The hand-lettered movie titles from one of the William Powell-Myrna Loy "Thin Man" series of films was the basis for Intrigue JNL. Although the lettering style is decidedly from the Art Deco era, it also bears a strong resemblance to the 1980s techno movement; this font being adaptable to any era or design theme.

"Hola Easter" is a special Easter display font. This font is very unique with the rabbit ears character on the letters. Equipped with uppercase letters, lowercase letters, uppercase rabbit ears characters, lowercase rabbit ears characters, numerals, punctuations, multilingual support. This font has been specially designed, making it easy to use. The procedure for using fonts is found in the 6th preview.

Adrenalin font for the most daring and uncompromising projects. Rock, extreme, drive, fear. Based on the famous series.

Elsinor JNL brings the cold stark reality of the future, technology and science to a computer near you...

Inspired by pointed pen calligraphy and modulated sans serif typefaces used for advertising in the 1920´s, Bologna is a high contrasted sans serif with a modern and fashionable look. Bologna comes in three weights: Regular, Bold and Black. The Regular and Bold weights are, despite of their high contrast, also build for body texts. Whereas Bologna Black, with a more expressive look and sharp angles, is specially designed for large and striking headlines, packaging or identities. Overview: 3 weights - Regular, Bold, Black Regular/Bold: 657 Glyphs Black: 871 Glyphs Lining, tabular and old style figures Ligatures: fl, fi, ff, ffi ffl, Unicase Letters: a, e, m, n, r Alternative Guillemets Case Sensitive Arrows Bologna Black: hairline accents and interpunctations Fractions Extended Language Support Stylistic Sets: ss01 = Alternative Guillemets / Alternative y ss02 = Unicase glyphs ss03 = Numerals in circle ss04 = Numerals in black circle ss05 = Hairline Accents and Interpunctations (Bologna Black)

Because all good things can get better. Texta was born in 2014, a collaborative project of the study of humanist models from Edward Johnston to Adrian Frutiger. Texta Pro is a contemporary and rational sans, almost invisible, but not quite. It is a workhorse for any type of project. New design of symbols such as Section, Partialdiff, Dagger, approxequal, among others. Expansion of monetary signs (Bitcoin, Peso, Franc, etc.) Basic ligatures fi, fl. Includes Cyrillic. Added set of small caps for Latin, Cyrillic, numbers, punctuation and monetary. Increased set of monetary and mathematical symbols. Set of 983 glyphs, 487 more glyphs than the update. New ligatures ff, ffi, ffl, It has two stylistic sets, ss01 and ss02 (tails). Set of numbers with versions: higher, lower, denominators, numbered, old, modern and tabular for the last two cases. New fractions added. Set of case sensitive signs.

The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 1940–1956 by the group of designers under Anatoly Schukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. So no wonder that it was digitized quite early, in the first half of 1990s. Until recently, Journal Sans consisted of three faces and retained all the problems of early digitization, such as inaccurate curves or side-bearings copied straight from metal-type version. The years of 2013 and 2014 made «irregular» geometric sans-serifs trendy, and that fact affected Journal Sans. In the old version curves were corrected and the character set was expanded by Olexa Volochay. In the new release, besides minor improvements, a substantial work has been carried out to make the old typeface work better in digital typography and contemporary design practice. Maria Selezeneva significantly worked over the design of some glyphs, expanded the character set, added some alternatives, completely changed the side-bearings and kerning. Also, the Journal Sans New has several new faces, such as true italic (the older font had slanted version for the italic), an Inline face based on the Bold, and the Display face with proportions close to the original Erbar Grotesk. The new version of Journal Sans, while keeping all peculiarities and the industrial spirit of 1920s-1950s, is indeed fully adapted to the modern digital reality. It can be useful either for bringing historical spirit into design or for modern and trendy typography, both in print and on screen. Designed by Maria Selezeneva with the participation of Alexandra Korolkova. Released by ParaType in 2014.

Way back in 1996, three student letterers went into the forest looking for the mysterious fonts used to letter Spawn: Blood & Shadows. They never returned. A year later, these fonts were found. And now, over 20 years later, we've updated Wiccan with separate Regular & Bold Special weights, Central Europe & Cyrillic characters, automatically cycling alternate letters and fan-favorite Crossbar I Technology!

Heares Street - Brush Font inspired by urban fonts with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Heares Street came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate

Having spent all of my teenage years in the 90s, it's no surprise that this very particular decade resonates so deeply in me. As a graphic designer, I still think the strongest visual languages of the last 50 years or so come from that time. Bold aggressive attitude is what most people remember from those designs. What they seem to forget—or, rather, to have completely ignored—is that some incredibly elegant and subtle styles emerged from those years. It still amazes me how they reflected so well the period in which they were conceived, taking style construction to the next level. Riff is a natural development of some of my thoughts about the 90s. Mixed with a very contemporary feel, it embodies several idiosyncrasies I absorbed over years of exposure to favorite design pieces, fonts, music, films and other cultural products that share the same spirit.

Authentic and historical Brazilian lettering typeface from early Portuguese community newspapers on Brazil; first years of the 20th Century.

For the creation of this font I was inspired by the old fonts created not one hundred years ago.

A collection of 174 holiday icons and cuts for New Years, Valentines Day, Presidents Day and St Patricks Day.

Crack open another coconut! With Bamboo, you can almost hear the waves and feel the warm tropical island breeze.

Based on Lucien Bernhard’s idiosyncratic Schoenschrift, Liberty was designed for ATF two years later, in 1927, by W.T. Sniffin.

