BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own Bullets in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I added six more designs and perfected the Bullets for all of you. The following is a »must read«! Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will have gaps!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Your very practical Gert Wiescher

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

A classical proportioned text font - with a Celtic twist! Perfect for that oldstyle look, but still very readable. I have cleaned up the outlines, improved the spacing and kerning, modified a few letterforms - and then expanded the character set by 440%! A bolder weight has now also been created, and a rough version for a more antique look. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This is a must read!!! BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own BulletNumbers in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I perfected them for all of you. Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will overlap!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Yours very practical Gert Wiescher

Churchward Typestyle is a clean sans serif font, originally designed as a photo font by Joseph Churchward back in 2002. Under exclusive license, BluHead Studio has digitized this typeface by using his original drawings. We added any missing glyphs, being careful to maintain the aesthetic that makes this a classic Churchward design. Joseph intended this to be a six weight family, so we digitized the Light and Ultra Bold weights and interpolated the middle four. We enhanced the functionality of the family by creating a complimentary set of small caps, as well as creating a 10 degree oblique of each weight, being careful to correct the slanted curve forms of the letters. Churchward Typestyle is now an extensive 12 weight family, ranging in weights from Light to Ultra Bold, making it extremely useful in a broad range of design applications, from text and print, to display, posters and billboards. It’s sanserif design is clean and open, with a few of those characteristic Churchward goodies. Joseph loved his ink traps, so look for many of those! They especially become more apparent in the heavier weights. All of the Churchward Typestyle fonts support the major Western European languages, and have OpenType features for ligatures, smallcaps, tabular figures, superiors, inferiors, fractions, and ordinals.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

Greatwall is a brush styled script, created by hand with a brush pen. This font is best used for your design project that has the concept of fun, brave and sporty. It is perfectly suited for signatures, stationery, logos, typography quotes, magazines or book covers, website headers, clothing, branding, packaging design and more. It's a handwritten script font containing upper and lowercase characters, numerals and a large range of punctuation. Greatwall includes: - Basic Character ( Uppercase and Lowercase, Numerals, Symbol and Punctuation) - Multi-Lingual support - Alternates and Ligatures: as is us es os ee dd ff ll mn ht oo of tt th st ss and you ond out. - PUA Encoded

Winter Soda - is Modern Hand Written font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs with ease! It also features a wealth of special features including ligatures glyphs . Inspired by Food Logo style and combination with Cute Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language.

Bric Sans is squared, it was inspired by colleges typefaces. Capitals aren't contrasted, giving a raw aspect to this typeface. The variety of styles makes this sporty typeface ideal for editorial projects, posters, packaging, branding, etc… The default setting of the numerals is tabular, proportional figures are available through OpenType Features. Bric Sans consists in a 12 styles family, including 6 weights in Condensed from UltraThin to ExtraBold. Each font includes OpenType Features such as Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, automatic arrows and Fractions. The fonts have an extended characters set to support Central, Eastern and Western European languages.

Young Baroque was designed by Doyald Young, and the font first appeared in the ITC library in 1984. It is a delicate and elegant typeface, whose basic forms are those of baroque script. The generous spirals adorning the capital letters give the font its temperament and contrast beautifully with the small, heavily slanted lower case letters. The flowing, graceful characters create an overall image of aristocratic elegance and dignity. This font can be used advantageously for labels, invitations and certificates and its capitals as initials to contrast harmoniously with both serif and sans serif fonts. Young Baroque is best used for headlines or short texts. Featured in: Best Fonts for Tattoos

Conceived as an exploration of geometrical type designs of the early twentieth century, Canaro was — in its first design stages — heavily rooted in that time period. During its development and the effort to give it a modern appearance, it turned into a contemporary font with a strong historical background, defined by legibility and functionality. In addition, the lack of spurs provide a unique but unobtrusive character and support the contemporary impression. Typographic features like alternative glyphs, ligatures, oldstyle numbers, arrows, fractions and other special characters, round up the family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

HGB Galaxo is a tribute to Othmar Motter (1927–2010), the Vorarlberg graphic artist and typeface designer, who designed very individual and perfectly crafted typefaces in the 1970's and later. (Motter Ombra, Motter Tectura ...)From a Motter sketch of 5 letters for a logogram, I derived a simplified letterform and developed all the necessary characters. Working on these glyphs and delving deeper into Motter's letterforms, the respect for the accuracy with which he drew his letters (in ink) grew more and more. The spiral resembles the shape of a galaxy, hence the name Galaxo. The font is suitable for retro, poster and logo design.

