PragmataFlash is the version of Pragmata to use in Macromedia Flash at 9, 11 and 12 point size.

A set of chessmen and related symbols. Another version from Linotype can be found at Linotype Game Pi. "

Beat Fool is my latest layered font. I love making layered fonts, because the possibilities are almost endless! Play around with transparency and your favourite colorschemes and patterns to create awesome effects! Beat Fool comes in two layers that plays well together. One layer is solid and can be used for shadow, fill, texture or other creative parts of your design. The second layer is the "Regular" one - the outline that made the basis for the font. I wanted the handmade and handwritten brushstrokes visible, to keep the flaws which makes the look more authentic. Every letter has 4 different versions, again to make things more natural and kind of random! Both layers can be used alone or as described, together - and since it has multilingual support, you can be creative in all kinds of languages! :)

Particela - Display Font. Particela is a display style font. The classic, fun and groovy impression is very visible. But in Particela I combine several variations such as the ligature. Particela is inspired by vintage albums and posters from 1960s music bands. It makes this font even more unique and different. Particela is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. Particela is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

The 1990s was a time of creativity, experimentation and exploration into the world of digital typography by amateur and professional alike. Ray Larabie [through his Larabie Fonts] offered dozens upon dozens of wide-ranging (and often most unusual) freeware fonts. Ray was the driving force of encouragement and a behind-the-scenes “mentor” who helped Jeff Levine Fonts get underway in January of 2006. As his focus changed to high-quality commercial type with the launch of Typodermic, Inc., many of Ray’s “less than perfect” font experiments were withdrawn. He eventually turned those typefaces into a bundled zip archive released into the public domain through Creative Commons. “Webster World” resembles a fusion of Techno and Western styles. With Ray's permission, the original characters have been cleaned up and re-made as Space Traveler JNL, which is available in both regular and oblique versions.

This pseudo-Egyptian fantasy originally was named Karnac, and was unearthed in the pages of the 1888 American Type Founders Specimen Book. This version derives it name from a continuing character from Johnny Carson's stint on the Tonight show. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

I had to do it :-) - A hand lettered version of featherly is here! As always with featherly, it's perfect for anything to do with romance, weddings and love but this hand lettered version can give you an even more authentic, handmade look to your designs. There are 26 left and right swashes. No alternates with this one though. Hence the lower price.

An old favorite from the venerable Letragraphica series, named Yankee Shadow and designed by Tony Geddes, provides the pattern for this sporty font. For this version, the outlines have been beefed up, and the shadow has been moved in an easterly direction. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Aligarh Arabic is new version of Aligarh with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi Basic form for arabic font is refers to the arabic kufi style, semi-slab serif font formed with a smooth rounded bracket whose edges end with unique shapes, an exploration of combining unique styles in a typefaces to harmony with Latin version.

From the titles and credits of the 1952 British comedy “Song of Paris” comes this whimsical, hand lettered type design that’s casual, playful and charming. The digital version is called French Song JNL, and is available in both regular and oblique versions. This font release is the 1800th type design Jeff Levine Fonts has issued since its inception in January, 2006.

Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in advertising and display typography as well as for headlines and small texts. Cyrillic version was developed by Eugene Sadko and released by ParaType in 2008.

Here's an Art Deco classic with a bit of an edge. This typeface is based on a somewhat less refined but more energetic version of Broadway, designed by Morris Fuller Benton for ATF in 1928, originally named Broadway Poster. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Lore - A handwritten Old English font for past, present & future Tomes, Bibles & Grimoires! Lore comes in 3 variants x 2 (regular & hollow) with different upper case letters: Nokturnia - ordinary Pandemonia - fiery swirls and curls Nekromantea - straight and harsh. The hollow versions, preferably used for headlines and display text, are the original hand drawn versions with more anchor points and intentional uneven line work.

Nightmark BB is a roman-inspired, all-caps calligraphy typeface, hand lettered by Nate Piekos. Intended for comic book dialogue lettering, it features contextual alternates for six versions of each letter, three versions of each number, exclamation point, and question mark, serif-I correction, manga-specific characters, bouncy baselines for three or more consecutive letters, and a ton of European characters!

Arthaus is a typeface family inspired by Herbert Bayer letter study for an universal alphabet, this version is built on a rigorous geometrical basis as originally planned by this master of the Bauhaus in 1927. Arthaus comes in 4 weights and one outline version. Ideal for creating posters and brands is a treat for anyone who deals with graphic design.

Imperia is derived from my Classic font Imperium – the Roman Original from the Trajan column. I pushed Imperia a lot further, adding two versions of swings. To make the family more usable I threw in my own version of lowercase letters for free; Roman did not have lowercase letters of that kind! The other three cuts – A, B, and C –have classic smallcaps.

