Last year I went to visit a friend in Tuscany. One day he took me to meet his neighbor, a nice old man; Mr. Giulio. After giving us a tour of his small vineyard, he insisted us to try his production: a delicious Vernaccia! When his wife left the bottle containing the gold liquid on the table, I fell in love with the label: it was handwritten by herself, as if to highlight the "homemade" feature. As a tribute to this beautiful and hardworking couple, I asked permission to be inspired to make a typeface ... and here goes! The family Font Vernaccia... Vernaccia is a type family of four fonts: Regular, Bold, Condensed and Condensed Italic. Is a modern and casual calligraphy family font.
As an exclusively Open Type release, with 759 glyphs and 45 ornaments, it has several special alternatives for all letters with lots of possibility and an infinity of combinations. Most of the ornaments can be used alone, but really were especially designed to combine with the different glyphs. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, ornaments, and much more. These lovely fonts have already an extended character set to support Western European languages. Vernaccia was made to make your project more beautiful and attractive! Have fun with it!

The letters of Trapezoidal are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of Trapezoidal look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.) The family has five weights and each weight has an italics formed by flipping the trapezoidal pattern over a vertical line. Like other alternating-character typeface families from IngrimayneType, this distinctive and visually-arresting family can be used for titles or advertising. (For another but very different typeface based on alternating trapezoids, see PoultrySign.)

Klatter is a font that is "in your face". It can't be ignored, and draws attention to itself no matter how noisy the environment. It is available in three styles: - Klatter Regular is a clean, spunky, non-grunge font that uses a combination of straight lines and sharp angles to make a strong, no-nonsense statement; - Klatter SmallCaps, in which the lower case is a true "small caps" and not a shrunken version of the upper case (generated by the operating system); - Klatter Grunge is based on Klatter Regular but is "dirty" and messy, giving the impression of printing problems and wet ink being smudged. Unlike many other grunge fonts, Klatter Grunge is a font that is full of character. Both styles have a full character set with upper and lower case, numerals and mathematical symbols, as well as a full set of accented and special characters. The font has been carefully letter-spaced and kerned and the vertical spacing has been appropriately set. Klatter Grunge and Regular are appropriately purchased together since they complement one another when used in the same graphic design job.

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.

Comalle is an organic typeface that rescues some elements of handwritten script, but its stroke does not necessarily answer to a literal calligraphy structure. So Comalle could produce a powerful impact on the page, it was designed with thicker strokes than its counter forms. The objective is that the black of the letter fills the page and causes a fastest visual impact than typographies that balance blacks and whites. One of the most important tasks of the Comalle design was to think of how to handle the unequal percentages of blacks and whites in the typeface. The peculiar thing, is that the precision work of the letter does not make the blacks, but the whites; this is the reason why in one first instance it was very valid to start off designing in a very gross way, nevertheless, the majority energies are put in the details of the design of counter space. From the drained filling concept of forms Comalle was born, a typeface that pretends to enchant with its delicate counter space design and to impact with the heavy outlines which compose its form.

For best results, use of OpenType features is strongly recommend. This font is inspired by Johannes Janssonius, well know as Jan Janszoon o Jan Janssonius (Arnhem, 1588 – Amsterdam, 1664), was a Dutch cartographer, publisher and engraver. Married to Hondius's daughter. He was the author of many masterpieces of cartography of the 1700s like Willem Blaeu and Hondius, famous maps with heavy use of decorations in the letterig to fill the spaces of oceans, seas, lakes and scrolls. Now you can easily recreate not just ancient maps without effort, but you can use this font creatively, to make unique, modern logos, product names, fresh packaging, hip fashion outfits, refined labels, signs, coordinated images ... Hundreds of alternatives to choose from and maybe to combine with other fonts in an original way. One extra font with 27 castles in Janszoon style are also usefull for map, of course, but also for many different creative artworks. Warning: Jannson Map having oversized swashes compared to the normal standards cannot be used with Windows Word because Word does not give the possibility to manage the line spacing professionally. Jannson Map works great with applications like Illustrator, In Design, quark Xpress, mac Text etc ...

VISIA Pro - Our flagship Geometric Sans-Serif typeface, a perfect blend of elegant, minimal and premium design aesthetics at it's level best. A perfect typeface for logotypes, headlines, branding, marketing graphics, corporate identities, all web & print purposes. This pack comes with a total of 14 fonts: 7 Weights (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) 7 Weights of Italic versions (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) Each weight includes extended language support including Western European & Central European sets. A total of 258 glyphs are included.

