Glanlen Outline is a very Beautiful, elegant and unique Script font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! Glanlen Outline is appealing because it's sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter connections. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligature -Punctuation -Number -Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

The typeface is inspired by our love of old hand-painted signs in butchers, and based on some very quick sketches using a brush pen to find what shapes worked. There is quite a quirky element to the type, as we tried to create the original sketches by rotating the brush pen to reflect the strokes of a paint brush. This lead to a horizontal stressing, which is most noticeable in letters like C, G, S and J. Sidestroke comes in 2 styles, both a standard solid version, and a pre-shadowed outline version. This can be outlined and divided in Illustrator to quickly create an alternate coloured fill for your letters. The lowercase letters have been designed to automatically horizontally align with any uppercase letters, which is a great shortcut when creating logos or other unique type layouts.

Walpurgis Night is an elegant majuscule vintage serif font inspired by classic antique fonts. It perfectly represents modern and vintage aesthetics. The font includes special uppercase letters, many alternate characters and beautiful ligatures. The font is perfect for wedding elegant invitation cards, beauty and fashion package design, very suitable for books design, magazine typography, packaging, branding, and other creative projects. It supports many languages such as Czech, Danish and Norwegian, Deutsch, English, Espanol, French, Italiano, Magyar, Nederlands, Polish, Portuguese, Finnish, Swedish, Turkish and others based on extended Latin. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Indesign, Photoshop & CorelDraw X6-X7. More information about how to access alternate glyphs, you can see it on this link ( https://goo.gl/R1n7L8) Thank you and have a great day!

Proudly present Land Of Fear - Street Type, created by ikiiko Land of Fear is a hand-drawn street brush font in an urban style that has a gritty and edgy look, conveying the roughness of city streets. The letters have bold characters and appear to be scratched quickly with a strong brush. This font has wild strokes and comes in different widths and angles, giving the letter a sense of spontaneity and vitality. This font has an overall rough and rugged look, but also evokes a style that is young, wild and free. This typeface is perfect for an extreme sport stuff, street vibes, magazine layout, poster, fashion brand, urban style, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Works on PC & Mac

Kavala – Modern Serif Font Is a modern serif font it's a cool modern take on a retro classic, and it's ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements and much more. It's packed with plenty of alternates and ligatures to really bring it to life, and give you a wide range of customisation options. Features: · 4 Weights font (Regular,Italic,Bold,Outline) · Lowercase and Uppercase · Beautiful Alternates & Ligatures · Numerals & Punctuation · Accented characters · Multilingual HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Window - Type – glyphs I really hope you'll get pleasure using Kavala font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you and enjoy!

Thirdlone is a handmade typeface with monoline script and sans. This font is perfect to be used as t-shirt designs, logo/brands, signatures, headlines, lettering quotes, and more. It also comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and multi-lingual support. Thirdlone Script includes 3 different styles: Regular, Stamp, and Ink. Thirdlone Sans includes 4 different styles: Regular, Stamp, Ink, and Edge. Regular styles are a regular style that have clean look on it. Stamp styles give you aged texture on the font that will push out the vintage feel. Ink styles will give the font a little bit of an ink feel. The Edge style give this font a rough feel on its edge. You can choose one of the styles mentioned above that match perfectly for your style, or just mix and match it.

Introducing Kibble - A Classic Western Font With A Modern Twist by Rijesain x Look minus today Kibble a classic western font with a modern twist. inspired slab serif font with a modern twist, Its unique style combines classic design elements with contemporary aesthetics, making it perfect for a wide range of projects. With its clean lines and distinctive letterforms, Kibble is a versatile and eye-catching font that will make your designs stand out. Whether you're creating branding materials, advertising campaigns, or any other type of design, Kibble is a font that will help you achieve your creative vision. Features: - Uppercase - Numerals & Punctuation - Accented characters - Multilingual I really hope you'll get pleasure using Kibble font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you and enjoy!

