PREFACE Lontara typeface shape is originally created by freehand technique, without modify other exist digital typeface. It purely inspired by traditional Lontara manuscript, South Sulawesi. Lontara typeface is dedicated for originality of Indonesian Cultural. ORIGINS The La Galigo that written in traditional Lontara script is widely believed by people Buginese as a bible of sacred and should not be read without a certain ritual preceded.It tells the story of hundreds of descendants of the gods who live at a time for 6 (six), hereditary generation, the various kingdoms in South Sulawesi and the surrounding islands. The Lontara script is an Brahmic script traditionally used for the Bugis language, Makassarese language, and Mandar languages of Sulawesi in modern Indonesia. It is also known as the Buginese script. It was largely replaced by the Latin alphabet during the period of Dutch colonization.

Picador Sans is a modern sans serif typeface. Intriguingly condensed. Distinctively eye-catching. Interestingly well-developed. This family covers latin script – every weight has more than 1200 glyphs. The whole family consist of 10 weights and italics, small caps, superscript and subscript letters, oldstyle, tabular figures, ligatures and fractions. Picador Sans is a perfect match for the elegance of serif Praho Pro.

Stefania Antique is an aged version of Stefania, an elegant italic script. Stefania Antique is perfect for creating unique and ancient looking chancery manuscripts. A regular version and a more distressed alternate are available. Stefania Antique includes 64 OpenType ligatures that are used to automatically replicate the natural appearance of letterpress printing. Stefania Antique works great in conjunction with insigne Splats!

Clean and Glam is a sweet handwritten font duo that has a sassy modern style to create the most beautiful design projects. ❤️ Includes a light monoline script font that is so chic and clean, and it combines perfectly with the uppercase sans to create amazing text combinations. Works great for Logos & branding, product packaging, product design, labelling, wedding design, social media posts, advertisement, editorial design, etc. Includes: Clean and Glam: A light modern script font. Includes numerals, uppercase and lowercase characters, punctuation and some cute hearts. Clean and Glam Sans: A modern uppercase sans font that is the perfect match of the script, great for descriptions, taglines, ingredients, etc. Includes numerals, uppercase and lowercase characters, punctuation and more cute hearts. Language support

Legible and dynamic shape, tons of OpenType options, different scripts – that’s Mato Sans. Difficult small size, long text in Vietnamese, huge heading in Russian or table full of figures to create? It’s not a problem with this family. There are over 2000 glyphs in every weight with such features: superscript and subscript characters, tabular lining and old style figures, small caps, fractions, arrows or even case sensitive parenthesis. Mato Sans was designed for use in Latin as well as in Cyrillic script. Every font contains an extended set of Cyrillic characters including special, local glyphs for Bulgarian, Macedonian and Serbian.

Dutch type designer Just van Rossum created this script FontFont in 1990. The font is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Justlefthand provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with tabular oldstyle and proportional oldstyle figures.

Dutch type designer Erik van Blokland created this script FontFont in 1990. The font is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Erikrighthand provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional oldstyle and tabular oldstyle figures.

ITC Braganza is the work of British designer Phill Grimshaw, an elegant typeface steeped in historical inspiration. Reminiscent of the handwritten manuscript styles of the 16th century, the name Braganza refers to Catherine, Duchess of Braganza, who was a prominent figure in Portugal at the time. The vertical script style displays the elegance and refinement which distinguished the Royal Courts of the 16th century.

The Jazayeri Kufic Shoushtar font is a beautiful typographic implementation of the decorative Kufic calligraphy inscribed on the walls of the historic Grand Mosque of Shoushtar in southwestern Iran. This mosque contains many other inscriptions added over time for documentary purposes but its four monumental Kufic inscriptions which are revived in this font are the most essential ones to understand its design and meaning. Built in the ninth century CE, this mosque is one of the earliest hypostyle mosques in Iran. It was built in “the city of scholars” when its residents included two great Sufis, Sahl Ibn Abdullah Tostari and Mansur Hallaj. The designer and producer of the font is Seyed Mohammad Vahid Mousavi Jazayeri, a well-known Iranian master calligrapher, designer, scholar, and author. Mousavi Jazayeri has taken a personal interest in the Kufic script and devoted years to independent research, visiting archaeological locations, historic buildings and cemeteries, mosques, libraries and museums to study the script through direct contact. He has developed a systematic research methodology and published his findings in several books. His professional interest in script and calligraphy stimulated his discovery of the historic method for cutting the Kufic pen, which has had a direct impact on his own work, as seen in several well-received exhibitions and workshops. The historical research and achievements of Mousavi Jazayeri brought together the first international group dedicated to the study and revival of the historic Kufic script operation through kuficpedia.com.

This font is an adaptation of the cyprus syllabic script to a Latin-based font. I tried to assign as many correct letters as possible, but there were too many characters so I had to fit them. Please review the alphabet table of Cypriot syllabic to use the Font. To see all the characters, you can see all the characters and add them to the text by selecting this font from the add character section on the word page. Cypriot syllabary The Cypriot syllabary was used in Cyprus from about 1500 and 300 BC and is thought to have developed from the Linear A. The earliest known inscriptions from between 1500 and 1200 BC are in an unknown language called 'Eteo-Cypriot', or 'True Cypriot', and the script in which they are written is called Cypro-Minoan. From around 1200 BC Cyprus began to be colonised by Mycenaean, Minoan and possibly Cretan Greek settlers, and they probably adapted the existing script to write their own language - the oldest known inscription in Greek dates from the 11th century BC. Cypriot Greek had much in common with Greek dialects of Arcadia and Pamphylia, which corresponds to the province of Antalya in Turkey.