An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches. With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and open. The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system. Perfect for brochures and magazines.

Inspired by classic sport logo lock-ups, Bandbox delivers with its heavy, streaming cursive letterforms. Bandbox's wide, gently-sloped script comes bundled with a collection of ligatures and 18 athletic swash banners, perfect for logotype, posters and t-shirt designs. Here's what's included in the single-weight typeface Bandbox: Upper (A-Z) and lower case (a-z) characters Numbers (0-9) Standard punctuation and glyphs Alternates, Ligatures and Swashes Multilingual support

The idea about Phenotype was to achieve a unique visual effect by touching serifs. Characters form ligatures, but every combination looks different. Touching serifs form connecting character images, e.g. like logotypes on old refrigerators or oldtimer cars, something like the fonts of Leslie Carbarga. The design idea is based on monospaced and heavy serif fonts like Courier, Isonorm Memphis or Rockwell. However, obviously, Phenotype is not a monospaced typeface.

Originally released by the Stephenson Blake foundry in England, Doric is modeled on one of the sans serifs of William Caslon IV, who was the first to interpret sans serif letterforms into a typeface (1816). Doric Bold has large, heavy capitals with uniform letter widths. It is often used for classified advertising in newspapers because these qualities coupled with a large x-height allow greater legibility at small point sizes.

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

Quache is a flexible sans-serif, created by Måns Grebäck between 2018 and 2020. It has unique, stylish curvatures and is clear, legible and sharp with open letter forms. The font family consists of six weights and four widths, totaling in 28 main styles: Thin, Light, Regular, Bold, Black, Heavy and Condensed, Normal, Expanded, ExtraExpanded It supports Latin-based languages, and contains numbers and all symbols you'll ever need.

Essay was born from an afternoon in Berlin in September 2013, looking at old book covers. Inspired by Herb Lubalin, Athletics & Rock music. Its details relate with speed & punk styles but keeping the main structure intact. Works perfectly as main/bold typography combined with some serif typefaces. - More than 250 Glyphs - Full Accented Character Set - Numbers + Punctuation Marks - International Characters - 8 Different Styles (Normal, Display, Poster, Poster Heavy, and Oblique versions)

Alphonse Mucha is a decorative display font in the Art Nouveau style which originated over a century ago. The font is extrapolated from just nine capital letters in Mucha's 1913 concert poster for the cellist Zdeňka Černý. Letters and numerals are consistently top-heavy, imbuing text with a graceful uniformity and evenness of type color. A full repertoire of Latin Extended-A characters is contained within the font.

Darkloard is inspired by the old-fashioned era. The Darkloard font is a heavy-weight semi-serif font from the vintage style. Four varieties are available: Regular, Stamp, Spurs, and Spurs Stamp. The use of this font results in carefully-crafted styles. Darkloard font is ideal for branding projects, posters, or packaging that need a vintage feel. Features: Uppercase & Lowercase Numerals & Punctuation Multilanguage Supports 60+ Latin based languages Alternates and Ligatures

Conquera is an extended caps-only font in five weights plus an inline. It is refined and masculine without being heavy-handed - the angled stokes and pointed vertices lend it a stylish, upmarket Moderne poise. Suitable for man's grooming products, supercar showroom brochures, high-end developments, space vehicles and home technology. Letterspacing at small sizes adds extra sophistication. Includes an alternative A with a triangular crossbar and full international character set.

Dociel playful display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Dociel playful display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Dociel playful display font.

Houseplants are commonly grown for decorative purposes, positive psychological effects, keeping fresh or health reasons such as indoor air purification. Actually, just like this font has a positive effect on your artwork! This font comes with a heavy load of diacritics! On top of that, it has contextual alternates, which means your text cycles through 6 different versions of each letter! Hard to tell that this is actually a font!

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

Note: Neue Aachen is an updated and expanded version of Aachen featuring 18 fonts! The Aachen™ typeface design is a thick slab serif created by Alan Meeks at Letraset, type directed by Colin Brignall. Aachen only comes in two weights: medium and bold. This strong typeface features sharp outlines, stubby serifs and heavy strokes for use in headlines, posters, signage, apparel and other display uses (24 point size and above).

Faber Serif is the Roman typeface which was born out of the sans serif design Faber Sans. The pro­portions are nearly identical to those of Faber Sans. In comparison, Faber Serif has heavy — although very short — serifs. The character of contrasting strokes is not very pronounced; therefore, this font is closely related to the first Roman typefaces from the 15th century. Faber Serif perfectly matches with Faber Sans!

