Yamatoshi is a handwritten script font inspired by Japanese calligraphy culture. Suitable to energized your design with free spirit vibe. Seems like it was written effortlessly that makes Yamatoshi stands out for its natural charm.

Karacho is a ‘fat style’ geometric display typeface with two counter-styles, a stylistic set of lowercase letters, and multilayer options: the font design is separated in three layers for building individually colored font variants.

The design of this typeface was influenced by the typefaces left by Firmin-Didot. There are three weights, and all weights can be used in large font sizes to create a gorgeous and attractive impression.

TG Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold.

Subzoete is a gathering of icons used in a cultural agenda for the city of Montreal in Quebec. They are unique and original. Great for simple indications such as tickets, free admission, outdoor events, etc.

A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.

Script Love is a connected cursive script appearing as hand written in three weights: fine pen, pen & marker. Script Love features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.

A grotesque style with extended caps, true short caps and a thin mono-weight drop shadow. Bitters was designed for all media in a wide point size range. Bitters requires subjective display kerning and compensation.

The letters are reminiscent of shiny and tasty glazed donuts. There are three type families, and you can mix them all up to create a decently fun typography. Great for promotional material or package design.

“For those who regret what keyboards and touch screens have done to their penmanship, typographer Harald Geisler has an answer: Sigmund Freud.” — The Wall Street Journal Sigmund Freud was a neurologist who lived from 1856 to 1939. His research and studies led to the foundation of ‘Psychoanalysis’. When I first saw Freud’s century old letters, I was fascinated by the beauty of these historic manuscripts. It made me smile to imagine a person writing his or her shrink a letter set in Freud’s handwriting. I started to plan creating a font based on his manuscripts. I contacted the Sigmund Freud Museum Vienna and Freud Museum London. To start the creation I selected eight handwritten documents from the archive in Vienna – This selection of specimen was my orientation during the design process. The Samples were created between 1883 to 1938 and are of various character such as handwritten scientific papers, personal letters, notes and a telegram. A successful Kickstarter Campaign "The Sigmund Freud Typeface - A Letter to your Shrink" with over 1400 Backers enabled me to visit the archive in Vienna and study the original manuscripts of Sigmund Freud. After a year of preparation and design work, I finished four alphabets based on Freud’s handwriting. What are the different Versions PRO, Kurrent, #1, #2, #3 and #4 about? “This project gives people the convenience afforded by the computer while maintaining the romantic nostalgia, beauty, and character of letter writing with real handwriting.” — Daniel Vahab, The Huffington Post When you write with your hand, every letter looks a little different. When you write a text on your computer every letter looks exactly the same. In order to make type look like handwriting, I chose four different variations of each letter from Freud’s manuscripts, drew and stored them in the font. The font is then programmed to exchange letters while you are typing. This makes the rendered result on your screen or print look like unique handwriting. PRO While you are typing… the PRO Version actively combines all four alphabets and exchanges them automatically. Through this mechanism never the same two o’s will stand next to each other. With every touch a unique look is generated. This works in certain applications i.e. Word 2010(or newer), Pages, TextEdit, Editor(Pre-installed on Windows 7 or newer), InDesign, Illustrator… →Here you can see an animation of what this effect looks like in action. (Please Note: some applications like LibreOffice, OpenOffice do currently not support this feature. Date: December 2013) #1 #2 #3 and #4 The Sigmund Freud Typeface #1, #2, #3 and #4 each hold one individual lowercase alphabet based on Freud’s handwriting. Kurrent Most of Freud’s correspondence was written in German. Until the 1950′s a different handwriting was taught throughout German speaking countries (Switzerland, Austria, Germany). This style is called Kurrent. The name Kurrent and Cursive derive from the Latin word currere - to run, hurry - both styles were designed to write fast. As you can see in the samples above, Freud practiced both Kurrent and when writing english Cursive (Latin script or Joined-up). Kurrent has three significantly different letters (s,h,e). Use Kurrent to render the authentic look of an historic Sigmund Freud letter in German. Bundle On the Top of this page you can get all six fonts of the Sigmund Freud Typeface Family in a bundle. International Typeface All styles of the Sigmund Freud Typeface feature a wide range of accented letters so you can write to all your friends in Sweden (Bjørn) France (Chloé & Zoë), Ireland (Dáirine), Poland (Łucja), Germany (Jörg) and almost everywhere around the globe (Find a complete list in the tech specs). Usage recommendations I hope that this design will be valuable to you and most of all that you have fun with this typeface! 1. Point Size — To reproduce the size of Sigmund Freud’s handwriting adjust the type size between 18-24 point in your word processor. If you are using an imaging software like Photoshop set the resolution to 300dpi and adjust the point size between 18-24. 2. Line Spacing — Narrow the line hight until swashes of capital letters touch the baseline above. This also happens when you write a letter and gives the document a unique handwritten look. 3. Right Aligned — Freud had the habit to write towards the right edge of the page and start loosely on the left. Set your text alignment to ‘right’ to incorporate this dramatic expression also to your documents. What do other People say about the Sigmund Freud Typeface? “Wouldn’t you love to write a letter to your shrink using the Sigmund Freud typeface?” — Dorothy Tan, Design TAXI ''“JUST DON’T WRITE A LETTER TO YOUR MOTHER WITH IT… …until the reader looks a bit closer, and they see 70+ years of modern science weighing in on turn-of-the-century pop psychology."'' — Mark Willson, Fast Company “Doctor, what does it mean if you dream of creating a font of Freud’s handwriting?” — Ayun Halliday, Open Culture “…geekily romantic, at once artistic and scientific” — Edie Jarolim, Freud’s Butcher “…sympathisch” — Jürgen Siebert, Fontblog !WOW! Thank you for reading the complete font description! You are awesome! If you still have a question please contact me through MyFonts or my website haraldgeisler.com. Credits This project was made possible by the help of 1481 Backers on Kickstarter and the kind support of the Sigmund Freud Museum Vienna and the Freud Museum London. Thank you. All of Freud’s Manuscripts shown are © Sigmund Freud Museum Vienna. Poster Image: IN17 - Sigmund Freud, Germany 1932. © Freud Museum London. Flag Image: IN19 - Sigmund Freud 1930’s. © Freud Museum London.

ThinPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

NormPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Modjola is an elegant brushed handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on.

Think of a slender Black Letter screeching to a halt on the page and you have the essential idea of Stridere. Want ornate formality and fast movement all in one? Here it is!

A font that's a sans on the outside and a serif on the inside. Inspired by fonts like Rotis, Clarendon and a little Avant Garde, Interna has a slightly vintage feel to it.

TOMO Ziguret! A handmade font that would love to play with your designs! Ideal for kids toys or when packaging is involved — We would love to see this one on beautifully crafted book.

Market JNL is based on lettering found on a circa 1940s office supply product. There is a distinct Art Deco feel to this font, and it lends itself perfectly to all retro projects.

One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of P.T. Barnum are bracketed.

BoldPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Crassula is a versatile display font. Like the plant of the same name (Crassula, jade tree, money plant), which has thick juicy leaves, the font is distinguished by rounded contours and smoothed out forms of elements. Stylistic Alternates offer more traditional letter shapes and make Crassula more readable in long texts. Six weights allow a broad range of applications - from informal book and magazine headlines to emotional marketing ads. The font was designed by Natalia Vasilyeva and released by ParaType in 2018.

Brand is a lovely elegant font for branding and logo design. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Brand is also included full set of: All uppercase letters multilingual characters numerals punctuation ligatures collection *) ALL LIGATURE CHARACTERS CAN BE ACCESS USING LOWERCASE TYPE (for example: r+a) Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Don't you HATE it when this happens? You're protesting the war in Iraq, and the other protesters keep pointing at you and giggling. You can't figure out what they could possibly be laughing at...You look up and then it hits you: you're holding a sign that looks like it was made by your 5-year old kid brother. It's sloppy, the words are crooked, hell, it's BARELY READABLE. How is anyone ever going to take you seriously with THAT SIGN???? There's only one solution...To further your cause, you need Burghal Design's Peace font. Peace contains upper and lower letters, numbers, punctuation, even foreign accented characters! Clean, concise, and oh, SO legible, you'll have no problem getting your message across with this typeface. Who knows, you might even make the evening news.

Roundhand was created by Matthew Carter in 1966 on the basis of handwriting by Charles Snell, an English calligrapher of XVII-XVIII known in particular by his "The Pen-man's Treasury Open'd" written in 1694. The typeface has continuous cursive shapes with oval aspect, high contrast emphasized by abrupt transitions from thin to thick and regularity of slope. Its capitals are often used as initials in combinations with other typefaces. The current digital version of the typeface has 3 styles of different weights. Roundhand is clear and easy to read and is well-suited for medium size texts and headlines. It will work well in invitations, menus, packaging, and advertising accentuating elegance and the subtle nature of the content. The Cyrillic version was developed by Vladimir Yefimov and Isabella Chaeva. Released by ParaType in 2013.

Kongress is a typeface that includes all that is needed for building a proper corporate identity. The design relies on the use of straight lines and a squarish structure for the characters, which provides the text with a compact appearance. This feature helps to save space when required by the typographic composition. The design is also defined by wide counterforms and clean cuts for the strokes. All of this helps the shapes to adapt better to digital environments. Nevertheless, Kongress is not another techno typeface. The slight modulation of the strokes—especially in the italic letterforms—and the large apertures for most characters result in what we will call a techno-humanist style. The squarish structure of a techno-font blends with the calligraphic modulation of a humanist sans serif typeface.