Wobbly Boot is the font you use when you need that lipstick-on-the-mirror horror movie vibe. Beware.

Hand-drawn by my 10-year-old daughter, this font comes in 4 whimsical styles- chunky, 3D, regular, and outline.

Gyanko is one of a kind display font. With tight and equal side bearing, bold weight, and rhyme! It comes with Regular and Stencil version. Use it with tight space for the best result. Of course it's support multilingual. I also add some alternate, so you can have more option when you using the interlock feature. Have fun with Gyanko!

This family of fonts was created to resemble a hand written style. It is loosely based on several sources, including that of the designer. There are unique ligatures, readily found in Keystrokes on the Macintosh platform: fr, ff, ffl, ss, tr, Th.

Quota is an investigation into the modularity of the Cyrillic alphabet. Unlike Latin and Greek, the Cyrillic alphabet owes much of its form to its development in early industrious printing and movable type. This lead the Cyrillic alphabet to be dominated by hard edge and straight lines, giving it a much more modular overall construction. The forms within the Cyrillic alphabet therefor allow for all the characters themselves to have somewhat unified side bearings without compromising ease of reading. Within Quota the default character set has only unified side bearing, giving a more relaxed mono-spaced appearance. While the first stylistic set unifies the entire character set with the same character width, creating a true mono-spaced typeface. Quota was initially designed in Cyrillic, catering to all languages using the alphabet. While the Latin was designed after, and is loosely based of the forms present within the Cyrillic alphabet.

Starting the new year with a new font. We present something different. The font this time has a straight-line theme. This font is inspired by the lamp style of the past few years. Elongated incandescent lamp. We combine aesthetic and elegant styles in the preview. Actually suitable also for styles in neon form. But we're taking a little dive into the style of today's design trends.

Did you ever get lyrics from a song wrong? And maybe found out years and years later, that is was wrong...but the wrong lyrics get stuck, even though you know that they are wrong! :) Misheard Lyrics is a font that most likely gets stuck in your design, because it has that bouncy and random look that makes your text come alive - without overdoing it!

The land of beauteous angels, Andalucia, connects different cultures with a curved arch. Almond trees bloom there in February, and orange trees grow in the heavenly courtyards of Gothic churches. A Catholic cathedral stands in a mosque, Moorish fountains gush with water, and ornate arcades are reflected in the mirrors of the Alhambra pools. Fishing villages have long been busy with tourism, but there are remote pubs where only locals go for fresh fish. Beer is served in wine glasses, and with each one you get a piece of cheese, shrimp, or a few slices of specially smoked ham, sitting on the bar counter. Here, in the off-season, it is possible to gaze into the distance towards the African shores and sketch watercolors for the diary completely undisturbed.

BILLIARD was born from the numerous sketches André Toet did for the design of a series of postage stamps in 2011. It’s a capital monospaced and ‘fun’ alphabet, based on the classic billiard play with two white and one red ball. Actually snooker and pool were derived from this rather old sport! In Europe it used to be a sport played by elderly people, practiced in traditional bars, including the smell of beer and the at that time prevalent smell of cigarettes and cigars. These days billiard, snooker and pool are quite popular once again with young people. Hopefully our new font will get the same attention the ‘old sport’ deserves and who knows it might even be used in a sportive way. Concept/Art Direction/Design: André Toet © 2017

Here you have the FG Well well font who's a scribbling man in the 40+ years who's in a terrible rush.

It isn’t very beautiful, very badly written, but it’s cheap. C'est pas bien beau, très mal écrit, mais c'est pas cher.

Boom. You asked for more, um, well just ‘more’—more swashes, more options, more weights, more of everything. I cannot give you more weights. The design just won’t allow it and anything else would be a compromise or a bastardization of the exemplars just to make money that I am unwilling to do. But, I did give you an overly indulgent, 90% cacao bar and espresso, Lust Script Fine. The ending strokes on these glyphs will literally draw blood. Enjoy it as much as I have. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

For over 30 years, Tomás Vellvé created beautiful graphics and distinctive typefaces in his native homeland of Spain. First drawn as a phototype display design in 1971, Vellvé’s only typeface in digital form is an uncommon solution to the problem of creating a new sans serif design. The end result, which bears his name, is a design that stands out from the crowd of other sans serif typefaces. The phototype version was only available in a single, light weight. With the release of the digital fonts, however, three additional weights as well as a companion italic for the light weight were created.The typeface designs were originally drawn for Agfa Monotype (now Monotype Imaging) in 1996 as part of the company’s “Creative Alliance” initiative. Through an exclusive licensing arrangement, the Vellvé™ family has now been added to the ITC Typeface Library.ITC Vellvé is a wide design with strong calligraphic overtones. This is no “anonymous” design like so many modern sans. Letters like the `R, `e and `s clearly show the hand of Tomás Vellvé in the design process. Vellvé provides a fresh choice between geometric sans serifs such as Helvetica® and industrial sans serifs like Futura®.

Brouwerij means Brewery in Dutch. I just liked the name and it seemed to fit the font quite well. As for me, believe it or not, I’m not a beer drinker! I can’t understand why people go nuts when the word beer is mentioned. Like it is something special (after all, it is the third most consumed beverage after water and tea). Like you are not a man when you don’t drink beer! Brouwerij is a pleasant all caps font that comes with interesting swashes for the upper class letters. You can (obviously) use it to promote your home made brew, but any other drink can use a bit of Brouwerij as well.

Here's another stencil font designed from and inspired by the lettering guides used for years by teachers, school children, merchants and others.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.