Freshline is a textured brush font, a contemporary approach to design, handmade with an irregular baseline. Suitable for use in title design such as apparel, invitations, book tittles, stationery design, quotes, branding, logos, greeting cards, t-shirts, packaging design, posters and more. Freshline includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures, alternatives and extra swash. If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks so much for looking and Enjoy it!

Groovecore is a modern bold serif display font with an unmistakable 1970s vibe. This is a design that is equally at home on a retro t-shirt logo as it is on a stylish fashion headline. The combination of plump rounded serifs and pointy curls sets up a nice graphic interplay of shapes. You'll find Groovecore to be carefully and extensively kerned, with even color weight that's makes it shine even in small extended text passages. Quirky but legible, Groovecore is a great choice in many contexts.

Buttercake is a from bold and fun script and includes many different swashes to help you make great work. It's versatile and great for many purposes such as poster design, logos, branding, labels, quotes, headline profiles, banners, t-shirt design, packaging, magazines, brochure, and many more. Features: - Simple installation - Support for MAC and PC - PUA encoded - Stylistic Alternates - Multilingual support (for 16 languages): Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu. Kind regards Good Java Studio

Roadbrush was inspired by the mid-20th-century hand lettering of Albert Eckhardt, Jr., that I found in a 1950’s sign painting book. Roadbrush is a retro brush-style script that I re-designed and completely re-mastered. Roadbrush is a powerful font that can be used for logotype, packaging, posters, T-shirts, signage & design projects with a retro & vintage feel. Roadbrush comes with four styles that contain all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters.

My Dizzy Edge font is really not that dizzy! Actually it's quite steady and legible - super good for packaging, greeting cards and perhaps even commercials for toys, candy, t-shirts, movieposters...yep, that list is long! What's more interesting is that the font as got 6 different versions of each letter - at first glance, the letters don't vary that much, but a closer look reveals the sometimes grungy outline of a pen! But theres more!!! Dizzy Edges comes with multi-language accents!!! What's not to like!!!

Humeira is a playfully font, inspired by handwriting lettering and doodle art movement. Designed with a manual brush and carefully vectorized with many alternates that you can apply to give handwritten looks! Humeira is perfect for headlines or body text. You have a regular and a bold weight that you can combine well. Humeira also has an Outline Shadow style with bolder contrast, funny and childish looks. Humeira font family is suitable for T-shirts, mugs, coffee cups, flyers, brochures, quotes, branding and more.

The Urfa font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Introducing Clever, our first serif family! Featuring 5 weights making it super versatile for almost any project! I started creating this at the beginning of quarantine and just recently finished up! Clever is inspired by timeless packaging from a forgotten era. It has a beautiful range of stylistic alternates with unique characters making it a powerhouse for logos, headlines, posters, shirts, you name it! More ligatures/alternates on the way in the coming weeks/months! What do you get? Clever in 5 weights 109 Alternates + 27 Ligatures

SS Vortax is a space-age themed display sans featuring broad strokes and tight spacing. This close relative of Galaxus features imposing Capitals with some sharp slants in the Italic version. It’s designed to cover horizontal blocks effortlessly. Most characters have curves on the exterior with right angles on the interior. This dynamic contrast makes it a great choice for a video game/app, toy packaging, or sports logo. SS Vortax is equipped with European accents for international support. Please check glyph maps for all supported characters.

Stepside is a slick retro display face with plenty of horsepower. Stepside’s heavy-duty type chassis of sturdy uprights and bold strokes was modified with sweet retro details like graceful curves and tapered fins. Inspired by street rods, custom vans and power wagons, Stepside modestly hides its muscle like a true sleeper. Take Stepside for a spin on logos, posters and t-shirts for a more classic look. Need more speed? Step on the gas with Stepside Italic — perfect for type in need of emphasis.

