Hounslow is closely related to Acton in structure, and takes the latter’s simple block construction into the third dimension. Three variants – open, solid and shadow – can be freely mixed in one setting for effect. Originally designed solely in the italic variant, an upright was added by request. A further unreleased set with a range of line weights was later commissioned by the New York Times magazine, and used extensively in their television supplement.

“VOID AGE” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. “VOID AGE” will help you to create special and touching typographical design for your characteristical and exclusively projects, for branding, food product, cafe product, restaurant product, labeling, clothing, movie title, album cover, logos and many more. It is really universal and modern font. The owner of endless possibilities!

Diamond Jim JNL was inspired [in part] by an image of a 1970s Letraset® dry transfer typeface made entirely of small stars. By creating his own layout using tiny diamond shapes, Jeff Levine has produced a font that takes on multiple appearances. At 24 point it resembles dot matrix printing; at 48 point the diamonds are clearly visible; and overall, the design has a distinctive 70s retro feel. Limited character set.

A modern, high impact, display font - Northern Mount is the first in the four part collection of fonts designed by Chike Newman-Greaves. Starting life as a side project on his creative bucket list, and now with over 550+ glyphs, Northern Mount is the perfect font for a bold ad campaign, key artwork or comic book cover. Its high bars and long stems take inspiration from an Art Deco era, its lowercase letters - clean, minimal.

“Blind Justice” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. "Blind Justice” will help you to create special and touching typographical design for your projects, for every day or the happiest day in life, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

Designed by Russell Bean between December 2020 and August 2023 as a pandemic project, Forecast takes cues from past geometrics notably Futura, Tempo even Avant Garde. ideal for a multitude of uses – text, display, web, wayfinding. The objective of Forecast is to present a practical, swiss-army, use-everywhere design where readability is paramount. Available in 7 weights with italics a total of 14 styles all kerned to perfection. LatPro encoded, supporting 90 languages.

This typeface takes most of its design cues from Isonorm, developed by the International Standards Organisation in Switzerland in 1980. In this version, the overall design has been homogenized to eliminate some of the anomalous forms in the original. Suitable for both text and headlines with a cutting edge vibe. All versions contain the complete Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 character sets, with several language-specific localizations.

Twista is a typeface from the realm of impossible constructions, from letters of illusions, the world of M.C. Escher. It takes its place in the tradition of typefaces playing with 3-dimensional drawings on a 2-dimensional surface. iÍt tricks the eye and attracts our gaze. Carefully choose which messages you set in Twista, they might be read with an invisible question mark added at the end. All letters and characters come in two versions.

Linotype Boundaround is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests from 1994 and 1997. German artist Christina Sachse gave her font a mystical feel. The vertical strokes meet the base line at a point and the strokes vary in their width. The lively Linotype Boundaround is suitable for shorter texts in point sizes 12 or larger and for headlines in larger point sizes.

Bangersfield is a four-member font family from Robby Woodard. With line treatments clearly inspired by cased meat products, these fonts function as a healtier alternative to Comic Sans. The casual hand lettering works well for light-hearted design and comic lettering. These fonts are stuffed with opentype features, extra ornaments, and a full Central European character set—over 400 characters per serving. Satisfy your hunger for a fresh take on a stale genre!

Kinsey is inspired by traditional typewriter font styles. Although now largely consigned to history, the bulbous slab serifs and soft curves of typewriter fonts have left a lasting legacy; they’re paradoxically easy on the eye, yet utilitarian and business-like. Kinsey offers a modern take on this classic style and is available in a full family of five weights and includes a ‘proper’ italic with modified characters for an easy, flowing style.

Hawkins is a rounded serif combined with small hints of Art Nouveau influence and remarkably high x-height. Hawkins takes a lot of space and is a well suited display typeface for any use from print to online and from advertising to book cover or from product design to digital posters. Hawkins is packed with a few OpenType features -Standard Ligatures and plenty of Swash Alternates, as well as few Titling and Stylistic Alternates.

Linotype Atomatic is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Johannes Plass designed his font in one strongly-crafted weight. Linotype Atomatic seems to mirror the fast pace and technology of modern times. The slight lean to the right gives an impression of speed and movement. Linotype Atomatic is intended exclusively for headlines in larger point sizes.