Edhan martine is a unique and very elegant font for brand and logo designs. Based on our experience as graphic designers working in many companies, we are often asked to design a logo with a unique style but with an elegant shape. So, we tried to brainstorm and come up with this font to get ideas out. It is perfect for BRANDING and LOGO DESIGN. You will get a classy, elegant, and of course unique logo with this font. To make it look even more unique we created 150 ligatures for you, so you can create any amazing design you want. Edhan martine also includes the full set: -uppercase and lowercase -multilingual symbol -number -punctuation -stylish alternates Hope you enjoy our fonts and if you have any questions feel free to message & I'm happy to help :)

Palengue script with modern calligraphy type font, I hope you are interested in this font, if you want to use it for your work, this font can be used easily and simply because it contains many features that contain a full set of uppercase and lowercase letters. letters, various punctuation marks. , numbers, and multilingual support. This font also contains several alternative ligatures and Style Stylistic Sets for those of you who have software capable of running OpenType (Photoshop/Illustrator/InDesign). Palengue Script is perfect for today's growing design market, this font has a trendy, natural and subtle style, with this font you can use every moment as a great way to highlight a celebration. your best party, because this font will support for purposes such as wedding invitations, parties, graduations, birthdays, social gatherings, etc. Thank you,

Giulietta is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Giulietta pro is the most complete style, it contains over 830 glyphs, 7 stylistic sets, contextual alternates and ligatures. Every lowercase letter has seven variations (uppercase letter has three). To get the alternate glyphs choose various stylistic sets or just add "*1", "*2", "*3", "*4", "*5","*6" or "*7" before the letter in any OpenType savvy application or manually select the characters from Glyph Palette. Giulietta A, Giulietta B and Giulietta C have less glyphs than the Pro one, they only contain some selected alternates and ligatures. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Dear Gray – Modern Wedding Fonts Dear Gray is a beautiful, feminine, and modern calligraphy script for your wedding designs. Dear Gray includes a full set of uppercase and lowercase letters, numerals, punctuation, and common ligatures for a more harmonious look. With Opentype features and stylistic alternatives, Dear Gray gives you a lot of possibilities to make your design even more special. Following the trend of modern hand-drawn typography, Dear Gray is a friendly choice to convey your loving words. Dear Gray features: A full set of upper & lowercase characters Numbers & punctuation Ligatures Lowercase beginning swashes Lowercase ending swashes A ton of stylistic alternatives PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Introducing Vintage Culture - a modern classic serif with a modern and classy style. Vintage Culture is a unique, fun, and versatile serif font with 192 alternatives and 42 ligatures to spice up any design you love. Vintage Culture is built with OpenType features and includes ligatures, alternatives, numbers, punctuation, and also supports other languages. Vintage Culture is a versatile serif font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. Feature · All Uppercase and Lowercase · Numbers & Symbols · Supported Languages · Substitutes and Binders · PUA Encoded Have fun using Vintage Culture!!! I really hope you enjoy it! Feel free to follow, like and share. Thank you so much for checking out my shop!

Brithani Absolute is a modern script font that features a classic and elegant touch. Brithani Absolute are attractive because they are sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to their many fancy letter joints. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . . Files include: • Brithani Absolute Regular • Brithani Absolute Slant • Brithani Absolute Bold • Brithani Absolute Bold Slant Contains full set: -Has 4 font models -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design!

Revolin is a contemporary geometric sans family in 18 styles. Strong geometric characters combine with a modern, sharp cut, resulting in a strong font with a distinctive personality. The bold concept of repeating basic shapes creates a clear rhythm and makes this a highly readable set suitable for everyday use. Revolin Comes in 9 weights, each designed to fill the space without screaming, appearing smooth and confident. The tall X height and strong capital letters maintain clear visibility across all weights and have been optically corrected for better readability. The matching slant at 12º helps provide complete expression. Fonts Included: Uppercase Characters Lowercase Characters Numbers and Ligatures Multilinguage Support This Revolin Family features this fresh reworking of a classic geometric style offering a wide range of potential applications: suitable for logos, branding, signage, interfaces and design.

Introducing Merimount - Your Ultimate Layered Overlay Font Elevate your design game with Merimount, a versatile and innovative layered overlay font that allows you to create stunning typographic masterpieces effortlessly. With three unique styles—Merimount Regular, Merimount One, and Merimount Two—this font opens up a world of creative possibilities. What sets Merimount apart is its layered design, enabling you to stack the fonts for a dynamic and dramatic effect. Experiment with different combinations and take advantage of the blending mode feature to achieve the perfect look for your project. Whether you're going for a bold and impactful design or a subtle and sophisticated feel, Merimount has you covered. Ideal for a wide range of design projects, from posters to branding, Merimount adds a touch of creativity and flair. Unlock the full potential of your designs with this must-have layered overlay font. Uppercase