Based on a typeface named "Viola Flare", issued by Franklin Photolettering in the 1970s, this version has been kerned for every possible letter combination, so you can mix the swash uppercase letters with the lowercase as you please, creating distinctive and delightful headlines. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Varvara is a new display typefaces family create as a tribute to the work of Barbara Stepanova (1894-1958). Varvara family has light, medium and bold weights in 6 differents versions (normal, rough, screen, inline, shadow and star), all with alternates letters. All versions are provided in latin, cyrillic and greek alphabets. It can be use for text as for titling applications.

Unnerving JNL is a distorted/distressed version of Adhesive Serif Letters JNL (of which the original design was modeled after some vintage gummed letters used for signage). This new variant evokes a feeling of apprehension, dread or fear and can be applied to any project with a spooky or sinister theme. Unnerving JNL is available in both regular and oblique versions.

Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France in the 30s of the XIX century. It's Cyrillic versions were offered by typefoundries of Revillion and Co., Pluchard, Semen, etc. In our version we also added support for Hebrew (with vowels).

Blankcho, There’s beauty in the plain version Blankcho, even without all the extras, for a clean and elegant minimal serif. Any version of Blankcho brings a touch of luxury and bespoke custom typography to modern logos, websites, social media quotes, wedding branding, and more. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

A classic typeface with timeless appeal, based on the venerable Weiss Initials II, designed by Eric Rudolf Weiss for Bauersche Gießerei in 1931. Essentially a monocase font, this version also includes variants located at lowercase a, e and g. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Ross F. George, the lettering wizard behind many an edition of Speedball lettering books, called this quirky creation "Spatter and Spot Roman". In this version, the spatters go, but the spots remain, and a good time is had by all. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

This fun typeface is great for quote, tagline, or headline. Letter Sketch is all caps hand drawn font with two style, rough sketch and filled version. It's have natural drawing feels in each characters and give personal touch to your projects. Letter Sketch Regular : a funky rough pencil sketch font Letter Sketch Bold : the filled version of Letter Sketch Regular

The hand lettered credits for the 1940 horror film “The Invisible Woman” look more like they would show up in a movie about a college football game. A bold, condensed slab serif type design, it’s perfect for many sports-themed graphics projects. The digital version has been aptly named College Game JNL, and is available in both regular and oblique versions.

Clean and clear are the buzzwords for Invulnerable BB. A comic book font with no fuss. The opentype version includes contextual alternates to create multiple versions of letters, numbers and punctuation, as you type. Errant serif-I correction (in comics, only personal pronouns have the serf-I), also, type up to six consecutive, identical letters, and get a bouncy baseline.

Vikings or Norses are Scandinavian pirate and merchant tribes. Actually, "Viking" or "Nors" is not a nation name; It is the name given to Dans, Norwegians, Swedes and other Scandinavians regardless of who they are. The Elder Futhark here is a runic script - a version of the Viking script. I will upload other versions over time. Write nice things with pleasure.

Stefania Antique is an aged version of Stefania, an elegant italic script. Stefania Antique is perfect for creating unique and ancient looking chancery manuscripts. A regular version and a more distressed alternate are available. Stefania Antique includes 64 OpenType ligatures that are used to automatically replicate the natural appearance of letterpress printing. Stefania Antique works great in conjunction with insigne Splats!

Rum Plakat is a display type developed as a display face within the type family »Rum« Rum Plakat is an alternative version of Rum Soft Sans Black. It is suitable for posters and editorial design in large sizes & other eye catching matters. The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Restoration is a two style sans serif font with a rustic vintage aesthetic. It’s angled bars give it a unique appearance and sets it apart from other vintage fonts. You’ll get a textured version and a clean version, so you’ll be ready for any project. This vintage font is great for logos & branding, titles, web design, marketing, advertising & much more!

Humanex is the first text typeface of Sébastien Truchet. He created it during the year of postgraduation ‘Systèmes graphiques, typographique & language' in Amiens. The beginning stages of the font development involved calligraphic research based on humanistic ductus. Sébastien’s goal was to introduce modules in a lineal structure. Downstrokes and upstrokes are homogeneous. Links between stem and curve are straight. It gives solidity and thickness to the typographical composition. The first version was a Semi Bold version and its italic. This typeface gave a blackest text. You can see the first display typeface, Humanex Ultralight. Sébastien kept the Semibold structure in order to make a thin typeface. Its goal is to give support to the Semibold version. It is a good typeface in big sizes. In order to add a better legibility, Sébastien built a Book version to have a brightest grey of text. The reading is more comfortable.