A flat pen script font face with a fairly elegant look to it. The design of this script was intended to be used anywhere a well legible script is called for. A heavy stout script is the perfect display face which has a 30s and 40s flair that will add class. Suitable for applications such as captions, fashion headlines, packaging, invitations, cards, posters, ads, book jackets and covers.

Blippo Black with its constructed style is a typical headline typeface. Its robust figures with their even strokes were composed using the basic forms of the circle and rectangle. Its curves are often not completely closed. The figures of Blippo Black form dark, heavy lines, making the typeface suitable only in middle and larger point sizes. Blippo Black will make an impression when used for flyers and correspondence.

PiS Lietz Parilon invites you to the austrian countryside for an amazing ski-tour on snowy mountains back then when skilifts were sparse and mustaches were far from ironic. Use this heavy fraktur for retro tourism posters, your classic beer or schnaps brand or anything that needs a good swig of tradition! Heat up the Jagatee and enjoy the earthy taste of PiS Lietz Parilon, it will warm your heart!

Tulippia is a super contrast font that was inspired by the beautiful shape of tulips. It has very thick strokes, but also has the elegance of curves. Using this font can give you a unique contrast effect along with visual impact. Tulippia is suitable for various types of design work such as branding, poster design, and editorial design, and comes in two weights: Regular and Heavy as display fonts.

Macbeth is a heavy, condensed Art Deco-style typeface from Linotype. Macbeth includes some particularly noteworthy diagonal elements -- these enliven the design and give typeface its overall character. Macbeth should be used for music-oriented applications, or anything that is both reminiscent of the early 20th Century and a bit spooky. The letters in Macbeth are quite similar to display style found on Frankenstein posters, and those of other early films.

Cluchy playful display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Cluchy playful display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Cluchy playful display font.

Tilda is a sans serif typeface with big potential. It’s gonna be your daily font, because it perfectly fits to different tasks. Tilda is good as long text but also cool as eye-catch title. This font can be like human ages: childhood, adolescence, youth, adulthood and maturity: stylish THIN, fancy LIGHT, great REGULAR, golden BOLD, brilliant HEAVY And beautiful Isabella Bersellini created illustrations, say her hello! http://www.isabellabersellini.com

Uplink is decorative upright lettering with heavy calligraphic influences and clear friendly forms. Alternate forms with artificial "tail" connections, swashing their way from one letter across the vertical stroke of the next, add an unusual yet distinctly human detail to the forms that shape the words. Uplink's reserved humor can be a little tolerant of mechanical abuses like shearing or stretching, which makes it ideal for food product packaging design.

Good for typography, good for close paragraphs, good for titles logo, markers, use with numbers, Capitals and Cases. use Special symbols as design elements. One can be used for others. Good for closed groups. Limbos, good to go with Serif, Sans serif or old english. use it with variety and any design light or heavy. the weight is black, so it wont matter. hope you enjoy the font and use it.

BOXDON is an extra heavy expanded typeface which was especially designed for VERTICAL layout. Each shape looks like a box and has minimum graphical treatment to distinguish each character. It means that the counter space is not enough to use this typeface for small font sizes, however, for titles this typeface should give incredible effects. I highly recommend using it with software that is compatible with vertical layout. (e.g. Adobe illustrator)

Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like 'Unicorn', where able to utilize these unique fonts. The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998. Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC. 'BottleKaps' is a 'unique', 'playful' and 'decorative' font series. Use it for those bold headlines to stimulate interest and show off your 'unique' individual style.

This font is a late 19th Century French script overview inspired by numerous French letters, from around years 1850-1860, during the second French empire, under Napoleon the third. Most of them were written with very tiny characters on light sheets of paper, as postage prices were calculated from the letter's weight. The TTF and OTF versions are enriched with more than 50 ligatures and/or alternate characters. We also offer a choice of two sorts of Capitals. Why "1859 Solferino"? It was the last battle of the Italian independence war, opposing the victorious Franco-Italian army to Austria in June 24, 1859. The Red Cross was inspired directly from the carnage remaining on the battle field.

Novecento Carved is a layered font family. It is designed to be paired with the 2013 version of Novecento Sans , used as base layer. Each glyph of each style of Novecento Carved (around 18.000) was manually reviewed and adjusted to overcome the limitations of an automatic interpolation algorithm. The minimalism of its construction makes it super easy to achieve a bas-relief or engraving effect just switching luminosity values among the two layers (carved and sans). Novecento Carved was selected and displaying on Typodarium 2018, the 18th of June. Webfont usage: to make Novecento Sans and Carved to align properly, please apply these settings when generating your webfonts: Hinting = native; Line Height Adjustments = native.