Take a walk in outer space and discover a new amazing experience with Star Nebula. With its unique brush script style and cool texture, you can use this vector brush font to create eye-catching logos, headlines, etc. So what’s included : Standard Latin Numbers, symbols, and punctuations Ligatures and Swashes Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Linotype Seven is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Christian Vornehm. The font looks as though hastily drawn with a wide, bristly brush, as though the scribe was in a hurry. Linotype Seven is loaded with energy and spontaneity. It is intended exclusively for short headlines in larger point sizes.

Asturias is a contemporary take on script fonts. Its characters are wider than most scripts, and the letterforms are somewhat geometric, giving it a modern and refined feel. The font is well suited for any occasion that calls for a sophisticated air and appearance. As with all insigne releases, Asturias comes with a wide range of OpenType features; a full complement of artistic alternates, ligatures and old style figures to add a touch of sophistication.

Introducing Retro Star Typeface: Unleash Nostalgia in Every Letter! Step into a time capsule with Retro Star, our latest vintage-themed font that oozes old-world charm. Radiating a sense of nostalgia, this typeface takes you back to the elegance pop from days gone by. Retro Star lends an air of authenticity to your designs. Embrace the past and craft designs that resonate with the soul of yesteryears – discover Retro Star today!

Factor BF takes inspiration from automotive lettering, and has elements of techno. It’s clean, strong and friendly, due to its overall soft, square, sturdy letterform construction. OpenType features include stylistic alternates for letters Q, a, e, f, y and ß; as well as automatic fractions, that are accessible in OpenType capable applications. Consider Factor BF for use in branding, signage, and logos to name just a few of its many areas of application.

Fabriga speaks a familiar language in a distinctive voice. Ideas around clarity and tone informed all emblematic decisions. Fabriga’s structure and warmth are influenced by how its character set is approached as an ensemble while exploring individual ‘creative’ opportunities as they pose themselves throughout the process. Fabriga sets out to take a supportive role as a font family, understanding that one of its great strengths is its diversity in application and composition.

“Sad Angel” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. “Sad Angel” will help you to create special and touching typographical design for your projects, for every day or the happiest day in life, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

Sublima is meticulously designed to adapt its personality to any project. With 302 alternative characters and 18 stylistic sets, you get unlimited power to take your creativity to the next level. Sublima is the smartest choice for any creative project. With a single click, you can change its typographic personality and adapt it to your desired style. Choose between 3 predefined styles or create your own style by combining the hundreds of alternate characters available.

Collider, an uppercase display font that captures the beauty of vintage looks The proportions of the letters are deliberately uneven, lending an authentic quality to your text. Unlike conventional fonts with straight lines, this font takes a more organic approach. Its outlines are beautifully imperfect, flowing with subtle curves that add a touch of artistic flair. In addition, Collider gives ornaments as a special bonus. Collider fits in headlines, logos, branding materials, and many more.

Give your typography designs a touch of retro style with Malistia! Introducing the trending font The Malistia, a bold retro script that will take you back to the 70s. comes with the Extrude version. So you don't need extra effort to create the extrude effect. Features include: Alternative Style, Swash, Collection of styles and multilingual support. You can choose alternative replacements with various Glyph variants. Very suitable for logos, t-shirts, posters, branding, etc.

Fractul is a geometric sans with architectural qualities. Built from the Konnect family, this typeface introduces even more unique and display oriented design details, which you'll see in characters like a, f, g, t, y, etc. where certain strokes have been straightened for an angular and modern appearance. Also included is Fractul that takes the angular design further by styling characters like m, n, u, etc. to be rectangular and avant garde.

Here's a lively new take on the swirly psychedelic type we all know and love, Spirit of '69 brings in some subtle dimensions of waviness to the vertical strokes, upslanted horizontal strokes, and alluring paisley shapes formed out of the negative spaces. This is a unicase font, in the grand tradition of the Art Nouveau lettering of the early 20th century, and the melty groovy fonts of the 1960s. Lots of fun and beautiful too!

