Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

Valverde is a super-serif font family with 2 widths condensed and normal, each width consists of 18 fonts and has a complete weight from thin to black combined with beautiful italic cuts to meet the needs of any design in any format. Inspired by the type of vintage look that has recently become a trend, this letter character has an elegant, sharp impression. Opentype features such as Stylistic Alternate and Ligature on the Valverde family make it look more aesthetic so that it fits in a classy modern look. Stunningly beautiful and modern serifs make them an essential addition to any type of tool kit.

“Tonight Friend” is a bold and quirky display font with a fun, trendy street-style vibe. From posters designs to t-shirts and packaging, Tonight Friend will give your designs that alternative minimal look and make your creative work look supercharged. “Tonight Friend” is drawn by direct hand so that it looks more unique. The modern typeface has a host of ligatures included. Combine its bold shapes to give your work a more unique, hipster attitude. Easily create professional cool-type lockups that look like hand lettering. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Lerof - A Timeless Script Create bold, gorgeous headlines and cool designs with a vintage flair. Lerof's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday and business cards, quotes, advertisements, and more. The font is written by hand and each letter is unique; not one element in the font is repeated! Many different variation of letter forms to choose from. Create something beautiful today with Lerof. What's included? 327 Unique Glyphs Lowercase Characters Discretionary Ligatures Math Characters Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. Follow my shop for upcoming updates, and for more of my work! Happy Creating!

Linotype Go Tekk is a part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contest. The font was designed by the German artist Critzler and is available in three weights, thin, medium and black. Go Tekk is a cool, constructed with unusual cross strokes, appearing in almost every character at exactly the same height. The capital letters do not end on the baseline, rather drop even farther down than the descenders of the lower case letters, making it necessary to allow for generous line spacing. Linotype Go Tekk is a relatively static font designed exclusively for headlines and displays.

This fantastic beautiful Amsterdam School fonts brings alive the roaring twenties and crashing thirties. An art deco typeface from the Netherlands that summons a thirties vibe for a nostalgic twist on chic lines. It's the work of designer Leon Hulst, and you can see from the layout examples here that nostalgia means ruin, and it has become super cool to use a ruin vibe in retro aesthetics. Yep, there's a touch of class to that worn out look and feel, and the beautiful lines of the typography and numerals show how the barely restrained charisma of art deco can be coupled with the new obsession with all things vintage.

This multipurpose script typeface includes many different alternatives for each lower case. Make this typeface cool in your Font Library. It is a lot of fun to use as each word can be changed to your liking. This typeface works really well for Logo and Apparel Designs. It's also great for making Prints or Merchandise, as you can use the illustration quality of shapes to create artwork. Mix and match with a bunch of alternative characters to fit your project. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support : maculinc@gmail.com Thank you! Maculinc

Like its feline namesake from Kipling’s “Jungle Book”, Baghira has an elegant, smooth appearance and an impressive set of large, sharp teeth. With smoothly drawn curves, precisely placed corners, and rectangular dots, Baghira is a design rooted in the here and now. Its true italics gently allude to calligraphic roots, but overall, Baghira doesn’t follow any historical model. This cool cat sets his own standards. Designed by Christian Gruber & Moritz Kleinsorge, the Baghira font family consists of 8 fonts, with 4 weights ranging from Regular to Bold. Its character set contains 800 characters per style and is suited to quality typography in editorial design, corporate design and advertising.

Looking for a fresh and new font for your design project? We've got you covered with Trust Royale, the latest brush typeface craze on the scene. With its minimalistic, graffiti-style feel, this typeface is perfect for both cool and trendy designs. Not only is it inspired by hand-painted letters on walls, but it's also available in multiple languages - giving you more freedom to express yourself. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations, works on PC & Mac Download Trust Royale now and use it in your next project!

Nylon is an interpretation of pre-16th century letterforms, in particular those found in mediaeval portraits at the National Gallery, London. The source material contains many unusual and manic shapes—it appears as if these classical forms have, over time, become perverted, almost demonic. Draylon is the more restrained counterpart to Nylon; it is based on letterforms found on 18th century ceramics—some 200 years after the source material of Nylon. Nylon and Draylon have been designed so that they can be mixed together with ease. Both typefaces have been drawn with a kind of crude digital awkwardness—acknowledging the tool of the present moment, the computer, in the design process.

