Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).
The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.
Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).
Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.
Golnama is a modern Sans Serif headline font. Golnama supports Arabic, Persian, Urdu and Latin. It includes proportional and tabular numerals for the supported languages.
Ammonia is a simple sans serif made fumey and gloopy. Strange little dendrites poke out from some of the characters, causing some linkage between letters.
JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...
Introducing Quinger - Unique Sans Display inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.
Boheld comes with 6 different style variations such as Sans, Serif, Bold, Condensed, and Inline. It is inspired by classic labels, tickets, posters, and more.
General Merchant JNL is a bold, compressed sans design in the 'Grotesk' fashion with varying character widths and flattened tops on the usually rounded characters.
Breakdance is a vintage font duo. Combination of sans and script with sharp textures making all your creative projects getting a vintage and authentic impression!
Carocks is a handwritten brush font inspired by violence, chaos, cruelty, fear, horror, resistance and more. This font gives a strong impression on each of your works and is made in a regular and italic style and is equipped with an opentype feature to help designers produce amazing works.
The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.
In the 1904 book “Letters & Lettering” by Frank C. Brown is a page of Roman style upper case letters entitled “Modern American Capitals – after Will Brady”. The slab serif, Art-Nouveau-influenced alphabet inspired a digital version. Roman Nouveau JNL, is available in both regular and oblique versions.
Kinlock is a new elegant stencil serif font featuring a regular & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Kinlock includes all standard glyphs plus a few essential ligatures as well as multilingual characters.
This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.
Alquitran Stencil is a variant of Alquitran Pro. Alquitran stencil is specially designed for titles, with stencil effect.,Iin addition to Regular and Bold Alquitran Stencil also contains Rough and Rounded with additionally traces Extras (1-2) that are dingbats that support the text to look much more realistic.
The movie poster for the 1937 film “Cafe Metropole” served as the basis for Outdoor Cafe JNL, which is available in both regular and oblique versions. The extra bold, stylized letter forms with their rounded corners typify the wide variety of typographic styles the Art Deco period offered.
Lettering on the sheet music cover for the title song from the 1957 Marlon Brando movie "Sayonara" was the model for Pacific Island JNL. The design has an Asiatic influence, but also reflects a bit of show card lettering as well. Available in both regular and oblique versions.
This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.
Rapazola is a new geometrical typeface, it was inspired by the moments of childhood and it's play. This typeface contains five different weights, Extra Light, Light, Regular, Bold and Extra Bold, all with the completed alphabet A to Z, upper and lower case, all numbers and some symbols.