Inspired by the 1977 anthology horror film called "Uncanny", Uncanny Cat PB captures all the awkward fun of the film's titling sequence. Feline revenge has never looked so good. This typeface was oodles of fun to flesh out, and is true to that purposefully awkward appeal that a lot of Pink Broccoli fonts are imbued with. Loaded with a collection of ligatures that combine and nest letters against each other, lending to the unique typesetting of this "uncanny" font.

Named in honor of the great bossa nova artist, Benjor is a fat display meant for headlines, attention-grabbing displays and even Brazilian record covers! Striking and eye pleasing, it's simply que bom!

Kertayasa is a layered typeface inspired by an old signage and vintage letter painting. It consists of 10 layers, a wide support of latin languages, and some alternates. You will imbue beautifully vintage display typography in anything – including editorial and packaging – which you might create.

Fest is a highly detailed, ornamental unicase typeface for display use. Designed by Novo Typo - (typo)graphic designers from Amsterdam - The Netherlands. Fest is perfect for designing sophisticated logos, fashionable headings or other beautiful display typography. The glyph set of Fest contains a lot of extra elegant glyphs, swooshes and ligatures.

Future Runes is another in our occasional series of 'retro-science-fiction' based fonts, along with Albia Nova and Cullion. There are design niches for which this piece of fun will be just ideal...Enjoy!

In seeking a strong, utilitarian gothic alternative for Helvetica, we're left with few options for unobtrusive functionalism. As such, we decided to create the Citarella Gothic family. The ligatures are characteristic of the signage and architecture around Sarno, where the Citarella family originates. The sweeping arcs, broad counters, and clean swashes allow for the architectural design to be imbued with the warmth and humanity of its namesake.

The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly face that’s sure to please. Both versions of this font contain complete Latin 1252 and Central European 1250 character sets.

Alphonse Mucha is a decorative display font in the Art Nouveau style which originated over a century ago. The font is extrapolated from just nine capital letters in Mucha's 1913 concert poster for the cellist Zdeňka Černý. Letters and numerals are consistently top-heavy, imbuing text with a graceful uniformity and evenness of type color. A full repertoire of Latin Extended-A characters is contained within the font.

Palatino Arabic is a collaboration between Lebanese designer Nadine Chahine and Prof. Hermann Zapf. The design is based on the Al-Ahram typeface designed by Zapf in 1956 but reworked and modified to fit the Palatino nova family. The design is Naskh in style but with a strong influence of the Thuluth style as well. This is evident in the swash-like finials and the wide proportions of the letterforms. It is designed for use in print in both large and small sizes. The counters are wide open to allow for better readability in small sizes as well as to maintain an open and friendly appearance. The font has 1091 glyphs and includes a large number of extra ligatures and stylistic alternates as well as the basic Latin part of Palatino nova and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Palatino Arabic wins Type Directors Club award. Each year, the New York-based Type Directors Club judges typeface designs from all over the world in their TDC2 contest. Linotype is pleased to announce that a very new typeface of its own is among 2008’s winners: Palatino Arabic. A collaboration between Nadine Chahine and Prof. Hermann Zapf, this face is an extension of Zapf’s Al-Ahram Arabic type from 1956 recreated to join the Palatino nova family.

Say hello to Glary Tropic, the top choice for stunning, tropical-inspired designs. With boldness and strength imbued in every accent, this font brings a bold touch that immediately steals the show. Glary Tropic's bold style brings strong and eye-catching design elements. Filled with a fun tropical feel, each letter creates a fresh, vibrant atmosphere, perfect for projects that require exceptional visual appeal. This font is designed to provide maximum clarity and impact. With a strong tropical theme, Glary Tropic will be the perfect choice for posters, announcements, branding designs, or other creative projects that require a fresh and dynamic touch. Enhance your creativity and create unforgettable designs with Glary Tropic. With strength and uniqueness in every accent, this font will be an undeniable choice to take your design projects to the next level.

Lining up on the start line is Resistenza’s DreamTeam! This fit font’s long limbs, nimble movement and shifting weight make the multiline-display (inspired by bestseller Afrobeat ) perfect to grab attention on signage, print advertising and editorial applications like book covers. DreamTeam’s distinctive forms also make it ideal for branding applications and obviously with its directional movement and the suggested speed DreamTeam’s 4 styles would be DreamSolutions on athleisure apparel and clothing lines. Check out also “Voguing” & “Afrobeat”

Introducing Galdien – Modern Sans Serif Font A Contemporary Typeface Galdien – Modern Sans Serif Font is, without a doubt, a testament to contemporary design simplicity and elegance. It seamlessly blends modernity with readability. Clean and Versatile Furthermore, Galdien’s clean lines and uncluttered appearance make it an extraordinarily versatile choice for a wide range of design applications. Its simplicity ensures it doesn’t overpower your message, making it a font suitable for various projects. Readability at its Core At its core, Galdien prioritizes readability. Each character is thoughtfully crafted to ensure clarity in both print and digital formats. This font’s legibility is especially essential for conveying your message effectively and effortlessly. Ideal for Modern Branding Additionally, Galdien is perfectly suited for modern branding initiatives. Its clean and sleek aesthetic aligns seamlessly with contemporary brand identities, offering a cohesive and professional look that resonates with today’s audience. In Conclusion Galdien – Modern Sans Serif Font is your unwavering companion for modern design endeavors. Its simplicity, versatility, and readability, combined with its adaptability to various media, make it an excellent choice for diverse projects. With Galdien, your message is not only communicated with clarity and style but also imbued with a contemporary touch that captivates your audience and leaves a lasting impression.

Modica Pro is here to expand upon the success and versatility of the original Modica typeface (2019). Modica has been compressed, condensed, narrowed, widened, and extended to a mega-family of 108 fonts that now includes small caps as well as additional language coverage. Modica Pro is a nimble typeface that can handle a multitude of applications – everything from body copy to retail fashion to corporate identities... why not put Modica Pro to task today? There are 108 fonts in this family, ranging from Hairline to Ultra weights across six widths in both roman and italic. A single variable font (included with the full family) covers all weights, widths, and italic angle with every increment in between to suit whatever style you prefer. Modica Pro has a character set that covers all Latin European languages. Key features: 1 Variable Font 9 Weights in Roman and Italic 6 Widths Small Caps Full European character set (Latin only) 650+ glyphs per font.