Modon is a bold condensed display Arabic and Latin typeface that has a very particular appearance. It combines the characteristics of different genres, While its design is influenced by Kufic and the Naskh style. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

Budrick BB is a slick, clean body copy font family that's just a bit rounded. It is available in four weights: Regular, Italic, Bold, and Bold Italic. (And those Italics have some slightly different letter forms than the plain versions!) To top it all off, Budrick BB has a hefty collection of European characters.

Glinde is a bold serif font with extra ligature. It was design to be a versatile display font. Perfect for your instagram post title, headline on your cover magazine, and yes in your wedding invitation project also. A bold serif with neat ligature, plus some alternate and stylistic, ready to escalate your next project.

Ataxia was designed to be used in long texts such as books and magazines. The font has the weights regular, bold, italic and bold italic as well as ligatures, small caps, oldstyle numbers and support for many languages (unfortunately not German: ß is missing, lower quotes ‚wrong‘ and „missing“), with more than 500 glyphs.

Modern sans serif font that is out of this world. A strong balance between strong pointed corners and smooth curves, Perfect for all purposes but especially for headlines. With 8 Variant to choose : Light, Light Italic, Regular, Italic, Rounded, Shadow, Bold and Bold Italic. This font also includes alternative glyphs, ligatures and multilingual support.

Boston Skyline is a carefully hand-crafted duo of premium Sans & Script fonts, designed to create a bold, authentic, and timeless lettering combination. The contrasting yet complimentary strong sans and free-flowing script lend themselves perfectly as primary and secondary fonts for logo designs, product packaging, eye catching quotes and display text. Here’s what’s included in this product: Boston Skyline Rough • A hand drawn script font with authentic textures built-in. Contains upper & lowercase characters, all punctuation and numerals. Boston Skyline Rough Alt • This is a second version of Boston Skyline Rough, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Boston Skyline Sans Rough • A bold Sans font with a built-in rough 'letterpress' texture. Contains uppercase characters, all punctuation and numerals. Boston Skyline Swashes • This font contains 26 swashes, perfect for underlining your script text and adding some extra custom flair. Simply install this font separately and type any a-z character when using this font to generate a swash. Clean Versions • Are included for all fonts with textures completely removed and edges smoothed. Language Support; All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian

Fushar is a bold comic color font family which comes in 5 layer-styles easy to compose in a multicolor manner and 3 OpenType-SVG color styles to make the work faster and easier. Character set covers Latin alphabet of European languages, Vietnamese and Pinyin with standard ligatures, digits, punctuation, currencies and other symbols - the total of 555 glyphs. The idea came from a custom logotype I made several years ago for a local charity organisation that helps children. The logotype was based on bold letters with light that make the "balloon" effect visible in "Holes" style. Later I expanded the family with "Cuts" and all the derivative fonts that make the whole color family. The purpose was to create a funny, friendly and playful script that would embrace the beauty of the Arabic script which is available in Fushar Arabic. The Latin character set is a useful addition and is available in multilingual bundles. Solid, Cuts and Holes are classic one-color styles which can be used separately to compose a simple text. With Shadows and Lights they can produce a multicolour design, as shown on the images above. To save the time, there are three already prepared combinations in the new OpenType-SVG color format. The features include contextual alternates, standard ligatures, fractions, ordinals, case-sensitive forms, proper mark attachment, superscript (1, 2, 3) & localizations.

Captain Tall Ship is the clean version of Captain Tall Shipwreck. The font can be used in many project themes, from birthday party invitations to beer labels. The font could be potentially used is a number of design themes including bars, pubs, pirate, navy, seafarer, alcohol products, western/cowboy, card game/gambling, biker gang, tattoos, emblems and crests, old military & hunting to name a few.

HOKKIEN is an all caps sister to my other font Penang. It was inspired by some old pieces of Art Deco signage I had discovered in Penang Malaysia, The font is available in one weight for now. The font is loaded with plenty of foreign extras and currency symbols. I have also included an alternate cap S which works better visually in blocks of copy.

Based on William Caslon’s design (c1720) which was itself based on Dutch Baroque typefaces. The old saying “when in doubt, use Caslon.” can now be updated ... “use RM Almanack instead!” Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Selene is a sans-serif font family designed by Leonardo Di Lena. The font is based on geometric forms with as few improving legibility optical corrections as possible. If you need a minimalist font, technical but friendly and elegant, this is your choice. There are glyphs for all languages ​​with Latin, Greek and Cyrillic alphabets, all the basic ligatures, old style numerals and alternates.