Al Chevrola is a dynamic modern sans serif. Strong, with curves and an elegant touch. It is a rounded, geometric near-monoline construction sans serif typeface with display details which gives it modern, simple, elegant, chic, cool, and strong vibes. Each style and character looks amazing in large headlines. Al Chevrola works great in branding, logos, magazines, packaging. FEATURES: 4 Weight OpenType support Easy to use (with special combination) Multilingual support (15 languages) PUA Encoded Thanks for checking out Al Chevrola. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message.

Patricia Pothin-Roesch's Saussa typeface began life as brush-lettered artwork for fruit salad packaging in France. After the key letters had been painted, Patricia Pothin-Roesch switched to digital tools to create the final font. True to its roots, Saussa is a real advertising face, perfect for point-of-purchase displays. Even its name is consistent with its intended area of application: Saussa sounds a lot like the word “sauce.” Saussa is an informal script; its outstrokes function almost like serifs, and the capitals have a lowercase structure. The feelings this typeface conveys are due to the hand of its creator, Patricia Pothin-Roesch, an experienced brush-letterer.

SK Shpala is a modern geometric display typeface inspired by the aesthetics of railways. The typeface is built on a system that includes a combination of wide lines and thin gaps, which creates a unique character pattern. The name of the typeface refers to the railway tie for a reason, as the text typed in this typeface really resembles the railway tracks from above. The typeface is multilingual and supports many languages of both Latin and Cyrillic. Despite the strong decorative component, the SK Shpala typeface is a powerful tool for working with typography and design. The typeface is also perfect for poster design and large headlines.

Eurostile Candy is a fun spinoff from Akira Kobayashi's Eurostile Next family. As the name implies, it is based on Eurostile but with many striking new features. Most obviously, the corners and joints have been rounded off to give it a more friendly and softer feel. On top of those changes, the main skeleton of many characters have been modified. Any extra strokes have been removed - such as in the a, s, or t - and joints have been simplified to create even more square shapes - like in the n and r. With these contemporary and futuristic-styled alterations, Eurostile Candy is a cool new design great for many display projects.

Dreamfire Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more. How to easily create Death metal & Black Metal logo from font : https://youtu.be/NBYIjcMmEb4 Features : - All Caps - numbers & punctuation - Alternate - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Durazno de Chile are cursive fonts based on Chilean school script. It can be written in Aymara, Mapuche and Rapa Nui from Chile. It can also be written in Dutch, Maltese, and other languages. This font family is cute. The style is wide and rounded. It has wide and open loops. The strokes are drawn with a round cap tool, with no contrast. It is cursive and connected. The form is upright because upright is the Chilean script standard. It is easy to read in Chile. Parts A have capitals with high starts. Parts B have capitals with low starts. Parts F are Final forms.

Along Sans Grande is an ultra condensed sans serif font family developed based on the typeface styles of the Along Sans Geometric Font Family. In the case of the black weight with the largest change in the size of the stem, the size is 180:140:100, respectively. And, the thin weight style has the same proportion of stem size. Some Glyphs that need to support the stem alone remain a size 222 for Black Weight. These interpolation rules are sufficient to complement the rhythm and readability of the whole family. This family is perfect for special titling works, logo designs, and cool showcases.

Kathmandu, the Nepalese capital in the foothills of the Himalayas, is not like any other city. That's why Kathmandu Bold is not like any other font going by the name of a town, either: This font is not as digital as Chicago but not as solid as Aachen. Kathmandu Bold's capital letters are slightly irregular, giving the font its unique character, which is extended and more black than bold. Everyone who has hitherto regarded "naïve" and "cool" as being an oppositional pair should check out this font by Ingo Juergens. For special needs, such as foreign languages, there is a host of special characters.

Introducing our new font Kinsale Display. A bold and strong looking display font that not only heavily inspired by the vintage/classic letterforms, but also some touch of modern twists and absurdities. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its wide and blocky letterforms make Kinsale is a great spacekiller. Suits best for title/headline, logo/logotype, packaging/label designs, etc. Packed with 300+ glyphs, weaponized with standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, and ligatures. This font is a must have item for your designing arsenal. Get yourself one and start creating something cool! THANKS AND ENJOY!!!