Dismedia: A Bold Display Typeface with a Subtle Retro Sci-Fi Aesthetic. While a lot of futuristic, cyberpunk and techno themed typefaces can often be over-the-top, unreadable or cheesy, Dismedia takes a more subtle approach with its design. Inspired by the wide futurist fonts of the 1970’s and 80’s, its rounded corners and bold linework was built to invoke the atmosphere of a future envisioned by the past. Whether on VHS covers in 1984; nightclub signs in 2084; or spaceship insignia in 2184, Dismedia will upgrade your design into a brand new era. [ Feature Set Includes: ] A Display Typeface A Bold Sans Serif with Rounded Corners 430+ Glyphs Ligatures & Stylistic Alternatives Extended Mathematics & Currency Symbols Language Support for 90+ Latin Languages Including: Afrikaans, English, French, Italian, Spanish & Swedish.

Bleek started its life as a logo for a rock band with the same name. This makes sense as it has distinct roots in classic rock logo design. Any rock band name set in VLNL Bleek looks instantly cool – profi logo quality! Of coarse Bleek will serve an awesome purpose as a headline font as well. Or gig flyers and posters. Or band backdrops. Just turn it up to 11! DBXL expanded the original logo into the full Heavy weight and added Light and Medium cuts. VLNL Bleek is an all caps font with uppercase and lowercase variations for maximum effect. It has a number of Open type features, like and alternate F, mirrored A and O and a TT ligature to spice up your designs. VetteLetters says: Rock on!

Every character in this font is meticulously crafted from eerie, yet beautifully haunting music notes. Here are some ways you can use this font to your benefit: Party Invitations: Create spine-chilling invitations for your Halloween party that resonates with the theme, setting the mood for a night of hauntingly good fun. Posters and Flyers: Craft attention-grabbing posters and flyers for haunted houses, Halloween events, or horror movie screenings that evoke the perfect blend of fear and fascination. Merchandise: Design eerie merchandise like t-shirts, mugs, or stickers that cater to Halloween enthusiasts and music lovers alike. Digital Media: Elevate your digital content, including social media graphics, banners, and web elements, to capture the essence of Halloween in a truly unique way. (This font only includes the 26 characters based on the English alphabet)

BLT Balfour : Art Deco Revival Font Balfour is a modern Art Deco typeface revival. Built from historic references in architecture during this time period, Balfour exudes class and elegance, yet still honors the style with unapologetic bold geometric forms. Pay close attention to the letterforms B and R, and how their extreme x-heights play off of the elongated strokes of C, D and G. Unique features throughout the character set make it less predictable and more unique than any Art Deco typeface before it. The geometry of this typeface plays from one letter to the next. Fill and Outline styles work well in headlines, logos and large type. The Line style is effective at all sizes and can be used in combination with other styles to achieve visual hierarchy.

Western Europe is Luxurious Bold Signature! Cool, confident, and captivating fonts, designed to give a very luxurious feel to any of your designs. Ligatures: With 29 ligatures included will make the letters look more natural. Alternate (Alt): There are 2 alternates in it, namely & ampersand and r lowercase. Create perfection in every uppercase and lowercase r. Swash: 26 swash suffix found on all lowercase letters, create perfection in all your design projects. Language Support: Western Europe also supports several languages, including the following: English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian Thank you for stopping by my shop, and don't hesitate if you have any questions! 😉 Have a great day! Eko Kurniawan | Letteratom

Sharung, our newest font family, is now available! This font family is opulent and one-of-a-kind. This collection includes 18 various styles, making it ideal for a wide range of projects. Each style was built from the ground up to optimize beauty and personality. This font was created specifically for a wide range of display design and branding requirements. Sharung has everything you’ll need to create stunning graphics, including titles, texts, banners, posters, and more. Get a unique design look with this font right now! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Introducing to you, Cooraline! Comes with 2 fonts style! Cooraline it's retro, psychedelic, bold, playful, and really unity together in your design to give it that retro feel. This font has an authentic groovy style that is perfect for making any project like a header, logo, quote, layout magazine, poster, packaging and label design, etc. Better which is use it on the 60s until 80s design project, this font will give some old-school touch to your design projects. Back in the psychedelia era Cooraline came with open-type features such as ligatures and extra clip art, and the other alternative Cooraline Shadow consists of underwater elements that suit with underwater atmosphere, so you can combine these two fonts to make an amazing retro, psychedelic with undersea vibes in your project designs.