Turis is meticulously designed to adapt its personality to any project. With 241 alternative characters and 20 stylistic sets, you get unlimited power to take your creativity to the next level. Turis is the smartest choice for any creative project. With a single click, you can change its typographic personality and adapt it to your desired style. Choose between 3 predefined styles or create your own style by combining the hundreds of alternate characters available.

HU SuryeoKR is a new typeface of Heumm's calligraphy that takes the motif from carefully written calligraphy. It follows the calligraphic shape of Korean classics and can be used for titles and body text without distinction. The stroke thickness, strength, and degree of bending were set differently for each style. The thinner it is, the sharper it is, and the thicker it is, the blunt and round it is. HU SuryeoKR includes Korean.

Looking for the perfect all-caps display font to accentuate your next project? Lemonade Stand is a stylish yet childlike sans that doesn’t take itself too seriously. The characters are wispy in nature with minimal contrast. They were designed to loosely mimic the strokes of a thin paintbrush. Lemonade Stand is equipped with Basic Latin, Extended Latin, diacritics, and Cyrillic. Feature it in a logo, on packaging, or in a children’s book.

The versatile neo-grotesk typefamily, inspired by the swiss academia with a contemporary mood. The shape of the letters are more pliable compared to classics grotesk typefaces. -- Taking inspirations from classic grotesk letterforms, both from the European tradition (specifically the Swiss school) and the American tradition, HypeType's Arcadia Grotesk is modernized with its shorter ascenders and descenders to give more compact blocks of text and with its more contemporary and dynamic forms. -- hype-type.com // kidstudio.it

The Cleveland Type Foundry strikes again, with this delightful little number from their 1893 specimen book, originally named "Mikado". This version takes its name from one of the characters in the Gilbert and Sullivan operetta of the same name, and the name aptly describes the tasty nature of this frolicking face. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Sundry is J Foundry’s take on the early 20th century grotesque. The design draws influence from various designs of the period. Drawn and cut by hand, these sans have idiosyncrasies and quirks, producing a warm friendly look. The design objective was to even out the quirks and add consistency, without losing the warmth. Sundry looks to balance character and structure for a clear but personable read. Variable Fonts included in the Complete Package.

With a delicious twinkling in its eye, Bedazzle evokes a theatrical vibe. Filled with a pattern of glowing lights, it offers a festive journey for the eye as well as a tactile ambiance. Two fonts, an ornamented bright plus a solid version provide ample resources to create a variety of inlined, outlined, shadowed and multi-colored displays. Add in Illustrator’s 3D feature to take things beyond the mere surface of the page.

Taking inspiration from 18th century handwritten letters, journals and documents, Memoir is a romantic yet robust design. Its textured profile speaks of surface and age, but this face will look very much at home in contemporary design. Useful for menus, cards, packaging, and logos, its versatility will prove its worth. Unlike signature fonts from that era, Memoir is designed to set in a manner that connects fluidly as if it were actually written.

Linotype Down Town is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The cheerful character of this fun font from German designer Critzler is perfect for comics or posters. The figures dance across the base line, swinging between thick and thin, big and small. Linotype Down Town is intended exclusively for headlines and short texts in at least 18 point.

"Draughtsman Label Hand" was inspired by the beautifully executed hand-lettering one set of 19th century engineering drawings. The result is a typeface that combines great legibility with a wealth of decorative flourishes and lively touches of fun. The typeface includes a range of stylistic alternated, ligatures, small and petite capitals, old-style and lining numerals. Draughtsman Label Hand is designed to take full advantage of the capabilities of the opentype format.

