Proudly Present, Signaday a Modern Monoline Handwritten Font. Signaday is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Bartleby is a hand-drawn all caps display font. It has over 300 glyphs and several variations on the standard alphabet with all those €xtra pesk¥ foreign characters too. It is available in 3 weights regular, bold, black and as a family of all three.

Aniara is a playful, happy and intergalactic font. Arriving in three different weights, Light, Regular and Bold. + the antagonist; the dark version without the space/counter. Aniara comes with laser shrinked upper case letters. It attacks with a alternative upper and lower case glyph. PoFF!!

Redmilk embodies fun, quirkiness and authenticity. This enchanting handwritten font will turn any creative idea into a true standout. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. Alinea sans, with its neutral shapes, can be used everywhere. Like many recent sans serifs, its italic is a true italic and not a sloped roman.

A large x-height, open forms and colorful weight variations make Mensa an extremely legible body face particularly where space is at a premium. The three widths and six weights together with italics provide plenty of options for setting magazines, books and web pages.

Sallyna Cattalya Is a A Monoline Signature Font Sallyna Cattalya is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Gemma was born in Madrid 37 years ago. After spending many years in the capital, she decided to start over again and moved to Barcelona. A series of misfortunes and wrong decisions left her on the street. Gemma is a calm, emotional person who likes to take her time to do things and, if there’s one thing the street can offer, it’s time. The street lets you listen carefully, watch without being seen. Being in the street isn’t pleasant at all. Seeing people who’ve just showered go past makes you miss even more things that many take for granted. Breakfast, a clean smell, paying for a metro ticket. Being homeless is much more than having nowhere to sleep. Life in the street is hard, says Gemma, but she also sees the positive side. “It’s the best way to get to know human beings.” She likes to see the street as if it were a school. A school she has been in and out of for too long.

A humanistic sans serif The first version of this font was created in 1994 within the framework of the bid placed by the city of Graz to become the location for the Winter Olympics in 2006. Appropriately, its original name was ”Olympia.“ The font is intended to embody classic ideals as well as to meet modern demands. The proportions of Charpentier Sans are directly derived from Roman capitals and the humanistic book-face. The contrast between strokes and thin strokes is based on medieval uncial script. And thus, a modern serif sans was created emphasizing thick and thin strokes together. Thanks to its traditional form language, Charpentier Sans is very legible, adapts to various forms of content and expresses a kind of calmness and certainty. Details resulting from writing with the quill guarantee that the font doesn’t appear too rough and unemotional. Even the tiny, pointed mini serifs contribute to the unmistakable appearance of the font. They create an exciting contrast to the soft flowing forms of the letters and are, to a great extent, conducive to the legibility. Consequently Charpentier Sans always appears with an extremely sharp and clear outline. Charpentier Sans Italique has an even more distinct ductus derived from writing. Especially the rounded forms from a, e, f, g and y reflect the handwritten humanistic cursive. Charpentier Sans is comprised of many ligatures, including discretional ones, plus proportional medieval and capital figures for the normal type as well as disproportional tabular figures with a consistent width. Above and beyond the ”normal“ Latin typeface system, small caps are available as an especially elegant form of distinction.

While fashions come and go, style is eternal. True to its name, Zeit is an ageless serif font family, distinct yet reassuringly familiar and trustworthy. From magazines to mobile apps, branding to advertising, Zeit covers everything with poise. The font family is equipped with many handy and carefully thought features. Small capitals and small capital figures, old style figures, subscript and superscript figures and fractions are intrinsic to the design. For a bit of flair, look for the swash alternates included in the italics – along with variants of the characters g and y. Look no further, Zeit is rigorously designed from head to toe – as only true quality can stand the test of time.

Ultra Condensed is a three-font family with a full character set. Ultra Condensed is a remastering of Tall Skinny Condensed from 1999 which continues to be a favorite. While similar, the fonts are not interchangeable. Shapes of some letters have changed, kerning and spacing are different. Tall Skinny Condensed does not have a full character set. Ultra Condensed Lettered is a hand lettered version of the hard edged Ultra Condensed. Ultra Condensed Line also hand lettered, is a thinner version of Ultra Condensed Lettered. These three fonts work well together or with a non condensed font, great for headlines at a large size. Works well for lots of copy in a small space.

