also supports over 70 languages that use the extended Latin script. Use Chennai, Madurai, and their slab serif variants interchangeably with Sangli, too, for even more options in your work. All three complement one another well. So when you need a balanced font that stands boldly on the page and commands your reader’s attention, look within and find your Sangli.

Mundial translates as “Worldwide”, this name is a statement: the idea of synthesizing characteristics from different traditions in a single typographic style. Here and there you can see gestures that are clearly associated with different eras and cultures, but not to be confused: the main characteristic of Mundial is the summary, the cohesion and the sum that results in more than each individual part. Mundial is a typeface for this time in which individual identity marks, are the best aid to build a world together.

Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.

The Serif Hand is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. We wanted to create the most generic, readable and balanced serif handwritten font, to work well in every kind of design. It’s an all-caps font with 5 finely balanced weights with alternates: all the uppercase letters are a bit different from the lowercase letters. We also designed a playful dotted weight, to add a fancy touch if needed. We hope you will enjoy our work. Merci beaucoup!

Margaux is an elegant, smooth, disciplined italic font, based on French fonts of the early 20th century. It evokes Paris in her heyday - culture, romance, and sophistication. Margaux is beautifully crafted, with simple, neat lower case characters, and upper case characters that are elegant but decoratively curled. This font lends itself to the creation of romantic adverts, wedding stationery, greeting cards, theatre posters, romantic book covers, certificates. Margaux has all the features usually included in a fully professional font. Language support includes all European character sets.

Traveling through the central and southern parts of Mexico a number of years ago, I couldn’t help but be impressed with the amazing architecture of the indigenous peoples. From the giant pyramids of Teotihuacan to the extensive and impressive layout of Chichén Itzá to the smaller-but-spectacular Monte Alban ruins in Oaxaca, creativity abounds. One of the things I most enjoyed were the carved stone friezes that ran around many of the more complete buildings. Oaxaca calls to mind those beautiful carvings and, strangely, Chinese writing.

Linotype Contacta is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Ralf Weissmantel designed this font to display no stroke contrast at all. Instead of using conventional letter forms, Contacta is a more designed-oriented font, with some characters recognizable only in context, not necessarily at first glance. The technical, unconventional forms look almost like a maze, especially when set together. This font is not suitable for text but makes a unique impression in logos and headlines.

Crypick is a Modern Serif Font, created with unique design. the parts of the font is simply watery looks inspired by ocean wave. this font comes with some ligatures and alternates, and already PUA encoded for easily accessed into optional Glyphs. Crypick Font is simply designed to ease any design project such as invitational card, logo tagline, attentional flyer, magazine header, and much more Features : Complete standard glyphs ligatures and alternates PUA encoded Numeral and Punctuation Multilingual Support Thankyou for your attention, Regard : Grontype

BMF Objects Pi is part of the BMF Symbols Collection, a gorgeous, versatile and highly original family of symbols (drawings, icons, pictograms). Unlike the other fonts in the Symbols Collection, Objects Pi doesn’t have a specific theme: it covers various aspects of ou day-to-day activities, such as cooking, eating, working, playing and getting sick. When you buy BMF Objects Pi (which, of course, you’re highly recommended to do today) you will have access to all of these activities on you very own computer keyboard!

New Clear Era is part of a large ongoing project investigating classicism and legibility. The regular version is the base font. Numerous permutations will be performed on this underlying skeleton. Also investigated are the ideas of an extended type family, and trying to understand what makes a contemporary legible, serif typeface. The Mix versions combine characters from the Roman and Display to make quirky fonts that can be comfortably used for setting text. Mix One is the most quirky; Mix Three is the least.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

Modified Gothic is an art deco titling face developed by the Linotype Design Studio. This typeface includes the following features: letterforms drawn with a monoweight line, a relatively narrow character base, proportionally altered small caps" in lieu of a lower case, and a distinctly round feeling. Use Modified Gothic anytime you need to evoke the spirit of the roaring 20s! Modified Gothic looks great in headlines, as well as in short lengths of large body text. Modified Gothic is part of the TakeType 4 Library."

Linotype Boberia is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Designed by Bo Berndal, its historical roots lie in the neoclassicism of the turn of the 20th century. The slender letters with a large x-height and marked stroke contrast give the font an elegant character. The nostalgic, flowing forms are typical of Art Deco fonts and allow designers a number of possibilities for the font’s use. Boberia includes regular, italic and bold type styles.

Franko Luin, Carniola's designer, on this typeface: Carniola is a pastiche of different type designs from the beginning of the 20th century, mostly American. I am not very fond of it, but was convinced to release it by someone who needed a typeface with a time typical feeling. On the other hand: why not use the original typefaces from that period? Carniola has its name from the Latin name of Kranjska/Krain, a principality in the former Habsburg monarchy (Austria-Hungary), now part of modern Slovenia.

Encorpada Essential is part of Encorpada Project. It started in 2011 with Encorpada Black. Encorparda Pro was released in 2012 with 14 weight - being seven uprights and seven italics. The Pro version brought a lot of opentype features and a extended character set. The Encorpada Essential has the basic character set with 455 glyphs, that supports more than 50 languages and opentype’s basic features such as: allcaps, standard and discretionary ligatures, numerator, denominator, superior, inferior and fractions. Check out the details on Encorpada Project website.

