A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.

Simple yet romantic handwriting, curly, rounded and legible - perfect for love letters or children books.

This is not a balloon - it is a happy curly fonts to make you smile.

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Lyra is an Italian Renaissance script that might have developed if metal type had not broken the evolution of broad pen calligraphy. It lies in the area between the humanist bookhand and the chancery cursive, combining the fullness and articulation of the Roman letters with a moderate italic slant and condensation. A steep pen-angle allows use of a broader pen relative to the x-height, giving the letters more contrast with light verticals and heavy curves. Lyra embodies the Renaissance spirit of refining technical advances of the late middle ages with reintroduction of ancient classical principles. Based on the moving penstroke with constantly changing pen-angle, it brings the vitality of handwriting to the ordered legibility of type. Lyra is a formal italic, too slow for copying books. By eliminating the element of speed, digital technology opens up a new level of calligraphy, bringing it into the sphere of typography as would naturally have happened if metalworkers had not controlled the process. If classical Western traditions are respected, digital calligraphy has the potential to recapture the work of the past and restart its stalled evolution. There is of course no substitute for the charm of actual writing, with each letter made for its space; but the tradeoff is for the formal harmony of classical calligraphy as every curve resonates in tune with every other. This three-weight font family marks Philip Bouwsma's much-requested return from a three year hiatus. It also reminds us of his solid vision in regards to how calligraphy, typography and technology can interact to produce digital beauty and vesatility. Each of the three Lyra fonts contains almost three character sets in a single file. Aside from the usual wealth of alternates normally built into Bouwsma's work, Lyra offers two unique features for the user who appreciates the availability of handy solutions to subtle design space issues: At least three (and as many as six) length variations on ascending and descending forms, and 65 snap-on swashes which can be attached to either end of the majuscules or minuscules. The series also offers 24 dividers and ornaments built into each weight, and a stand-alone font containing 90 stars/snowflakes/flowers, symmetric contstructs for building frames or separators, masking, watermarking, or just good old psychedelia.

Chiffon is a serif, display typeface. With high contrast and elegant curves. Chiffon includes three different versions of ‘c’ and ‘e’, which are carefully placed throughout the typeface, paired seamlessly with the following glyph. However, OpenType features and stylistic sets make the alternate forms available for the user to choose from as they see fit. Velour is available in 5 weights, from Extra light to Semi Bold, and supports Western, Central, and South-Eastern European languages.

Its open counters and large x height give it excellent performance in small sizes. On the other hand, its curved diagonals, generous width and soft shapes give it a friendly but functional personality for a wide range of messages and voices. We recommend the four most extreme weights (Thin, ExtraLight, Black, and Heavy) for large sizes starting at 18 points, and the five intermediate weights (Light, Book, Regular, Medium, and Bold) for small sizes starting at 7 points.

Fime bonidh is bold fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Fifty Fifty is an editorial serif font (regular and italic) with smooth curves and more than 100 ligatures. It’s gorgeous in all caps, but the lowercase letters can really hold their own. Fifty Fifty is perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Fifty Fifty includes approximately 700 glyphs and a whopping 115 standard and discretionary ligatures. Additional OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols).

Designed and built in London by TypeUnion, Silo soft is a fluid sans serif typeface embodying energetic curves and a clean, functional structure. The Silo Soft Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Silo soft features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.

Delegat is a comic book lettering font inspired by handwritting of Frank Ching. The family includes Regular, Italic and Bold version. Delegat contains two variations for each letter and ligatures to swap out any two identical letters that appear next to one another for a pair that is slightly different. Delegat Extra can be used to disguise curse words in comics. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Lostgun Plus is a new version of Lostgun typeface, it is a Stunning, classy upper and lowercase typeface that looks incredible in both large and small settings. Best used as a display for headings and logos, Lostgun plus has clean lines and smooth curves that gives any project an extra touch of class. what’s news: – New Stylish Alternate Characters. – No Ligature which give you more control on your typing. – Remove some unnecessary Alternates. – Two styles: Regular and Bold.