Moritza Script is a calligraphy script font that comes with a very beautiful character change, a kind of classic decorative copper script with a modern touch, designed with high detail, it took time since July 2019 - September 2020 to present an elegant style. Moritza Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose. Moritza Script including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. Moritza Script is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have questions, please let me know. I'm happy to help. Thanks & Happy Designing! New Update • Moritza Script! Moritza has now been updated to include 3 styles; bold version, regular & italic version. This gives you the option to completely change your font style with the click of the mouse, whether you're looking for a smoother style, a bold version, or an italic finish. And don't forget the elegant touch of ornament.

Lightmoon is an elegant and sleek script font, perfect for exquisite projects that need an authentic look! Add it to your most creative ideas, and notice how it makes them come alive!

Intense Horror is a cute and casual display font with a Halloween theme. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Akastar is a gorgeous handwritten font that impresses through its natural and elegant style. Add it to your most creative ideas, and notice how it transforms them into authentic pieces of art!

Olimate is a cool, summer inspired decorative font, featuring characters made entirely out of tiny splashes. Add this font to your most creative ideas, and notice how it makes them stand out!

Hi Designers. Everyone will try these soft and sweet typography at least once. All the angles and sharpness are transformed with soft and smooth. Each of these 18 styles has a unique personality and can be combined to showcase the designer's emotion more smoothly. Here is the advantage of being able to stay new without being bored. Of course, it can also be used in typography design for kids. And these soft styles include the following Ligatures. - La, Le, Lo, da, de, do, fi, fl, me, mo, mu, ne, no, nu, ta, te, th, to, tt

Fresno is a two-font family. Fresno Inline and Fresno Black. Fresno Black is a recent addition. It can be used alone, and it is carefully tailored to fit behind the Inline font to add color to the inline. There are alternate characters: A, M & N in the caps and lowercase key positions. Fresno is a square gothic style typical of Mid-20th Century Showcard Lettering. A lettering genre known as “Gaspipe.” Signage samples similar to this still exist on buildings in my home town, Oakland, California. I have designed over a half dozen variations of this form over the years. Including Amboy. Golden Gate Initials, Matinee, Motel, and Hotel. Designed in 2001 by Jim Parkinson, Fresno has recently been refreshed, enhanced, and re-released.

Earlier this year, my eyes fell upon a discarded wedding invitation on the sidewalk. A closer look at it revealed that it had at one point been victimized by rain. Some of the fancy script letters were not quite broken, but sort of melted and run-down, while the rest were still somewhat intact. That's how Scroll was conceived, as an idea for a script where thicks and thins blend to produce a wet appearance. Unlike most available broken scripts, the Scroll script was originally drawn in its own juiced context, and not based on any existing script. This font is great for atmospheric antiquity, deep natural poetry, still life captioning, gothic music posters and collateral, or horror literature and poetry covers.

Amboy is a two-font family. Amboy Inline and Amboy Black. Amboy Black is a recent addition. It can be used alone, but it is carefully tailored to fit behind the Inline font to add color to the inline. There are alternate characters: A, M & N in the caps and lowercase key positions. Amboy is a square gothic style typical of Mid-20th Century Showcard Lettering. A lettering genre known as “Gaspipe.” Signage samples similar to this still exist on buildings in my home town, Oakland, California. I have designed over a half dozen variations of this form over the years. Including Golden Gate Initials, Matinee, Motel, Hotel and Fresno. Designed in 2001 by Jim Parkinson, Amboy has been refreshed, enhanced, and re-released.

ITC Coventry is the work of American designer Brian Sooy. ITC Coventry is what type would look like if you left a gothic font out in the rain. IF you look close, you'll see the roots of a handsome sans serif font buried under a layer of grime and rust, basically." The low-budget student flyers that Sooy saw in the Coventry section of Cleveland Heights, Ohio, inspired him to design this font and the result is a typeface which looks as though it has been faxed or photocopied many times. "While it looks very irregular in text, it's very carefully spaced to give that effect," says Sooy. ITC Coventry was designed to work just as well in text as in headlines or even on billboards."

Alhazed – Halloween Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Alhazed with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted. More importantly, don’t hesitate to send a message if you have a problem or question.

Umbero is an experimental geometric blackletter. Umbero was inspired by modern street art (by artists like Pokras Lampas, RETNA, etc.), gothic script and constructivism. It has an ornate and twitchy structure: you can not find two similar letters. Capital letters have even more complex structure, then lowercase, to the extent that you can even use them as initial letters with a different, more calm font if you want to achieve a medieval stylization in a contemporary way. Get Umbero if you need something extra for your design. Or vice versa use it as a starting point of your work. It’s a perfect choice for the mystic or contemporary logos, headlines, oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc.