Blackthorn draws on the tradition of Art Nouveau font design with some elements of western or circus style fonts, but an overall effect which may have more in common with the psychedelic era than anything else. It has a feel somewhat akin to some of the lettering of Alphons Mucha particularly the Abaddon and Gehenna fonts. It's very stylized and kind of wicked looking. You can see where the name comes from if you note the thorn-like spurs on the upper part of each character.

agasthiya rococo is a script type font with 552 glyphs, supports western & eastern europe, turkish, cyrillic languages. equipped with alternates lowercase, ligatures, and swash. inspired by the art of rococo architecture, which is an ornamental architectural style that emerged in the 18th with its characteristic intricate and layered details. The rococo style is a further development of Baroque, where the forms used have not changed. The Rococo style first appeared in the 18th century in Paris. makes this font has a distinctive character style similar to victorian

Charles W. "Plot" Plotner was a cartoonist who had developed a template-based cartooning set for kids circa 1952 called "Plot-O". A companion set was called "Plot-O the Clown". "Plot-O" consisted of two plastic templates with pre-cut and numbered cartoon shapes. By following the simple directions and tracing the corresponding parts, any youngster could create basic cartoons of people and finish them off with their own details. The hand-lettered instruction booklet provided the design inspiration for Cartoon Panel JNL.

Linotype Ho Tom is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Thomas Hoffman, this font’s historical roots are easily traced to the slab serif style. Ho Tom was originally intended as a lettering system for a project in the center of the old East Berlin. This explains the stable, angular characters and the consistent rectangular base forms, which also makes Ho Tom a very legible font, suitable for longer texts.

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

Julio Cortázar (1914-1984) was a unique and unclassifiable writer inside the universal narrative. His creative trajectory was full of hits which couldn't find echoes in later works. SL Cortázar portraits that singular work through the brilliant creation of Facundo Nicolás Velilla. With particular sensibility, SL Cortázar describes the universe of obsessions in the author: music, women, politics, reading, revealing the edges of intense daily in this legendary rebel. SL Cortazar takes part of the "Icons of Icons" Gallery, developed by SinergiaLab for Sudtipos

This is a geometric uncial font with a retro/art-deco feel. It comes in four weights, each in upright and oblique styles. It has Unicode coverage for Latin, Greek (modern diacritics only), and Cyrillic, plus the Euro and peace signs. This font began as part of a project to design a local currency. Sadly, the municipality canceled the endeavor before the design competition had started. I'm including one of the prototypes in the gallery section as an example of this font’s many uses.

An old book found at a Paris bouquiniste contained samples of the typeface “Caractère de finance,” a bâtarde design by 18th century typefounder Pierre Simon Fournier. Rather than revive the type, Kanna Aoki decided to reinvent it, using a felt pen to achieve a rustic, handwritten quality, departing from the 18th century model as she saw fit. MVB Chanson d'Amour conveys a soulful elegance that stops short of the ostentatious, overwrought found in many formal scripts. It is lovely and sweet, but never saccharine.

In Dutch, a Mandarijn is a Tangerine. I found out that it is called a Mandarin in Australia as well! I really like Mandarins, so I thought I’d give them their well-deserved place in the spotlights by naming a font after them. The whispers part - well, that’s just because it sounded good. Mandarin Whispers is a very nice brush font, which was actually not made with a brush, but with a cheapie marker pen. It comes with all the bells & whistles, so have a ball!

Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

HandXpression was created with a stylus, imitating the experience of writing on a whiteboard with a marker. Its 646 glyphs cover from the Western to a wide part of Eastern European (Latin) alphabets. It also has all Greek letters for Math usage: yes, HandXpression makes formulas, and they look great, especially with LaTeX/XeTeX systems. The font has true italics, as well as some useful OpenType features: fractions, capital spacing, scientific superiors/inferiors, old style numbers, as well as standard ligatures and localized forms. Enjoy!

As its name suggests, Multiple is a family with multiple font styles. The idea that sums up the concept behind the typeface is “workhorse”. The challenge was to develop a useful font fit for any scenario and suitable for any design needs: editorial design, packaging, branding, screen use, etc. Multiple features soft, rounded shapes and large counterforms which make it well-suited for both text and display usage. The proportions are based on classic typefaces yet its design was specially created to provide a high degree of versatility. Multiple contains different stylistic sets whose variety of glyphs provides a wide range of choices for any design project. Partly humanist and partly grotesque, Multiple comes with a number of font variants that will help you choose the style that will best meet your needs. The font also includes a serif version with the same number of variants as its sans counterpart. The sans version includes 4 stylistic sets while its slab companion comes with 3 sets, both available as separate alt family packages (ideal for those seeking ready-to-use alternate glyph sets). These alternate characters are also available as OpenType features in the regular versions. Multiple comes in 5 weights—ranging from Extra Light to Bold - with matching italics, and contains a 395-character set that supports 207 different languages. Multiple: one font, multiple faces.