Hi, friends! Introducing new typeface - Barosa. It is a new display font with 2 styles and cool characters. Typeface designed as monolite, all descending and ascending elements has same size as most characters. Barosa has multilingual support includes cyrillic. Many ligatures make your typography most variable. Barosa Typeface was inspired by ethnic slavonic style which combining classic typography with awesome features bring classic touch on this culture. It works well with normal size text and for large displays or short words. You may combine uppercase and smallcase in the text body, as alternates symbols. The Barosa typeface is suitable for : product packaging, labeling, logo, classic shop, ethnic shop, titles, etc

Introducing Jandys Typeface which has a fast dry brush and elegant style. So it looks natural, like handwritten. This font is best used for your design project that has the concept of elegant, cool and fun. Can also be applied to the design of a logotype, header website, make some lettering a quote, t-shirt design, wedding card design etc. Jandys has two font styles that are similar but different, namely Jandys Dua and Jandys Swash, a dry brush formatted like a used font. Jandys Typeface deserve to be in your fonts collections, because it is unique, elegant and has many options of alternative glyphs.

Sequal is a handwritten graffiti tag script. It was drawn and created by Måns Grebäck between 2018 and 2020. Its round and soft letters are youthful and active, and cool while being cute. Sequal is a typeface family of five weights: Thin, Light, Regular, Bold and Black. The different weights ensures usability in any context, while also giving the ability to emphasize phrases or words. The font supports hundreds of languages, including European and Asian Latin scripts. Composed of over 1250 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It also contains OpenType features such as alternates and ligatures.

Crillee is a family of our styles that was originally produced by Letraset. In 1980, Dick Jones designed Crillee Italic. Jones also designed the family's second style, Crillee Extra Bold Italic, in 1981. Peter O'Donnell designed Crillee Bold Italic in 1986. The fourth style, Crillee Italic Inline Shadow, was completed by Vince Whitlock. At the time of Crillee's development, Jones, O'Donnell, and Whitlock were all employees of the Letraset Type Studio. Crillee's slight lean to the right and geometric forms create a feeling of power and speed. Crillee should be spaced closely in word settings and is perfect for anything which should have a cool, modern appearance.

Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the British high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.

This font comes from the romance of 20th century tube signs that will likely disappear forever. But let's not be upset — the Neonlife font embodies not only the warmth and comfort of neon signs, but also the energy of a modern style. And welcome to New Neon Life! The font family contains 6 sizes to help you choose the best size for different occasions. Neonlife is a unique solution for cool typography, branding, headings, in short, everything that makes our world unique and special. Although this font is not designed for large amounts of text, all characters are perfectly balanced and can be used like any regular font.

Prelo was designed to be a neutral, highly readable typeface, for identity, editorial and information design. With nine weights and nine true italics, from Hairline to Black, Prelo is a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Like other DSType fonts, most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters. The curves are soft and smooth, providing legibility, even in very poor conditions and the neutrality allows this typeface to be used with any serif companion.

Introducing Boomerank! It's a cool Dry Marker handwriting with 23 ligatures and some swashes to make your notes type look authentic! This font is perfect for some projects like logotypes, comics, headlines, invitations, quotes, menu design, branding, clothing, prints ads and some designs that need natural handwriting with dry marker effects. Please Note: To access all the features of this font you will need software with a glyphs panel - such as Adobe Photoshop CC, Adobe Illustrator, and Adobe Indesign. We hope you will get so much fun and get inspired when you play with this font. Hope will get some amazing experiences with Boomerank! Just download it now!

