Sweet June is a lovely script font. It has a natural writing style with a great readability. It’s perfect for adding a natural touch to your luxurious designs.

Space 51 is a font with modern, clean and minimalist looks. If you want to write something related to technology or digital things, Space 51 is perfectly suitable.

Holly Groove is a sans serif font with beautifull swashes, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling modern and fresh.

Optimus is a cool and modern display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch.

Inspired by ancient carved writings, Vexilla is born from the XXXIV Chant of the Dante's Inferno. A full-caps typeface suitable for various projects, display lettering and posters.

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Thrillers is a typeface that evoques the visual landscape of Crime Novel Titles. This high contrast super condensed semi-serif design comprises 6 weights that provide you with a ton of options for your Headlines, Titles and Branding. Because of its minimal white space it is very punchy and its unusual texture captures our attention. End the suspense and go test it out!

Soylent Blu is an original wedge serif, single font designed by Steve Zafarana. Its high contrast character style and bouncy baseline create a visual impact that makes it a good candidate for Signs, headlines, logos and advertisements. The full lowercase set with balanced white space also functions quite well in text. Soylent Blu, with OpenType features, is clearly an attention-getter!

A sugarloaf was a conical lump in which refined sugar was sold until the late 19th century. In Fryslân you can buy sûkerbôle - a yeasty white bread containing large chunks of sugar. I must have been dreaming about the latter when I named this font! Sugarloaf is a versatile, happy, handmade display font. It comes in an inline and a black style.

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Metropolis Bold was commissioned by Publish magazine for their 1990 redesign. Although other digital versions exist, I think this was the first one and is characterized by extremely pointy serifs. It is well to remember in laying out copy for Metropolis to allow plenty of white space in the layout. Metropolis is based on the 1932 Stempel cut as designed by W. Schwerdtner.

Character Sans is a detail full sans serif typeface in 5 styles. It features all european languages, ligatures, arrows and minuscule numbers. It's characteristic style features are straightened ends and sharp curves. The lighter weights have great white spaces and their width is orientated on the heavier weights. Character Sans was made to have style and not to be uniform.

Inspired from fragments peeled from the helmet of retired stunt-man Andras Balaset, font designer Allen Mercer of Alive fonts has created an alphabet ready to give you the best performance in a variety of conditions. Andras Bold has a more noticeable casual flare with uniquely angled strokes while Andras Slim is a more polished and rigid contender. Whether hand painted on rockets, race cars or pleather jackets, Andras has been highly refined to maintain readability even while traveling at high speeds.

This font was created to look as close to a natural handwritten script, as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Barley Script is a round and flowing script typeface. It is handmade by Måns Grebäck and works perfectly for logotypes and slogans. The font contains a lot of alternate characters and ligatures to make the script simulate a handpainted logo. With its hundreds of glyphs it also has support for a wide range of languages. Write underscores before any word to make an underline. Example: _Barley If your software supports ligatures, you can write multiple underscores for a longer line. Example: __Bakeries

Introducing Antomades font is a modern and elegant handwritten font with varying thickness and a charming gesture. This font was created to look as close to a natural handwritten script. Perfect for any awesome projects that need hand writing taste. Comes with regular and italic. With built in Opentype features, this script comes to life as if you were writing it yourself. Don't hesitate if you have any questions. Thanks for checking out this font. I hope you enjoy it! AminMario

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Eloisa is based on the penmanship of Andrea Stuart's eponymous aunt. The slow, meticulous strokes with which Eloisa writes is the result of formal (and meticulous) instruction in cursive writing back in her secondary education in an exclusive all-girls school. The interesting mix of smooth curves and sharp strokes combined with the slanted orientation make for an elegant yet dynamic visual appeal. Eloisa is perfect for branding, invitations, greetings, or any classy rendering of text you may imagine. Be classy!

Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script. Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners. My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing. About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.

The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.

Multicross font was designed by Dmitry Greshnev in 2003-2004 and is licensed by ParaType. Mesh creates the basic structure for this font. Multicross has Regular and Rounded styles. For use in advertising and display typography. Can be used as a screen font with anti-aliasing function switched off.

Tough Stuff JNL is a solid version of Jeff Levine's Tough Guy JNL [an outline font with a cast shadow]. In this version, the bold lettering shows off its "hand-made" look, and is perfect for posters, fliers or ads that need to grab attention without looking too formal.

A totally off-the-wall sans serif font based on the titling from one of ABC's Movie of the Week series from 1969 called Daughter of the Mind. Turn on Contextual Alternates to automatically alternate between Capitals and Lowercase as you type to really make the font dance!

Japoneh is a dynamic font set in all bold heavy brushed characters. It practically jumps off the page with the action of these fluid strokes! Take your design to the next level with Japoneh. Japoneh is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Heavy as hell, awkward, asymmetric, sort-of-gothic… Four alternates for every letter, carefully kerned together and nicely shuffled for you by OpenType apps… Blunt has the sharp corners ever so slightly rounded off for a softer look at large sizes. Wired chops everything up for an origami angle…

Spumoni plays freely off of the typeface Bodoni . Though commercial lettering is becoming a disappearing craft, Spumoni provides this hand-drawn quality in a digital medium. Its bouncy, playful letters infuse a sense of humor into headlines, titles and blurbs of text in need of a merry touch

Add character to your paper crafts. Download this cool Billy Bob font to create lettering with a scratched, slightly messy look. Design titles, captions, journaling and more for farm or redneck themes, or simply give your publication an off-beat, handwritten appeal. It's more than just chicken scratch!

A mono-weight, bifurcated serif typeface in all caps. Based off of an old classic French biscuit logo. This distinctive vintage display typeface can also evoke edgier sentiments when set in a moodier context, as well as making for a playful option when set in a soft colour palette.

Koch Antiqua is based on forms of old Roman writings, chiseled in marble thousands of years ago. This contemporary version is more playful and reminiscent of the Roaring 20s.

Bright with many interlocking and connecting ligatures and warm with hand-drawn irregularity, Solstice is something to celebrate. Based on the inspiring hand writing of creative friend, Kimberly Mahan.

I made this cartoon book font in my own handwriting. This type of font is great for writing comic stories, children's games, and is perfect for making cartoon movies.

Marqana is an elegant and modern sans serif font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch.

Madigan is a high-contrasted, crisp, and attractive typeface. While situated firmly in the category of ‘modern’ types, it appears fancy and lively, showing extravagant details in display sizes.

Mondio, it is a low script hand writing font. handwritten to give your designs a free-flowing and stylish design. , this font is a delightful addition to any project!

Based on the writing used by the Copts in ancient Egypt, the font includes alphabet and numeral symbols. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Out from a turn-of-the-century cartoon, Pennywhistle evokes the silly symphonies and merry melodies of an earlier age, while playing footloose and fancy free for a modern age.

Party Noids goes all the way - from cartoonish to romantic, from funny to serious. Write in all caps, all lowercase or mix upper and lowercase to create ounces of fun!