Supera Gothic is a design inspired by the early geometric and humanist typefaces of the 20th century. Its characters draw inspiration from Erbar Grotesk by Jakob Erbar and Johnston by Edward Johnston; hence, in heavier weights, the “f” and “t” bars are pointed which honor Erbar’s work, and Supera’s uppercases and numbers reflect Johnston’s proportions and features. The result is a sans serif family with both, a historical and modern touch perfectly suited for all types of graphic works. Super Gothic comes in 9 weights plus its matching italics and is equipped with a large range of opentype features. Fun fact, Erbar had attended calligraphy classes carried out by Anna Simons, who was a former student of Johnston (Tracy, 1986). Maybe in modern times, they had met through social media, and some collaborative work would have risen, who knows.

Introducing Hypothalamus - Sans Liquify Serif by Look Minus Today. Hypothalamus is inspired by the flow of water that flows so beautifully. This versatile font is perfect for all design needs, from print materials to digital media. With the right balance of thickness and spacing to get the beauty of how nature can create such beautiful shapes. Its elegant lines and smooth curves make it a great choice for a variety of design applications, including branding, advertising, packaging, and editorial design. Our font is a versatile and stylish choice for any design project. ------------------------------------------------ Features: - Uppercase - Lowercase - Alternates & Ligatures - Numerals & Punctuation - Multilingual & Symbol - HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Illustrator go to Window - Type – glyphs In Adobe Photoshop go to Window – glyphs For any further questions or assistance, please feel free to contact us. Thank you and have a nice day !

Introducing Bertoboy - A Display Retro Script Font. In creating this font, I just wanted to combine classic style with modern retro style, so be this font. Hope you like it. Inspired by some retro fonts that I made before. Bertoboy is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Comes with feature : - Uppercase - Lowercase - Alternate - Number, Punctuation And Symbols - Multilanguage Support. If you have any questions, feedback or comments, please feel free to send me a message. Happy Creating! Thanks!

As "Zenith" means, in an astronomical context, the highest point reached by a celestial body, my new typeface raises its drawing for carry it to the highest expression. In an effort to design a singular graphic and visual letters system, the contrasts and proportions of “Zenit” boosts up and are squeezed as much as possible, resulting in a very particular aesthetic, while still maintaining a certain grotesque reminiscence. Given its dynamic, postmodern, daring and futuristic style, “Zenit” is an ideal typeface for use in designs that want to discover new space worlds full of color and speed, still unexplored. “Zenit, the typeface that rockets you!.”

The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics. Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel's devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.

This new script font was based on our previous font ‘Rachele’. Mentha is a very flexible script with a big set of swashes, condensed, strong and with nice loops at the end of some letter shapes. This font script was designed using small brush pens and playing with pressure and release methods. Mentha Medium has a tiny extra stroke, that helps to make this font a bit stronger and solid, specially if you need to use in a very small scale. Mentha is fresh! If you are looking for a new and original script Mentha suits your needs! We recommend to combine Mentha with Turquoise

DBXL Nightfever was originally designed by Donald Beekman in 2001 for the disco-techno-house record label of the same name, an imprint of United Recordings. Geometric and gridded, with a solid sci-fi techno feel, Nightfever still contains a lot of soul. Three additional wider weights were added for more design flexibility, as well as italics for all widths. After the record label was terminated the Nightfever fonts were used for many other DBXL design projects. It was put online for free download first in 2008, this year (2019) the design got more refined with additional accurate kerning and spacing. All fresh and new, ready for a new space age!

We are proud to present our new font. Name of the font is TOY STORY. Toy Story is a fun handwritten font filled with handwritten charm and personality! It is the perfect choice for crafters with lawn mowers, as it is extremely smooth for optimal cutting performance. Toy Story is a fun font that's bold and smooth enough to cut with the Cricut & Silhouette crafting machine, for Titles for children's books, scrapbooks, logos, icons, phrasesor quotes for winter greeting cards (Halloween or New Year holidays), photo overlays, short phrases, children's books, gift shop tags, presentations on social media Pinterest, Instagram, Facebook, or others. Thank you!