Insider is a warm & legible grotesque. It’s custom made for Insider Consulting in Düsseldorf, Germany. It’s highly legible in small sizes because of the basic proportions and the balanced inner forms. It’s optimized for setting longer texts, but also works very well in headlines and leads. The fonts contain loads of OpenType features to spice up your design. The matching Stencil font is very suited for creative designs. The Stencil Regular has the same dimensions as the Insider Regular, so you can mix them without hassle. The font family has real italics and not just mathematically slanted romans. The dynamic cursive shapes root in handwriting. With 9 styles (5 weights + 4 italics), the family is very versatile and can be used for designs with a complex typographical hierarchy.

Bleek started its life as a logo for a rock band with the same name. This makes sense as it has distinct roots in classic rock logo design. Any rock band name set in VLNL Bleek looks instantly cool – profi logo quality! Of coarse Bleek will serve an awesome purpose as a headline font as well. Or gig flyers and posters. Or band backdrops. Just turn it up to 11! DBXL expanded the original logo into the full Heavy weight and added Light and Medium cuts. VLNL Bleek is an all caps font with uppercase and lowercase variations for maximum effect. It has a number of Open type features, like and alternate F, mirrored A and O and a TT ligature to spice up your designs. VetteLetters says: Rock on!

Based on the popular Girltalk font, cute, cheeky Girlscript, was specially designed for the young-teen market. I felt that it was time for Girltalk to have a "big sister" script font to complete the group. Pretty & feminine, with a large dose of cheek, Girlscript is great for: -- “girl style” stationery -- diary covers -- clothing hang-tags -- party invitations -- greeting cards -- book covers -- movie posters -- CD covers -- game advertising media Girlscript is perfect for hen parties, baby showers, pamper parties and other occasions that bring out the “girl in” women. Think sugar 'n spice, think cute 'n cheeky, add a dash of Girlscript and you're on a winning streak! Girlscript is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Decoral Soft depicts the character of Art Deco period typography and reinterprets it into modern approaches. This typeface is a friendly and flexible family that is fun to use. It comes with a set of 670 characters per weight, supporting over 50 different languages using the Latin alphabet. Decoral Soft also comes with special stylistic sets and swash characters that allow the user to be creative and playful with the type, helps enhance many different possibilities that certainly will spice up your design. Decoral Soft will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes Art Deco typography in a fresh, modern way. The wide selection of titling alternates and ligatures make copyfitting a delight.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Ambaghy is a goofy font that's elevated by its posh, handwritten style. It will spice up your designs and add a unique feel to your design and it just might be the secret ingredient you've been missing. We've spent years honing our craft to create the most unique and original fonts like Ambaghy. We were inspired by the wild creativity that flows from our hands, and we want to share that inspiration with you. Ambaghy works great for logos and headlines, and also works well in text blocks of body copy. A Million Thanks Colllab Studio www.colllabstudio.com

Signature Script is a smooth pen script with large display capitals and small but legible lowercase letters. It’s ideal for logo, signature, poster, brochure or any display use. Signature Script is great for typing headlines or a restaurant logo - it’s stylish but legible enough due to its smooth shapes. Signature Script has at least three alternates for every basic lowercase letters that are automatically connected to next letter nicely. This feature is coded inside Standard Ligature so I recommend keeping that on. There’s also Stylistic Alternates for every standard Uppercase letter and Swash, Stylistic and Titling Alternates on certain lowercase letters that can be used to spice up your words. The font is PUA encoded so you can access extras in most graphic design softwares even without OpenType support.

Hilsfiger is a unique, fun and versatile serif font that comes with Regular and Italic Fonts, OpenType and includes ligatures, alternatives, numbers, punctuation, and also supports other languages. So you can spice up any design you like. Hilsfiger I is a versatile serif font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. Hilsfigeris is encoded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/app. I really hope you enjoy it!

Moments is a charming font family inspired by all those moments in life that make us smile. As usual, it is a combo of an informal script, two handmade sans variations and some extras to spice up your designs. The script has 1300+ lovely glyphs with lots of stylistic variations, ligatures and swashes, which you can mix and match for a more interesting effect. The dancing baseline makes it very casual and full of personality, thus a great addition to every design project. Moments is versatile and can be used on cards, posters, merchandise, book covers, websites, packaging, and basically anywhere you like. The overall feel of the font is warm, elegant and informal and it is perfect if you want to convey a sense of friendliness and style.

NCS Radhiumz is a modern powerful quality sans serif font with great versatility. This extended font can be used for bold editorial statements, graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Included 08 variant to choose : Light Light Italic Regular Italic Bold Bold Italic Bold Rounded Bold Shadow Included uppercase, lowercase, numerals, punctuations, multilingual support, and some alternates & ligatures.