Departura is a sans-serif family inspired by art deco travel posters in early 20th century, fused with modern & geometric touch. It comes in 18 styles, 9 weights and its matching italics. With those style variatons, Departura offers many possibilities to be applied in many graphic or editorial projects.The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way. Also thanks to the extended latin character set so that Departura supports 200+ latin-based languages plus Cyrillic (including the Bulgarian and Serbian characters). P.s.: The Bold Italic & ExtraLight styles are free to download, so you can use them for any projects free of charge.

"Vandal Blow" is a 3D layered graffiti font that includes solid, shadow, and inner shadow styles, providing the tools to create a three-dimensional appearance in your text. Fonts with layered styles like this are commonly employed in graffiti art, street art, posters, and other designs where a dynamic and eye-catching 3D effect is desired. By utilizing the solid, shadow, and inner shadow layers in "Vandal Blow," you can enhance the visual impact of your text, creating a sense of depth and dimension. This font is particularly suitable for projects where you want to infuse a graffiti-style aesthetic with a three-dimensional twist, making your text stand out and grab attention.

Designer Steven Skaggs wanted a versatile uncial typeface that was not simply decorative. Traditionally, a true uncial is a majuscule form, entirely lacking in ascenders and descenders. However, by designing Rieven Uncial, Skaggs found a way to use the true uncial as inspiration but retained a lowercase look and feel. Typically, uncials do not have italic forms but in order for Rieven to be a truly versatile face, it was imperative that it should be accompanied by an italic. The italic form owes much to the historical roots in the letra antigua cursiva of the 15th century humanist masters. Rieven Uncial was awarded a Certificate of Excellence in Type Design in the 2010 TDC2.

R21-h sq is stand for "Ratio 2:1 in horizontal square"; a comparison in making a glyph typography, horizontally in the form of a square. R21-h sq font consists of bold-retro typeface with its own unique funky style. Suitable for app design, games, toys character face, storybook covers, logos, advertisements, branding, poster, or anything that needs a daring and fresh typography. Font include: R21-hSq-Latin (+extended) font R21-hSq-Cyrillic font R21-hSq-Greek font* * Additional Light font for Greek only. All styles include Latin standards (except for free/demo version). The glyph 6, 8, 9, x, O, Q and X on display are for commercial version (the free/demo version are different).

Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. Customize weight and contrast to the smallest value to your needs with a variable version of Mak. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create ‘pen lifts’ anytime too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by your application. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.

ITC Hornpype is the work of California freelance designer Mott Jordan, a cheerful display face inspired in part by the cartoons of the 1920s and 30s. According to Jordan, the typeface's name and three-dimensional quality can be traced to an early cartoon in which a cat blows on a horn with such force that the instrument bulges out. For the three-dimensional look, Jordan added highlights to the thicker strokes to create letters that look as though they were, in his words, squeezed from a toothpaste tube". Jordan suggests his eye-catching font for shorter words in larger point sizes. ITC Hornpype is a lively font perfect for anything needing a "fun, goofy" look."

The source of inspiration for Carson Monogram is a letter set from the book, Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition published in 1912. This elegant historical style was simply labeled, "New Antique 53". Carson Monogram can create one, two, or three letter monograms as well as basic headline and titling settings. By default, Carson Monogram types in a horizontal format, but by utilizing OpenType Contextual Alternates, you can typeset in a three smallcap diagonal format as well! It is a refined look that is perfect for a wide array of classic personalization settings. Download and view the MFC Carson Monogram Guidebook if you would like to learn a little more.

Armavir by Fontazy is an uppercase type-family consisting of three gradually distressed sub-families Armavir 01, Armavir 02 and Armavir 03 (each in Regular and Bold weights) and Shadow (also in Regular and Bold). Armavir is a sans serif font with a slight touch of handmade. Each typeface contains stylistic alternate version of vowels -A, -a, -E and -e, that converting uppercase font in unicase(-ish). The Shadow style is suitable for each of three text styles. Being a duplicate of the text layer, it gives an additional decorative appearance to the text. All fonts in the family has Latin (West, Central and Baltic) and Cyrillic encoding. Armavir is perfect for logo making, print design, advertising, branding etc.