The Mokgech typeface is inspired by cool old style blackletter letters. Mokgech typeface has many alternative characters such as swash, ligature and a choice of several characters from uppercase or lowercase letters. In addition, the Mokgech font is also equipped with an italic version. It is suitable for gothic, tattoo, serious and horror themed designs. Can be used for the design of alcoholic beverage packaging, tattoo, pomade designs, barbershops and so on with the Victorian classic concept. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Kandin is a modern geometric sans inspired by Scandinavian interiors. With a cool and collected feel and low-key luxury, Kandin has a crisp and uncluttered feel providing legibility with strong doses of aesthetic pleasure. Being one of the most static and clinical of all classifications, Kandin successfully brings its playfulness in a subtle manner, keeping its minimalist, restrained, supremely peaceful feel. Although Kandin has geometric proportions, it has been carefully adjusted by eye for a simple pleasing look. It is suitable for a wide range of applications where a clear yet wonderful impression is required. Details include six weights, 470 characters, manually edited kerning, ligatures and case-sensitive punctuation.

Itemone is a pixel-based typeface consisting of 5 styles. It is suitable for posters, flyers, t-shirts, magazines and more, giving your designs a cool contemporary look. The main parts of each character in the monoline font, including counters, can be drawn using a single line. This has been the main principle in the design of this geometric typeface, giving each font a very distinct look. All of the five fonts have been designed on the same pixel grid with an x-height of five units. Each font in this typeface consists of 250 characters, including uppercase and lowercase characters and two sets of numerals.

In the age where stationery is replaced by typing devices, Meltow brings back memories with the design created from the actual writing tools and then developed into a convenient-to-use set of font. It features Brush (written with larger painting brush), Script (smaller painting brush), and Hand (watercolour texture). It also comes with a Sans Serif design to befit a caption, a body and a headline. With the Rust option for a retro appeal and an all-round usage, a mix of Meltow and other types can bring you something new. Offering 25 letters in 4 options, Meltow is most desirable for your creative projects.

The type family consists of six well-distinguished weights, from hair-thin all the way to the one black as the deepest night. In line with the current trend, it touches all boundaries, it stretches beyond technical possibilities and in extremes, it is almost illegible – the counters are reduced to a hairline. All italics have the same proportions as their corresponding regular styles, which emphasises the block-like appearance of the set text. Monopol was designed to thrive on posters, exhibit stands, book covers, magazines, and in complex visual styles. Its twelve styles make it an ideal tool for creating a dynamic composition using solely typographic means.

Introducing Strongkers Script Font, an exquisite hand-lettered font with a bold script style that is perfect for all of your design needs, from logos, book covers, apparel, magazine, web designs, cards, headers, letterhead, invitations and product packaging. This font is inspired by the beauty of manual lettering and includes many advanced features such as ligatures, contextual alternates, and multilingual support, making it a versatile tool for any project. With Strongkers Script Font, you can enhance your designs and bring your creative vision to life. Festures : Uppercase Lowercase Numerals & Punctuations Accents ( Multilingual Characters ) PUA Encoded Opentype feature : contextual alternates, ligatures, and stylistic sets. Thanks

Wasty Pudding was made by drawing a lot of letters, over and over again - and not caring so much about the looks, but focusing more on the speed of drawing, because I wanted a font that represented the way I write, when I am taking notes for myself. It’s not pretty, but it’s legible and scribbeliciously beautiful! :) Anyway, I think the purpose of this font is massive amounts of text. Song lyrics, novels, stories, diaries, manuscripts, books, etc. I bet you can fool someone with them thinking that this is not a font, because I have added 6 different versions of each lowercase letter!!!

This expressive face was drawn with a dry chisel felt-tip marker, resulting in two​ ​striking, detail-rich fonts. Beyond its remarkable face, Marker Aid is a generous ​one​​, packed with 4 alternates for each letter, 2 for each number and yet some handy ornaments for creating a convincing - and rather cool - organic look. It is ​also ​equipped with OpenType features to instantly cycle the ​alternate ​glyphs and access stylistic alternates and ornaments. Marker Aid is available in two cuts, upright and oblique​, for added flexibility. ​​Make your mark! * Please note that these fonts have complex outlines and quite a load of glyphs, which may slow down some applications.​

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Cyrillic shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. It has Bandera Cyrillic Text and Bandera Cyrillic Display sister families as well. Please check also Pro verion for pan-european support (full Latin-Greek-Cyrillic). Bandera is Spanish for 'flag'. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Inkheart is a handmade font family of 22 fonts designed to play together. Inkheart family covers a wide range of different styles such as script, brush, sans and many other display styles - drawn in the same size so they naturally fit together. Inkheart also has Catchwords, Patterns and Ornaments that play perfectly with the letter-fonts. Inkheart family is a great tool for designing advertising, branding, posters, packaging and anything else with a coherent visual style. Each font goes a long way alone but together they’ll rock! Inkheart family is also packed with OpenType features such as Automatic Ligatures, Swash, Stylistic and Titling Alternates. Go wild with Inkeart!