Introdusing a creative font set Street Rush. It's a stencil typeface with grunge and clean variations. Grunge version has a rough damaged shape with imitation of a melting paint. Clean font suits better for smaller text without noisy details. Street rush font will perfectly fit for T-shirt print with different lettering compositions. This font has west european multilingual support (check out all available characters on the screenshots). Grunge font has a set of alternative characters for english alphabet to avoid repetetive noise effect.

Jeck Lady is a cool font with a thick body style and attractive texture. It's a modern logo style, made with a calm mind and is quite manly and beautiful. Jeck Lady also has a lot of alternatives, and an underlines bonus that can be used in each sentence. It will look perfect in every design. Jeck Lady is suitable for use in title designs such as clothing, book tittles, stationery designs, quotes, branding, logos, invitations, greeting cards, t-shirts, packaging designs, posters and more.

With its split serifs, Vglee looks like it could be a copy of an “Old West” font but it is not. It was constructed by taking a motif and applying it regardless of consequences. Vglee does not have lower-case letters but it does include a full set of Western and Central European accented characters. Its distinctive, odd appearance can be useful in small doses for decorative purposes. The VgleeStar style contains only the ornament. It is intended to be used in layers with Vglee.

Introducing Retro Party - A Display Retro Script Font. In creating this font, I just wanted to combine classic style with modern retro style, so be this font. Hope you like it. Inspired by some retro fonts that I made before. Retro Party is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Huxley Maximum is a Modern sans serif display. Its simple design with various width and weight that you can explore and combine creating rhythm and texture for comfortable reading. In variable version, it allows multiple options when designing, adapting to different composition solutions. use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Feel free to drop us a message any time and follow my shop for upcoming updates

Scarf Bandana is a Brush Display Font. These fonts can be categorized into brush and display fonts. With a unique character, this font will make your project stand out. Suitable for logos, branding, crafting, svg, book covers, posters, headlines, labels, t-shirts and more. This font also has 92 ligatures, so it will make this font more interesting and unique. This font is also support multi language. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others.

Hothir is a font that was scratched with a brush to get a natural texture, so this font will display the characteristics of the hand. Beautiful textured brush fonts, contemporary approach to design, natural handmade and with a cool underline. It also has several ligatures and alternatives that make your design more attractive. Suitable for use in watercolor designs or as hand-brushed bold letters. Perfect for novels, clothing, invitations, quotes, title books, stationery designs, branding, logos, greeting cards, T-shirts, packaging designs, posters and much more.

Broger Display belongs to the "twisted shape" category with beautiful ligatures, it's a little hard to read in small sizes but very awesome when in large sizes, that give any headline an elegant appearance. Broger Display presents luxury, glamour, exuberance, and beauty. It works perfectly for creative project such as logo, T-shirt / apparel, badge, invitation, packaging,headline, poster, magazine, greeting card, and wedding invitation. You can access the open type features and multilingual on mostly Adobe programs, such as Adobe Indesign, Adobe Illustrator, Adobe photoshop etc.

German type designer Verena Gerlach created this sans FontFont in 2008. The family has 8 weights, ranging from Regular to Black (including italics) and is ideally suited for festive occasions, editorial and publishing, logo, branding and creative industries as well as sports. FF Chambers Sans provides advanced typographical support with features such as swashes, ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Bailey Rogles is a retro signage font, bold and clean. There are so many variations on each character. You can create so many different typographic layouts easily and quickly. Bailey Rogles is very versatile and very interesting. You have lots of options to customize it and that makes it perfect for logos, packages, t-shirts, signage, logos, headlines, branding, packaging, and titles. Bailey Rogles features an alternate character. Includes initial and terminal letters, alternates, ornaments, swashes, ligatures and multiple language support. Thank you for your purchase!

Lunok is an all caps brush font, created to make every text look like authentic hand lettering. The all-caps marker typeface is perfect for bold headlines, posters, shirt designs, fashion brands, social media content and funky ads. Mix & match the stylistic alternate or ligature, so that you'll have lots of different letters for that unique look & feel! What's included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILANGUAGE SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you've any wish, suggestion or feedback :)