Sacred Bridge is an old fashioned display typeface, inspired by vintage signage combined with ornaments that were inspired by certain Indonesian tribe ornament feels, because our little type foundry is focused on vintage display fonts. Till now at least. Sacred Bridges offers a layered system, with regular, rough and slant versions from each style. And don't forget about the Extras (ornaments) we offer. You'll get separate ornaments and objects that you can mix and match. We also give you most of our ornaments seen in our display.

Sidehustle is casual script font, with clean bold mono-line stroke, slant and fun character. It has Opentype features ligatures of character and some lowercase alternative option, To give you an extra creative work. Sidehustle script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sidehustle font. Cheers, MaulanaCreative

The Generic Typeface Collection is a series of sans-serif typefaces inspired by the craftsmanship of graphic design, typesetting, and printing in the analogue era – before Adobe, Macintosh computers and desktop publishing – when dinosaurs ruled the earth. With the use of various typesetting apparatuses or dry transfer type, photo copiers, and shooting layouts and paste-ups to film, the printed results was not as exact, precise and predictable as it is today. When examining old prints, it is difficult not to like the way that characters in over- or underexposed film have a special type of vibe to them that is often sadly lost in today’s pursuit of total perfection. Encouraged by this, I saw a need for a collection of typefaces that are non-clinical and non-conformist, and some that are coarse, rough and distorted – errors that might come from poor exposure when put on film, enlargements from small point texts, or maybe quality loss from successive generations of photocopies. Or all of the above. This is an attempt to incorporate spirit and personality into a set of typefaces without losing distinction. You might call it a homage to non-perfection. I call it human. The Generic Typeface Collection consists of 11 fonts divided into four series. The three standard series – the Formal Release series, the Coarse Copy series, and the Rough Display series – all contain three fonts each. The Extra Splendor series contains a couple of shadow fonts for that little extra sparkle. Formal Release – Handcrafted & Clean The Formal Release series features sans-serif typefaces for everyday use. They are handcrafted and clean, human and uncomplicated. The Formal Release series contains three typefaces that add tons of personality to any text. G10 FR ‘Slim’ – a slightly under-exposed and clean typeface in a regular weight (228 glyphs - 1 alternate) G20 FR ‘Classic’ – a properly exposed clean typeface in a bold weight (228 glyphs - 1 alternate) G30 FR ‘Bulky’ – a heavily over-exposed clean typeface in an ultra weight (228 glyphs - 1 alternate) Coarse Copy – Dirty & Rough The Coarse Copy series features non-conformist typefaces that are worn and rough, maybe after going through that bad copier a few times too much. The Coarse Copy series contains three sans-serif typefaces that add tons of spirit to any text without compromising too much on legibility. Try them on in poster-sizes and everyone will know that you mean business. G40 CC ‘Slender’ – an under-exposed coarse typeface in a regular weight (228 glyphs - 1 alternate) G50 CC ‘Typic’ – a properly exposed coarse typeface in a bold weight (228 glyphs - 1 alternate) G60 CC ‘Huge’ – a heavily over-exposed coarse typeface in an ultra weight (228 glyphs - 1 alternate) Rough Display – Faded & Decorative The Rough Display series features attention-seeking decorative typefaces in three feature-packed fonts. Faded and gritty like the image distortion and degradation from successive generations of photocopies, they are eye-catching typefaces intended to stand out in bigger point sizes. Use these typefaces for signage, headlines and similar situations were a strong typographic statement is desired. We have packed no less than 1,334 alternate characters and 212 discretionary ligatures into this series for a greater chance of not having characters that look exactly the same more than once. G70 RD ‘Slinky’ – an under-exposed rough and decorative typeface in a regular weight (741 glyphs – 448 alternates – 66 discretionary ligatures) G80 RD ‘Standard’ – a properly-exposed rough and decorative typeface in a bold weight (748 glyphs – 448 alternates – 73 discretionary ligatures) G90 RD ‘Swollen’ – a heavily over-exposed rough and decorative typeface in an ultra weight (748 glyphs – 448 alternates – 73 discretionary ligatures) Extra Splendor – Sparkling & Extraordinary The Extra Splendor series features two shadow typefaces for that little extra sparkle. One clean shadow to be used with G20 FR ‘Classic’, and one rough shadow to be used with G80 RD ‘Standard’. Having the shadows separate from the main typeface adds another layer of expressiveness in that you can try out color combinations for that extra splendor. Tips for matching (applies to both the base font and the shadow font): Set the kerning to Metric, not optical. Increase tracking to accommodate for the shadows extra width. G25 ES ‘Classic Shadow’ – a clean shadow to be used with G20 FR ‘Classic’ (228 glyphs – 1 alternate) G85 ES ‘Standard Shadow’ – a rough shadow to be used with 80 RD ‘Standard’ (227 glyphs) OpenType features – alternate characters and discretionary ligatures – can be accessed by using OpenType friendly professional design applications, such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