Introducing Spiderpies, a brush script that is modern, free-style, free-flowing, friendly and organic.Can be used for various purposes - Branding, Happy New Year, Logos, Greeting Cards, Wedding Stationery and Quotes. Files included : Spiderpies OTF Spiderpies features : Basic Latin A-Z and a-z Numbers Symbols To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions And this Font has given PUA unicode. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

"The Giant Monster" is a bold 3D display font featuring solid, inner, and shadow characters. Fonts like this offer various styles within the same typeface, providing depth and dimension to the text. The solid characters provide a bold and straightforward appearance, while the inner characters offer depth and a three-dimensional effect within the letterforms. The shadow characters contribute to the font's depth by adding shadowing or highlighting behind each character. With its multi-layered design, "The Giant Monster" allows you to create text that appears voluminous and impactful. This font is suitable for projects such as posters, titles, or any design endeavor that requires a bold and dynamic typographic style with a three-dimensional effect.

Delauney is a display font, inspired by the Art Deco style from the 1920s. Delauney visualizes luxurious looks, elegance, and wealth. This font is an all-caps font designed with geometric shapes and firm strokes that gives a clear look and minimalist. Delauney also has some OpenType features and accented characters to give you many alternatives in your creative process. A great choice for your headline, title, label, editorial, logotype, quotes, typography, and more! Delauney provides three styles : Regular: The main style for display or headline Shadow: Secondary style that you can use to beautify the Regular one. Catchwords: Available in three languages; English, Spain & Bahasa. Complete your words to look more decorative. Thank you for visiting Happy designing!

Resist Sans is a free-spirited neo-grotesque that embodies both the innate desire for revolt and a tendency towards uniformity. While Resist Sans preserves the neat, minimalist look which is associated with neo-grotesques, it also accentuates the tentativeness of each letter form. The name, too, hints at the rebellious character of the typeface. Resist Sans comes in 28 styles (14 uprights and matching obliques). Text vs Display Resist Sans comes in two versions: Display and Text, which serve different purposes but remain interchangeable and even complementary in some cases. Resist Text is equipped with deep ink traps and optical compensators, which really come into play at smaller sizes. The Display version is smoother and more consistent, so better for use in larger sizes and headlines. Styles/Weights Each of the two versions of Resist Sans comes in 7 weights (Thin to Black) and is equipped with matching Obliques, which brings the total number of styles to 28. Two trial styles (Text Light and Display Medium Oblique) can be downloaded free of charge. Each style contains 900+ glyphs, awesome OpenType features, and around 1500 kerning pairs. Language Support Resist Sans is truly multilingual. It supports most European and Latin-languages and features Extended Cyrillic, which gives access to such languages as Ukrainian, Bulgarian, Serbian, Russian, Macedonian and many more. Free Styles Two styles of Resist Sans can be downloaded for free on MyFonts. Type Specimen Resist Sans PDF Type Specimen can be downloaded here: Resist Sans PDF Type Specimen

It’s like hiring your own professional sign painter with a solid repertoire of styles; each one is distinctive, yet clearly by the same hand. No variants were created on the computer – each weight and version was individually hand-lettered. Ed’s Market lets you evoke the warm, inviting vibe of classic 20th-century grocery posters and showcard lettering right from your type menu. Smart programming ensures that digital perfection doesn't trump human charm: each display face features three variations of each letter, to ensure a natural hand-painted look when characters repeat. Ed’s Market includes three script styles, each with more than 100 alternate characters and swash forms. Seven display faces feature three variations of each letter, to ensure a natural hand-painted look when characters repeat. Design Elements offer expandable arrows, rules and ribbons; along with badges, swashes, scribbles, clouds and snipes. See what’s included! http://bit.ly/1Mzurs3 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.