Looking for a way to add a touch of bold, retro charm to your designs that evoke the fun and creativity of the 70s, 80s, and 90s? Look no further than our collection of classic and modern fonts that are perfect for logos, posters, and all kinds of design projects, whether you're going for an old-school vibe or a fresh new twist on retro design. With our carefully curated selection of fonts, you'll have everything you need to create eye-catching and memorable designs that capture the essence of classic design from the past. Whether you're looking to add some vintage flair to a modern design, or you want to create a throwback look that's right at home in the 90s, our fonts are the perfect tool for the job. From bold, geometric designs that harken back to the 80s, to playful, colorful fonts that embody the fun-loving spirit of the 70s, our collection has something for everyone. And with our easy-to-use design tools and resources, you'll have everything you need to bring your creative vision to life in no time. So why wait? Start exploring our collection of classic and modern fonts today, and discover how easy it can be to create stunning logos, posters, and designs that are truly one-of-a-kind. Whether you're a seasoned designer or just starting out, our fonts are the perfect way to add a touch of old-school charm to any project.

A Postmodern vernacular sanserif in 8 fonts Prosaic designed by Aurélien Vret is a Postmodern typographic tribute to the french vernacular signs created by local producers in order to directly market their products visible along the roads. These signs drawn with a brush on artisanal billboards do not respect any typographic rules. The construction of these letterforms is hybrid and does not respect any ductus. Nevertheless the use of certain tools provokes a certain mechanism in the development of letter shapes. It’s after many experiments with a flat brush, that’s these letterforms have been reconstructed and perfected by Aurélien Vret. This is the starting point for the development of an easily reproducible sanserif with different contemporary writing tools. From non-typographical references of Prosaic towards readability innovation The influence of the tool is revealed in the letterforms: angular counterforms contrasting to the smoothed external shapes. This formal contrast gives to Prosaic a good legibility in small sizes. These internal angles indirectly influenced by the tool, open the counterforms. In the past, to deal with phototype limitations in typeface production, some foundries modified the final design by adding ink traps. In our high resolution digital world, these ink traps — now fashionable among some designers — have little or no effect when literally added to any design. Should one see in it a tribute to the previous limitations? Difficult to say. Meanwhile, there are typeface designers such as Ladislas Mandel, Roger Excoffon, and Gerard Unger who have long tried to push the limits of readability by opening the counters of their typefaces. Whatever the technology, such design research for a large counters have a positive impact on visual perception of typefaces in a small body text. The innovative design of counter-forms of the Prosaic appears in this second approach. Itself reinforced by an exaggerated x-height as if attempting to go beyond the formal limits of the Latin typography. It is interesting to note how the analysis of a non-typographical letters process has led to the development of a new typographic concept by improving legibility in small sizes. Disconnected to typical typographic roots in its elaboration, Prosaic is somewhat unclassifiable. The formal result could easily be described as a sturdy Postmodern humanistic sanserif! Humanistic sanserif because of its open endings. Sturdy because of its monumental x-height, featuring a “finish” mixing structured endings details. The visual interplay of angles and roundness produces a design without concessions. Finally, Prosaic is Postmodern in the sense it is a skeptical interpretation of vernacular sign paintings. Starting from a reconstruction of them in order to re-structure new forms with the objective of designing a new typeface. Referring to typographic analogy, the Prosaic Black is comparable to the Antique Olive Nord, while the thinner versions can refer to Frutiger or some versions of the Ladislas Mandel typefaces intended for telephone directories. Prosaic, a Postmodern vernacular sanserif Prosaic is radical, because it comes from a long artistic reflection of its designer, Aurélien Vret, as well a multidisciplinary artist. The Prosaic is also a dual tone typeface because it helps to serve the readability in very small sizes and brings a sturdy typographic power to large sizes. Prosaic, a Postmodern vernacular sanserif