Originally created with cutting in red litho film, as a headlining typeface for Vinyl music magazine. Its geometric structure was very applicable for early type design experiments on the computer. ...in the early 1980s, he (Max Kisman) became the designer of a small, independent music magazine Vinyl. This Amsterdam-based publication was set up very much as a response to the innovative British magazine, The Face. Responding to Neville Brody's radical designs for that magazine, Kisman began to experiment by creating new headline typefaces for each issue... (Emily King. New Faces: type design in the first decade of device-independent digital typesetting. 1987-1997.

Ames’ text is designed for use in its own right and also as a complement to our Ames’ Roman family. Ames’ text is a ‘New-Style’ Didone family offered in three weights and three widths. It is designed to embody clarity combined with contrast between horizontal and vertical strokes, but with sufficient stroke width in both directions to display well at small point sizes. All typefaces include small capital forms, new and old style numerals (and ‘small capital’ numerals for consistency). Ames’ text is distinctive enough for use in headings and titles, but comes into it own as a text face. Keep a lookout for our forthcoming Ames Display faces…

Stylefinder is a new elegant signature style font which gives any design project that authentic handwritten feel. It’s perfect for logos, branding, headlines, sub-headers and taglines. This type of font is currently extremely popular in the logo design community - Over the years I’ve created many unique logos for new businesses using different styles of hand lettering and calligraphy, so I thought it was time to make something available for you all to use in your own designs. Stylefinder comes with some alternate lowercase glyphs, ligatures and six additional swashes to give that finishing touch. There is also a large amount of multi-lingual support.

If you're about to make the jump into hyperspace, buckle up and engage your R2 unit with our new font release, HYPERDRIVE! Ten years in the making, we've spent almost as much time developing these characters as George Lucas spent developing his! Co-created by Starkings & Roshell (HYPERDRIVE, not George), this font is guaranteed to keep TIE fighters off your tail and will always come in useful if you get menaced by phantoms or attacked by clones. So sit back, relax and enjoy the flight -- but don't forget; let the Wookiee win! Remastered Hyperdrive includes new letter shapes, 200+ connecting letter combos, improved spacing & kerning and support for Western & Central Europe.

Citix Two Condensed is a new font derived from Citix Regular –a traditional pen-formed flowing script–, but containing a complete new set of capital letters, titling, ligatures and swashes. This font may be a good option to combine with Citix Regular, specially in fine tune and accurate works, suitable for commemorative letters, invitations cards, lettering, logotype design and the most elegant visual communications projects. This font comes with five different kinds of capitals, Contain full OpenType features to work with: a full set of swashes, stylistic alternates, standard and discretional ligatures. Small caps, Central European Languages, Case sensitive forms, Old style numerals, ornaments and tails.

Syracuse is a font inspired by the typefaces of the "Arts & Crafts" designers of the early 20th Century. As such, it has a distinct "hand" look. In "Syracuse" you will find hints of Dard Hunter's work at the Roycrofters in East Aurora, New York, a little of the Art Nouveau style of 1900 Vienna, even a touch of Charles Rennie Mackintosh's design ideas in Glasgow, Scotland. The font was named for the city in New York where Gustav Stickley produced his Craftsman furniture. Syracuse owes a debt to all of these sources yet is original and different from any other "Arts & Crafts" font available.

Birdman is a modern blackletter font that merges rebellion and chicano style, elevating them to a new dimension of minimalism and edginess. With its trendy and condensed design, this geometric typeface captivates instantly. Its versatility makes it the perfect companion for impactful headlines, high-flying logos, and groundbreaking advertisements. Birdman challenges typographic conventions with its boldness, attracting all eyes with its simple elegance. With Birdman by your side, words take flight, releasing their rebellious and contemporary essence. Each stroke is a cry of originality, and each letter tells a tale of modernity and authenticity. Feel how this font elevates your designs, soaring toward new typographic horizons.

