Egyptian Wide is a typeface published by SoftMaker.

The Tecn@ Wide family was designed so that its characters are legible and easy to interpret in any writing in its headers or titles to cover more space; For example, the descriptive memory of Plans or Instructions. Tecn@ Wide complements the Tecn@ Background Light and Dark Square Triangle font family.

Designed to stand out is perfect for giving bold impressions, Pontiff Wide is a display typeface with sharp edges and has a wide shape referring to the neo vintage trend. Equipped with italic style and outline increasingly make this font striking and prominent in all its shapes and styles, bold format provides a great personality type in the title. Characters that are well-suited for a wide variety of applications from editorial design to branding, advertising, publicity and digital.

Wide Plump is a bold Stylish Stencil Font. Most of the glyphs are without any holes, it's provide powerful impact. You can use it in fashion magazines covers, short advertise slogan and so on. * Uppercase and some lowercase * Numbers * Symbols * Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

Copperplate Wide is remotely based on the traditional Copperplate typeface that can be seen on many business cards. I have completely redrawn the typeface in a much wider version and without those stubby little serifs. In the place of the lowercase letters I put a very slim version of the font to give you more options. You can either use the wide letters or the narrow ones – or – you can mix both to get something completely new. It works great! Your forever inventive type designer - Gert Wiescher

Introducing Wide House, a playful and charming hand-written font that will add a touch of whimsy to your designs. This font has a casual and relaxed vibe that makes it perfect for projects that require a friendly and approachable feel. The letters are slightly wider than usual, giving it a modern yet comfortable appearance. Wide House works well for various design projects especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.

Unicase wide slab-serif with numerous alternatives and decorative elements. In Ribbon styles kerning for black ribbons released as Discretionary Ligatures. Lets do wide!

By overwhelming popular demand, this is the wide display companion to Canada Type's Clarendon Text family. It comes in ten styles: regular, medium, bold, with small caps and oldstyle Figures counterparts, as well as stencil and sketch versions of the regular and the bold. All the fonts come equipped with superscripts/numerators, denominators, and scientific inferiors. The OpenType fonts also contain automatic fractions and class-based kerning. The Clarendon Wide fonts are available in all popular formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

Impact wide was developed from the designer's original drawings for the production of 'Impact' metal type, with many detail changes because of the density of the letters. These include the restoration of the bevelled i and j dots of the original. Character maps show some useful alternative characters in both roman and italic. Included are a crossbar numeral 1, mirror quotes and some sorts which were cast in metal but never reproduced in digitized versions of the typeface. There is also a font-specific Euro symbol. (Impact is a trademark of The Type Museum, London).

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Perfect for writing out uplifting quotes for instagram posts, wall art or greeting cards. It will also be there for you if you need to design some charming packaging or branding. Suitable for short and sweet quotes, as well as longer meaningful paragraphs. Designed and kerned with care and love to make using it a breeze. Wisely is packed with lovely features: contextual alternates to give the text this hand-written look you need many stylistic alternates for uppercase and lowercase ligatures multilingual support with accented characters for international designers

A surprisingly readable script based on flow of water.

This exclusive Monotype design by Cynthia Hollandsworth is named after a popular executive, Don Wile of Agfa Compugraphic as a gift on his retirement. Agfa Wile is a classic Old Style font with wedge-shaped serifs and open proportions, and is suitable for both text and display uses. Agfa Wile's capital letters are influenced by inscriptional forms.

Wide font family is a geometric sans serif font, which features 9 styles. It’s based on the Futura developed by Paul Renner and neo sans-serif fonts. At the same time, it has significant stylistic differences. Massive lengthy letters are among the unique features of this font. They will help you come up with the perfect composition. The letters have optical compensation, while a circle is the main figure of the fonts. Due to wide fonts, your project will have modern and fresh design. The composition will keep its contrast regardless of a background you’ve chosen. The Widy family includes 9 styles: Thin, Extra Light, Light, Semi Light, Regular, Medium, Semi Bold, Bold and Extra Bold. Each of them also has Italic variation. The fonts are perfect for both graphic design projects (posters, brand identities, logotypes) and simple interface design, which needs the necessary style.

Introducing Slight, an elegant, full-featured script font with tons of alternate characters and OpenType features. Hand-lettered with a heavy right slant, Slight is particularly well-suited for invitations, branding, and editorial design. Slight comes with more than 1000 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), ligatures, standard numbers, and six ampersand styles. Perhaps the most fun thing about Slight is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with in your layouts and compositions. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!) Files included: Slight-Regular.otf Mail support : julie@upupcreative.com --- Find inspiration (and sneak peeks at my next font-in-progress) on - Instagram: http://instagram.com/julieatupupcreative - Facebook : https://www.facebook.com/upupcreative - Pinterest: https://www.pinterest.com/upupcreative - My website: http://upupcreative.com --- PLEASE ENJOY! I can't wait to see what you make with Slight! Feel free to use the #upupcreative and #slightscriptfont tags to show me what you've been up to!

Flight is the work of British calligraphic artist Timothy Donaldson, whose specialty is the experimentation with different design tools. Flight is named for the free-flowing lines of its forms which bring to mind a freedom of movement. It was first rendered in pencil using a quick sketching technique. The stem junctions were then carefully thickened to produce a futuristic style without losing its calligraphic origins. The capitals are intended for initialling purposes only. Flight is a lighthearted font with elegant letterforms.

Eight was desinged to be heavily geometric. The main lines were intended to be entirely comprised of lines of eight different but set angles.

Get ready to boogie down with Tight, the typeface that channels the groovy vibes of vintage tee shirt lettering. Inspired by the iconic disco era of the mid to late 1970s, Tight is the perfect way to celebrate those dancing days. Our retro disco t-shirt typeface is based on old, worn-out samples of Dean Morris’ Quicksilver, the Helvetica of disco. With its misaligned characters and distressed texture, Tight captures the spirit of the era in all its glory. To achieve an even more authentic look, Tight features custom letter pairs that mimic the way real vintage tees looked. And with OpenType-savvy programs, you can swap out certain letter combinations to achieve the perfect look. Just be sure to turn off the “standard ligatures” function to disable the effect and get that true vintage feel. So whether you’re designing a poster for a disco-themed party, creating a retro-inspired logo, or just looking to add some funk to your designs, Tight is the typeface for you. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.