Articulat® CF is a streamlined, updated take on midcentury type design. Strong, sharp, and well-spoken, Articulat was built from scratch to be bold, clean, and clear. Articulat® CF pairs well with itself, as it has many weights to choose from. It also works well with fonts that contrast strongly, such as Wayfinder® CF and Olivette CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

“Good Friend” has hard strokes and signature style that speak to instant unique sensation. Take your creative projects to the highest level with this font. “Good Friend” will help you to create special and touching typographical design for your projects, for every day or the happiest day in life, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

Geometric font inspired by shop signs in 4 styles Anisette has sprouted as a way to test some ideas of designs. It has started with a simple line construction (not outlines as usual) that can be easily expanded and condensed in its width in Illustrator. Subsequently, this principle of multiple widths and extreme weights permitted to Jean François Porchez to have a better understanding with the limitations associated with the use of MultipleMaster to create intermediate font weights. Anisette built around the idea of two widths capitals can be described as a geometric sanserif typeface influenced by the 30s and the Art Deco movement. Its design relies on multiple sources, from Banjo through Cassandre posters, but especially lettering of Paul Iribe. In France, at that time, the Art Deco spirit is mainly capitals. Gérard Blanchard has pointed to Jean Francois that Art Nouveau typefaces designed by Bellery-Desfontaines was featured before the Banjo with this principle of two widths capitals. The complementarity between the two typefaces are these wide capitals mixed with narrow capitals for the Anisette while the Anisette Petite – in its latest version proposes capitals on a square proportions, intermediate between the two others sets. Of course, the Anisette Petite fonts also includes lowercases too. Anisette Petite, a geometric font inspired by shop signs in 4 styles So, when Jean François Porchez has decided to create lowercases the story became more complicated. His stylistic references couldn’t be restricted anymore to the French Art-déco period but to the shop signs present in our cities throughout the twentieth century. These signs, lettering pieces aren’t the typical foundry typefaces. Simply because the influences of these painted letters are different, not directly connected to foundry roots which generally follow typography history. The outcome is a palette of slightly strange shapes, without strictly not following geometrical, mechanical and historical principles such as those that typically appear in typefaces marketed by foundries. As an example, the Anisette Petite r starts with a small and visible sort of apex that no other similar glyphs such as n or m feature, but present at the end of the l and y. The famous g loop is actually inspired by Chancery scripts, which has nothing to do with the lettering. The goal is of course to mix forms without direct reports, in order to properly celebrate this lettering spirit. This is why the e almost finishes horizontally as the Rotis – and the top a which must logically follow this principle and is drawn more round-curly. This weird choice seemed so odd to its designer that he shared his doubts and asked for advise to Jeremy Tankard who immediately was reassuring: “Oddly, your new top a is fine, it brings roundness to the typeface, when the previous pushes towards Anisette Petite to unwanted austerity.” The Anisette Petite, since its early days, is a mixture of non-consistent but charming shapes. Anisette, an Art Déco typeface Anisette Petite Club des directeurs artistiques, 46e palmarès Bukva:raz 2001

Lilard - Elegant Serif Font Lilard - Elegant Serif Font is a beautiful typeface that exudes sophistication and grace. The font was designed with the idea of creating a classic and elegant look, while still maintaining a modern and clean feel. The result is a font that is versatile and can be used for a variety of projects such as branding, logos, packaging, photography, and more. The design of Lilard font is inspired by the timeless and elegant look of serif fonts, but with a contemporary twist. The designer wanted to create a font that would stand out and be memorable, while also being easy to read and understand. The elegant curves and sharp serifs make Lilard a perfect choice for projects that require a touch of elegance and sophistication. Lilard font is best used for projects that require an elegant and refined look. This font is perfect for use in wedding invitations, business cards, and other high-end print materials. The font works well when paired with other sans-serif fonts, which helps to create a modern and clean feel. Lilard font comes with a variety of features that make it stand out from other fonts. The font includes uppercase and lowercase letters, as well as opentype features such as alternates and ligatures. Additionally, the font includes numbers, punctuation, and symbols, making it a versatile choice for a variety of projects. The font also supports multiple languages, making it a great choice for international projects. If you're looking for a font that is elegant, sophisticated, and versatile, Lilard - Elegant Serif Font is the perfect choice. Its unique design and features make it an ideal choice for a variety of projects. Use this font to add a touch of elegance and refinement to your designs and make them stand out. In summary, Lilard - Elegant Serif Font is a beautiful and elegant font that is perfect for high-end projects. Its unique design, features, and versatility make it a great choice for a variety of projects, including branding, logos, packaging, photography, and more. With its opentype features, multiple language support, and easy-to-use formats, Lilard is sure to become a go-to font for designers looking for an elegant and refined look.