DejaVu Sans Condensed is a versatile and modern sans-serif typeface, part of the DejaVu fonts family. It stands out for its clear and efficient design, making it suitable for a wide range of applicat...
As of my last update in April 2023, "Pop Warner" is a font created by the talented type designer Abdul from Abdulmakesfonts. This font embodies a playful, yet boldly assertive character that effortle...
The Héloïse font is an exquisite and versatile typeface, embodying a unique blend of classic elegance and contemporary flair. At first glance, Héloïse exudes an air of sophistication and grace, makin...
COM4t Sans Medium is a distinctive font that embodies a neat and modern aesthetic, making it a versatile choice for various design projects that require a touch of straightforward elegance and readab...
The Cactus Sandwich font by FontMesa is a distinct typeface that captures the playful and quirky essence of the American West. With its characteristics reminiscent of wild cacti that dot the desert l...
Quad Ultra, crafted by the innovative minds at Font Fabric, stands out as a distinct and powerful typeface designed to capture attention and make a bold statement. This typeface is characterized by i...
DrumagStudioNF, a font crafted by Nick Curtis, is a true representation of vintage charm meeting modern design sensibilities. This typeface stands out for its bold and distinctive character shapes th...
FruitForEars font is at once playful and imaginative, embodying a refreshing twist on traditional typefaces. Designed to capture the whimsy and joy of summertime orchards, this font features characte...
The POLLUX9200 font, meticulously crafted by the imaginative junkohanhero, stands as a testament to the confluence of futuristic aesthetics and typographic ingenuity. At the heart of its design lies ...
The Iron Maiden font created by Timour Jgenti is a visually striking typeface that adeptly embodies the essence and flair of the legendary heavy metal band Iron Maiden, from which it draws its inspir...
ParaAminobenzoic is a unique font that stands out for its distinctive design, crafted by the renowned type designer Ray Larabie. This font encapsulates the essence of innovation and creativity that L...
"Express" by dibujado, operating under the pseudonym dabnotu, is a distinctive and versatile font that stands out for its unique character and flair. At a glance, the font encapsulates a sense of mov...
"Blackjack," crafted by the skilled hands at Fontalicious, stands as a beacon of creativity in the vast ocean of typography. This font, with its distinctive personality, is a celebration of flair and...
The font named "Jean-Claude's Hand" by Philippe Blondel is a handwriting style font that captures the essence of personal, hand-crafted correspondence. This particular font is characterized by its or...
The "MATILDAS GRADE SCHOOL HAND_DEMO_script" font, designed by Fontsandfashion, encapsulates the charm and whimsy of youthful handwriting. This font meticulously reflects the idiosyncratic nature of ...
WALLRIDER, crafted by the talented Billy Argel, is a font that captures the raw energy and dynamic motion of urban street art. This typeface stands out due to its bold, assertive character, embodying...
As of my last knowledge update in April 2023, there is no widely recognized or standard font specifically known as "Mika" within the graphic design or typography communities. However, the name itself...
Venus Rising is a distinct and futuristic font that captures the attention of those who encounter it. Conceptualized and meticulously crafted by the talented typeface designer Ray Larabie, a figure w...
Sure thing! The Danube font, created by Levi Halmos, is a distinct and stylish typeface that captures the eye with its contemporary and sleek design. It offers a fresh perspective on sans-serif fonts...
Carmen is a font that encapsulates both elegance and versatility, making it an exquisite choice for various design projects. At its core, Carmen is a typeface that balances classic sensibility with m...
KR Menagerie by Kat Rakos is a font that embodies a playful and whimsical spirit, evoking the charm and unpredictability of a lively menagerie. Designed with a creative and imaginative approach, this...
Certainly! M+ 2c is a dynamic and versatile font that belongs to the M+ Fonts family, a collection distinguished by its comprehensive coverage of the Latin and Japanese character sets. This expansive...
Paternoster AH is a font that seems to capture the essence of tradition and modernity, blending them seamlessly into a design that feels both familiar and innovative. Its name, evoking the ancient "O...
The font Mastodon, created by Apostrophic Labs, is a distinctive typeface that stands out due to its unique style and versatility. It belongs to a category of fonts that combine elements of both nove...
As of my last update, there's no widespread recognition or detailed information about a specific font named "Oktober." However, in imagining a font with such a name, we might envision a typeface that...
StamPete is a charismatic and lively font that seems to leap off the page with an infectious energy. It is a display font that draws inspiration from the distinctive marks made by rubber stamps, embo...
GrekoDeco is a captivating typeface that draws its inspiration from the Art Deco movement, blending the geometric shapes and precise lines characteristic of the early 20th-century design philosophy w...

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.
Ah, PonsonbyNF by the illustrious Nick Curtis, a font that captures the essence of a bygone era with a modern twist. Picture this: an adventurous soul from the early 20th century, sporting a dapper m...
Alas, my dear friend, it appears we've dipped our toes into the vibrant and imaginary sea of typographic creatures, only to fish out the elusive "StingRay" – a font so mysteriously absent from the ma...
As of my last update, I don't have direct access to databases or the internet to provide real-time or highly specific descriptions of lesser-known or proprietary fonts, such as "PetalGlyph" by Essqué...
Imagine a font that tiptoed into a masquerade ball, wearing a disguise so charming and playful that every word it whispered seemed to dance off the page. That, my dear friends, is the essence of King...
Bitstream Vera Sans is like a welcoming friend in the world of typography, offering a clean, clear, and versatile appearance that feels at home in a multitude of designs. Imagined and created by the ...
Ah, Berlin Email by Peter Wiegel, a font that dons its typographic trench coat and stylishly strides through the digital streets of Berlin, casting an air of retro-yet-futuristic sophistication. Craf...
Ah, Retriga! Imagine if a 70s disco and a sleek, modern smartphone had a love child, and you’re getting close to the vibe of the Retriga font. Picture the letters slipping on some platform shoes, gro...
Imagine a font that decided to throw on a tuxedo, sip a glass of exquisite wine, and then, mid-sip, dash off to join a carnival. That, my friend, is Reprise Script by Avid Technology. It's like the h...
The "Argor Priht Scaqh" font is a distinctive creation by the talented Jean-Pierre Mallaroni. This font stands out for its enchanting blend of medieval inspiration and modern flair, making it particu...
"Push" isn't a widely recognized or standardized font name within the vast realm of typography as of 2023. However, when referring to a font named "Push," one might imagine characteristics that embod...
Star Time Too JL is not merely a typeface but an embodiment of character and nostalgia, particularly for those with an affinity for the unique charm of retro aesthetics and the golden era of televisi...
CoasterPoster by Nick Curtis stands as a tribute to the vibrant and boisterous spirit of vintage amusement parks and circuses, encapsulating the essence of fun and excitement through its design. As y...