Conica is a bold, condensed typeface that aims to grab your attention. By playing with heavy, dark shapes and small counters, this single weight typeface explores the contrast between defined shapes and gentle curves to produce a surprising headline font. It equally includes a range of Opentype features, with a set of small capitals, stylistic alternates and ligatures, users can choose which forms best suit their needs. Conica includes an extended Latin glyph set covering most Latin based languages.

The inspiration for this proto-Art Nouveau typeface showed up in the 1887 type specimen book of Farmer, Little & Co. under the name Vassar. Its bold, sinuous curves, which take unexpected turns now and then, make it the perfect choice when you want to command attention...in a dignified, Ivy League kind of way, of course. All versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Bloomsburg is a sharp, modern, everyday font with a multitude of uses. This family is characterized by its high legibility, delicate curves, and vertical cuts to most lowercase terminals. Its humanist features are most evident in the lightest versions making it a versatile choice for showcasing warmth and personality. Use Bloomsburg for eye catching headlines or try the Bold version for a company logo. A wide range of languages are supported including European accents and Cyrillic characters.

Fucha is a typography inspired by the Art Nouveau movement, and by the lettering of Alphonse Mucha's posters. Fucha is a decorative display font in the Art Nouveau style that originated over a century ago. The style showcases in its elaborate, lightweight curves a bold approach to organic lines and luxurious decor. A complete repertoire of Latin Extended-A characters is contained in the font. Supporting 219 Latin languages, which are spoken in different 212 countries.

Funky Retrovy is a groovy and energetic font that perfectly captures the essence of retro nostalgia. With its funky and whimsical letterforms, this typeface exudes a vibrant and carefree spirit reminiscent of the colorful era it celebrates. Each letter boasts bold and playful curves, inspired by the iconic designs of the past. Funky Retrovy adds a touch of fun and funkiness to any project, making it ideal for eye-catching posters, vibrant branding, and retro-themed party invitations.

Argot is inspired by condensed grotesque letterforms and would be a monolinear sans except for an unorthodox disparity between inner and outer shapes. Elegantly curved outlines contrast starkly with austere rectangular counters, suggesting a no-frills functionality, 20th century modernism, or an unsettling discordance. The squared off inner spaces also add clarity and crispness. Argot is available in three widths — Wide, Normal and Narrow. Each width is supplied in three weights — Regular, Bold and Black — with corresponding italics (obliques).

Muray House is a bold serif font with a rough, balanced look, with beautiful curves and alternate characters. A style that we choose was the natural look hand made, Muray House ha a unique identity. Muray House also comes with alternative characters that are carefully created for adding a minimalist decor of the letters. Stylistic alternates allows versatile design options and works perfectly for Headlines, Posters, Logos Packaging, Branding, T-shirts, Greetings, Presentations and much more.

Bague is a classical roman typeface, which was inspired in Old Dutch style, especially in the work of Jan Van Krimpen. Bague family comes with two different lengths of stem (ascenders-descenders), with three weights in each style: Text and Caption OpenType features: Discretional and standard ligatures; Swash, Contextual and stylistic alternates; Case sensitive forms, tabular figures, numerals, denominator, numerator, Small-Caps and Old Style figures.

St Friska, based on old movie title lettering, is made just for headlines. It comes with a slight touch and feeling of art deco but it’s designed to be contemporary in 2010 and beyond. Friska comes with a big bunch of OpenType features, so a designer can play with it like Lego, using it alongside old or new typefaces. It has stylistic sets and lots of ligatures.

Calanda is a forceful, sturdy and dynamic slab serif with distinctly shaped characters. The Calanda family consists of 16 styles and comes in OpenType format with extended language support. Calanda is very well suited for ambitious typography. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

DubTone is simple sans serif font with a halftone texture from an old newspaper scan on an old flatbed scanner. This font was created for a movie poster in 2003 and then finally converted to a font in 2012. Each of the characters were individually designed with care to make sure that in small or large sizes it remained readable with a unique texture.