Helixa is a neo-grotesque typeface with a clean & modern design and an enduring appearance. This is a perfect choice for creating logotypes, branding, headlines, corporate identities, and marketing materials for web, digital & print alike. The typeface will be a great option for branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities and editorial design. Adding extra letter spacing will make this font the perfect choice for minimal headlines and logotypes, as shown in the promo designs attached. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support with Western European, Central European and South Eastern European sets. A total of 300 glyphs are available. Helixa typeface includes 12 fonts in total, with seven upright weights (Thin / Light / Book / Regular / Bold / Heavy) and Italic equivalents of all six weights.

After releasing the Rumble Brave font with a vintage elegant style successful in the market. Now we are launching a vintage font that is plump, looks fat, strong, heavy but still elegant and unique. "Braton Composer typeface" falls into the bold serif font category, but it also has italic options. This impression is perfect for design that has a firm and elegant concept. Braton Composer typeface is very worthy of your collection, because Braton Composer is very unique when combined with swash and alternative of the character options. In addition to "Braton Composer Regular" also has 2 other styles, namely "Braton Composer Rough"and "Braton Composor Stamp Rough". Braton Composer Typeface is perfect for beverage label design project. coffee label. logotype design, badges, classic wedding concept. victorian design concept and so on. gig poster, letterhead, droop cap, titles, and any artworks.

Conthey Inline™ is your new retro-display best friend! The one and only, unique IN-AND-OUT typeface with strong personality and outstanding flexibility. This display sans features amazing variable fonts letting you adjust not only width of the letters, but also let you fluently transition from thin inline styles to thin outline ones. This mechanics opens a world full of layering possibilities as well as a great fine-tuning ability. The family consists of 39 OpenType fonts - 18 pure inline/outline styles in 3 widths (Narrow, Condensed, Normal) and 21 styles carefully prepared and tuned for layering. For even greater flexibility 3 variable fonts are included in the set. In addition to flexible width and inline-outline transitioning, this playful typeface features 4 different inline styles to spice up things even more! All styles were meticulously crafted with the highest attention to detail in the letterforms as well as spacing. Conthey Inline is a sibling of Conthey, a display unicase family as well as Lutschine, a versatile modern narrow display typeface. Conthey Inline composes perfectly with its family members, covering a very broad range of design scenarios. All these typefaces are a part of big type system containing also a workhorse sans serifs such as Rothorn and Montreux Grotesk. You will have a lot of success using Conthey Inline for any kind of playful, vintage/retro, organic, friendly and stylized designs. Especially, industries such as food & beverage, travel, hospitality, fashion, healthcare, sports, lifestyle, music, art, entertainment and products for youth are perfect areas to make Conthey Inline shine with all its charm.

SPENGLER is a new inline font with over 180 GLYPHS, lots of Foreign Characters brand new and ready to be abused for a stupid price of $10.

Royal Street is a sleek, condensed sans family of six typefaces, from ExtraLight to ExtraBold, designed and built to be big and brash. Royal Street has an extended Latin character set tuned for 87 languages, and is designed with several common and discretionary ligatures, as well as case-sensitive punctuation. All features are accessible with CSS as well as in print.

Amundsen is an all-caps stencil-like face with a unique look due to several originally shaped glyphs and overlapping letters. The font is equipped with automatic discretionary ligatures and it comes with a fine-tuned kerning. As the ligatures combine light letters, the overall look remains balanced even with wider display oriented spacing. Amundsen supports West as well as Central European languages.

Garked is a font typeface inspired by ancient nordic runes, you want to customize a logo, brand or other design with ethnic or tribal style, this font is perfect for your choice. What you get, you will get: 1. Garked – Clean San serif font including Uppercase & Lowercase (ALL CAPS) characters, 2. Numbers and Punctuation 3. Support Multi language (Western Europe Latin)

Mother Hen is an offbeat comic latin typestyle full of quirkiness and bounce. Inspired by the 1965 Looney Tunes cartoon titled “Highway Runnery”, this typeface has all of the spunk of its source. The end result, a lively tribute to its origin, easy to read and fun to look at, a perfect typeface for childrens' books, advertisements, and playful designs!

'HU Retroround' is a font that captures the feel of the retro typefaces used on signboards during Korea's modernization era. This font has a variable function, allowing users to fine-tune the thickness they want. (Available only in Adobe programs.) Six basic weights are provided so that they can be used even in programs that do not apply the variable function.

Designed by Jure Stojan, JY Saj is a typeface family that successfully balances the artistic and the conventional. With 10 weights (UltraThin to ExtraBold, with italic complements), it works at a variety of sizes, in print and on screen. There are both oldstyle and lining figures, the rupee symbol is supported, and roughly 3,500 kerning pairs were added per font.