Buntype’s new Bunday™ Sans Font Family consists of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics (these upright styles are currently not available). All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and homogeneous text colour. Despite the fact that the overall width is space-saving or narrow, Bunday™ Sans offers good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.  Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.  Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Sans Specimen PDF Bunday Sans OpenType® Quickguide Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 4 Moods: Sans, Upright, Sans Italic and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Available only in applications with advanced OpenType® support

From the designer, Tim Ahrens... I started designing this typeface about half a year after learning that Frutiger was not a new brand of sweets and that Garamond is not the name of a fragrance. In time it became clear that designing a sans serif must always be considered as a transformation of traditional serifed typefaces instead of deriving it from typefaces that have been derived from others which have been derived from others again. I did not want Aroma to be one of those odourless and tasteless typefaces wich sacrifice a natural feeling and the characteristic shapes of the letters to neutrality. I think that beauty often evolves unintentionally. For example, I am fascinated by the beauty of airfoils, which are actually a careful transformation of a bird's wing. I love their anorganic and abstract shape which still bears the essence and all the complexity of what they are modelled on. This is exactly the formal concept behind Aroma. Many of the outlines are actually parabolics. The small r, for example, consists exclusively of straight lines and parabolics. I decided to give Aroma more stroke contrast than it is usual for sans serif designs. Many strokes are slightly convex, which gives the font an anorganic feeling. The font was intended to have a feel similar to the antiqua. More specifically, it is based on Old Style Faces. The character of those fonts, which were cut during the Renaissance, is still inherent to Aroma.

The design of the Newspoint typeface is based on the tradition of the American sans serif faces of the last century. This form expression was greatly influenced by the News Gothic type which was created by Morris Fuller Benton in 1908, and has, once again, become very popular. When the development of sans serif types such as Futura and Kabel by Renner and Koch began in 1925, the design of American sans serif types receded somewhat into the background. In the 1950’s, however, they experienced a renaissance which continues to this day. Thanks to its clean design and the relatively large x-height, the Newspoint is well suited for informative texts in newspapers, magazines, and brochures. In packaging design, as well, the Newspoint can display its strength in small print. Newspoint was developed as a customer-specific variation of the News Gothic. In contrast to the News Gothic, however, the face appears to be softer and more appealing thanks to the changed interpunctions. If so desired, the alternative characters give the typeface expanded individuality and a richness of design options.

Ernest is a handmade typeface with an unique yet strong personality. Say it bold with this font. Punk & Wave styles. Ideal for type based designs.

Grafical is a contemporary take on 19th-century sans serifs. In this family, the amount of geometry inherent within the letterforms has been amped up. Many shapes have received further streamlining, too. All the geometric forms you see have been optically corrected, ensuring their delivery of better legibility. Grafical ships in two different formats: depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. The static fonts offer eight weights, running from Extralight through Black. Each weight has an upright and an italic font available. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over their text’s stroke width. The Grafical Variable and Grafical Variable Italic font’s weight axes allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Grafical is the perfect tool for a range of design uses, including text on the web, text in print, and text in motion graphics. Its fonts are typographic workhorses – not just from their legibility perspective but also because of the amount of OpenType features they include. There are ligatures, for instance, as well as proportional and tabular lining and oldstyle figures, fractions, numbers placed inside circles, and even Roman numerals. Users can also substitute alternate versions of the “a”, “g”, “i”, “j”, “y”, “G”, and “Q” into their work.

I'm happy to present you my new Romanesque font from the Codex Gigas. The manuscript was created in the early 13th century in the Benedictine monastery of Podlažice in Bohemia. The codex was written in a handwriting atypical for the 13th century, which is actually a late version of the Carolingian minuscule. Texts about repentance and exorcism were written in large Majuscule (Square Capitals (Imperial Roman capitals written with a brush)). Majuscules first incised in stone more than two millennia ago, married to minuscule letterforms that evolved from manuscript hands of the eighth and ninth centuries. Majuscule font is the name given to a type of decorative upper-case letters used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. They are characterized by their straight forms unlike rounded in Lombardic capitals with thick, curved stems. Majuscule capitals were also used to write words or entire phrases. The text is divided into words, punctuation marks are used consistently – periods indicate the end of a sentence and the middle of a phrase. You will get: * Uppercase glyphs * Numbers and symbols * Multilingual support * Ligatures * Free future updates Thank you!

Introducing the Amoret Collection; A stunning pair of luxury script and sans fonts, designed to contrast & compliment each other with elegant beauty and contemporary style. Design luxurious logos, branding, product packaging, wedding invites and quotes in a flash. Here's what's included; Amoret Sans • A classy, high contrast sans font containing uppercase characters only, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Amoret Script fonts. Amoret Script • A thin and elegant script font with exaggerated strokes and a loose flow. Contains upper & lowercase characters, numerals and a large range of punctuation. Amoret Script Alt • This is a second version of Amoret Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Amoret Script Alt also contains 4 swashes assigned to the [ ] { } keys. Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.