Pasquinade is a blackletter/roman hybrid. The general look, feel and graphical styling of Pasquinade is that of a blackletter font, however, the underlying letter construction is of a traditional serifed roman. This produces a font with that familiar 'gothic' feel but has the inherent legibility of a roman, due, in part, to the discrete openness of the characters. The presence of roman serifs also lends to this legibility without detracting from the blackletter appearence because of their particular construction. When used in a text setting the font produces an eminently readable, even texture. However, it is when used as a titling font, that the letters reveal themselves to have a contemporary, geometrically calligraphic, blackletter appearance that makes it suitable for any and all uses.

Manhattan was designed in 1970 for ITC by Tom Carnase, who also created Avant Garde Gothic. The distinguishing characteristic of this designer's work is found in the emphasis on the thick-thin constrast. In this case, Carnase approached the border of the impossible. The heavy vertical strokes stand opposite the finest of lines and the thick columns dominate the overall look. The basic forms are strictly constructed, as are those of Morris F. Benton's Broadway of 1925, to which many parallels can be found. Manhattan is best used for applications which will not be placed too far from the viewer, as at too great a distance the fine lines can no longer be seen. It should be used exclusively for headlines in medium point sizes.

Gaudeamus is a Cyrillic face of medieval Gothic textura inspired of incunabulum artworks. Recommended for a historical and cultural context, but it goes well beyond. Suitable for music, books, fashion, catering, packaging and more. Works for long paragraphs and short sentences. Features: — 7 Stylistic sets; two of which are text preformats to the commons of the Middle Ages and Early Modern historical periods. — Sets of Ordinal and Superscript characters for French, Portuguese, Spanish typesetting. — Localized letterforms for Bulgarian and Serbian. — Localized diacritics for Polish and Romanian. — Support typesetting in Russian pre-reform orthography. — Support typesetting in Middle English orthography. — Case sensitive characters for greater consistency with uppercase letters. — Set of Roman Numerals. — Standard and Discretional ligatures. — 530 glyphs; 40 languages support.

Poblano is a masterfully designed flared typeface, inspired by Gothic Tuscan that incorporates an aura of modern fun and classic southwest whimsy. With serifs that embody the beautiful, natural curve of the Poblano Pepper, it captures the pepper’s essence and attitude of having the perfect amount of piquant heat. Perfectly suited for menus, headlines, and logos, Poblano will be the ideal garnish to complete and elevate your food, rustic, grunge and hipster themed designs. The Poblano menu includes: • A range of styles from elegantly thin to boastful black • Over 400 glyphs per weight • More than 50 stylistic alternatives • Upper and lowercase characters • Uniquely stylized to elevate your design and add that finishing touch This is the ultimate niche solution to both display and functional Tuscan serif fonts.

The Parliament typeface was designed by Jonathan Hoefler beginning in 1995. A burlesque typeface in the Regency Blackletter style, Parliament was inspired by the ‘Four-line Pica Black No. 1’ typeface of William Caslon Jr (1821), whose enigmatic design for the letters E, G, I, N, V and Y hinted at a broader ambition to modernize the arcane shapes of the gothic alphabet’s capital letters. Parliament completes this project for the first time by including two sets of alphabets, one archaic and one modern, along with a third set of ‘small caps’ that restores to the blackletter the versatility of Roman type. Parliament was first used for the 1998 ATypI Conference in Lyon, and was published by Hoefler&Co in 2022.

Joaquin Imperial – Blackletter Typeface Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Joaquin Imperial with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted. More importantly, don’t hesitate to send a message if you have a problem or question.

Ramadhan Amazing is Arabic-style font. Designed with digital flat pen and gothic typography technique that gives the letters an elegant look. Equipped with an Arabic character display. This font is very useful for designing all kinds of graphic designs related to Islamic Content. Ramadhan Amazing font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyers, posters, book covers, advertising, etc. What's Included? - Open support type - Multilingual support - PUA encoded - Features: uppercase, lowercase, numbers, punctuation, multilingual, alternative, and stylish set. - Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic - Alternative in OpenType menu Adobe Photoshop, Adobe InDesign, Corel Draw, even works in Microsoft Word Please message me if you have any questions. We are happy to help you.

Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003). During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted. These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms. The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics. Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.

Film Noir JNL is a classic Art Deco Alphabet from the brush of the late master sign painter Alf R. Becker, and appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Yard Goods JNL is another typeface derived from a sign making outfit consisting of a series of stencils manufactured by the Display Material Company of St. Paul Minnesota. This clean and casual sans design embodies the hand-lettering of 1920s and 30s era show cards, price tickets and display signs.

Choco is a new upright script family designed by Andrei Robu. It has four different weights with lots of alternate characters which makes this typeface perfect for logotypes and cool packaging.

This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.