Magic Spell is a mystical, fun font based on a handlettered alphabet in an old 1930s book on lettering. It captures that old world feel of magical wizards and fairy tales. Conjur up some fantastic designs with this bewitching font! Jukebox fonts are available in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

In 1994 I took a picture of an old movie marquee in Times Square, New York City. 7 years later, I decided to design a typeface based on the big plastic letters found in those old marquees. I scanned in the picture I took and began to draw the letterforms. Like most of my font designs, the initial inspiration came from an urban environment.

Glamiora - Bold Display Serif Font. Heathfield is equipped with Swash, Stylistic and Titling alternates as well as with Standard and Discretionary Ligatures. Glamiora is a bold vintage with serif style, Glamiora have strong and soft display character. And Glamiora is a stylish font that is both retro and bold font. It's thick curves give a 70s groovy vibe with the serif bringing it slightly back to traditional. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

East Aurora - Bold Serif Font. East Aurora is a bold vintage style serif font with strong character and soft features. East Aurora is equipped with Swash, Stylistic and Titling alternates as well as with Standard and Discretionary Ligatures And this font ** East Aurora ** is a stylish font that is both retro and bold font. It's thick curves give a 70s groovy vibe with the serifs bringing it slightly back to traditional. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Palmas is a striking display typeface that exudes a sense of boldness and vintage charm. Its thick and heavy letterforms make a statement, demanding attention from viewers. With its retro psychedelic style, Palmas is perfect for designs that require a touch of nostalgia or a hint of the 70s-90s era. The letters of Palmas are intricately crafted, with subtle curves and serifs that add character to each glyph. The font's weight gives it a commanding presence, making it ideal for headlines and titles. It's easy to imagine Palmas being used for album covers, movie posters, and other designs that require a bold and unique typeface. Despite its retro inspiration, Palmas remains versatile and adaptable. Its bold style works equally well in modern designs, lending a touch of personality and character to any project. Whether used in print or digital media, Palmas is sure to leave a lasting impression on viewers.

In isolated Eastern European states, atop cold castle towers, nefarious nonbelievers are discussing their diabolical devises with their minions, acolytes and sweet little Yorkshire terriers! Evil Doings is a font that gives form to the softly spoken schemes and terrifying tweets of these psychopaths, sociopaths and just plain naughty boys and girls. Will Good Triumph and Defeat the EvilDoings of EvilDoers?! Only if we listen to the cries of the oppressed proletariat and quash the devilish dreams and evil schemes of Fascist Dictators EVERYWHERE! Features: Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

The earlier release of Hasan Amal typeface was in 2008. It has introduced modern OpenType Arabic Typeface which combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters which made it more readable. Hasan Amal is used in both titles and text in modern graphic and publication projects.It supports Arabic, Persian and Urdu languages and contains three weights: light, regular and bold. HS Amal is an OpenType family with (7) weights, produced to support Arabic, Persian and urdu. It contains many various alternatives and good additions.

Initially, I participated in the contest to design the logo for Bill Lloyd. In the end, the design was rejected, but letters remained. I then decided to continue with the idea and complete the entire typeface. After a couple of months, I realized that the typeface was imperfect, and now that I’m working on an updated Lloyd type, this one is free. The main characteristic of the typeface is its bold and curvy shapes. It is also tall and original in design. It was a great experience because it taught me how failure inspires people to move on, and create something better.

Are you tired of the same old fonts that everyone's using? Add a touch of nostalgia and personality to your designs with Sacharon, a retro pop font! Whether you're working on a vintage-themed project, designing a catchy poster, or simply want to stand out from the crowd, our fonts will give your work the groovy vibe it deserves. Sacharon takes inspiration from the bold and vibrant styles of the '60s and '70s, bringing back the essence of the good old days. From funky disco fonts to psychedelic lettering, we've got the perfect typefaces to transport your audience to an era of fun and excitement. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more. Don't settle for ordinary typography—take a trip down memory lane with Sacharon! Browse our collection now and transform your designs into eye-catching works of art. Get ready to embrace the vibrant, nostalgic spirit of the past in a modern and trendy way. Get it now and let the grooviness begin!