Hello I'm really excited to introduce Die Hard with vintage and old school style font with three alternative! Die Hard perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature Uppercase lowercase Number & Symbol International Glyphs If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

This commanding typeface is based on Welling Black, a Fotostar offering from the 1970s. Equally well suited for headlines and subheads. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Paying homage to the 1960s and 1970s designs of Tom Carnase and Herb Lubalin, Homage Condensed is a digital revival and recutting of LSC Condensed in two weights along with italics and numerous stylistic alternate characters.

Stencil Package JNL has its design roots in the brand name hand-lettered on the paper sleeves for the short-lived Stencil-It line of lettering guides produced in 1955 as a direct competitor to Stenso Lettering Guides. Formed by Bernie Aronson [a relative of the Libauers who owned the Stenso Lettering Company and who once worked for them] along with a financial partner (noted artist) Sidney Levyne, the company was soon put out of existence by a court action. It re-emerged in 1956 as the E-Z Letter Stencil Company and existed until the 1990s. Stencil Package JNL is available in both regular and oblique versions.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

This series of faces was designed initially by Morris Fuller Benton, circa 1900. The design is a refinement of Taylor Gothic from 1897. It features a sans serif thick and thin design with angular stems. Pre-dating art deco, this design feels quaint, yet it still has a touch of modernism. Frederic Goudy designed a bold version of Globe Gothic in 1905 for ATF. The Bold and Bold Italic digital versions have been added to the LTC library in early 2007.

Deck the halls with boughs of holly..." The fun letters of this font are sure to get you in that holiday spirit! The capital letters each have a hanging ornament.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.