Mencap When most of us go about everyday tasks, we take for granted the reading that’s involved, on instructions, labels and so on. For people with learning disabilities, reading is made much harder by certain fonts. FS Me is designed specifically to improve legibility for people with learning disabilities. The font was researched and developed with – and endorsed by – Mencap, the UK’s leading charity and voice for those with learning disabilities. Mencap receive a donation for each font license purchased. Every letter of FS Me was tested for its appeal and readability with a range of learning disability groups across the UK. Inclusive Fontsmith were determined to design a font that was accessible to those with learning disabilities without standing out as such – one that was inclusive of all readers. It should comply with accessibility guidelines and work best at 12pt, but still have a character of its own that was warm and approachable. “So much accessible design is done separately to the main body of brand work,” says Jason Smith. “We wanted to make a typeface that covered both brand tone and neutrality, and that could be used legitimately as a brand font as well as in accessible design.” Me, you, everyone FS Me is about design that doesn’t patronise. People with learning disabilities are often treated as inferior by childlike design. FS Me is designed for adults, not children – a beautifully-designed font for everyone. Its features include very subtle distinguishing elements of each letter to aid the reading and comprehension of texts, and tails, ascenders and descenders that have been extended for extra clarity. What the people said... Here is a sample of comments from the extensive research groups that helped to shape the letterforms of FS Me: “I want something round, clear and friendly.” “We like movement in the letters but don’t want anything childish.” “The ‘b’ and ‘d’ need to be different as they can be confused.” “I prefer the handwriting-style ‘a’.” “It’s important to have an accessible ‘a’ and ‘g’. Teachers sometimes complain that learners cannot read or understand the inaccessible ‘a’ and ‘g’.”

Mencap When most of us go about everyday tasks, we take for granted the reading that’s involved, on instructions, labels and so on. For people with learning disabilities, reading is made much harder by certain fonts. FS Me is designed specifically to improve legibility for people with learning disabilities. The font was researched and developed with – and endorsed by – Mencap, the UK’s leading charity and voice for those with learning disabilities. Mencap receive a donation for each font license purchased. Every letter of FS Me was tested for its appeal and readability with a range of learning disability groups across the UK. Inclusive Fontsmith were determined to design a font that was accessible to those with learning disabilities without standing out as such – one that was inclusive of all readers. It should comply with accessibility guidelines and work best at 12pt, but still have a character of its own that was warm and approachable. “So much accessible design is done separately to the main body of brand work,” says Jason Smith. “We wanted to make a typeface that covered both brand tone and neutrality, and that could be used legitimately as a brand font as well as in accessible design.” Me, you, everyone FS Me is about design that doesn’t patronise. People with learning disabilities are often treated as inferior by childlike design. FS Me is designed for adults, not children – a beautifully-designed font for everyone. Its features include very subtle distinguishing elements of each letter to aid the reading and comprehension of texts, and tails, ascenders and descenders that have been extended for extra clarity. What the people said... Here is a sample of comments from the extensive research groups that helped to shape the letterforms of FS Me: “I want something round, clear and friendly.” “We like movement in the letters but don’t want anything childish.” “The ‘b’ and ‘d’ need to be different as they can be confused.” “I prefer the handwriting-style ‘a’.” “It’s important to have an accessible ‘a’ and ‘g’. Teachers sometimes complain that learners cannot read or understand the inaccessible ‘a’ and ‘g’.”

Touch Me is a Script hand-drawn style typeface—designed by Coto Mendoza—resulting from polyrhythmic exploration, sign deconstruction and altered calligraphic contrast plays with watercolour brush. Coto has been using these experimental calligraphy techniques when creating the catchwords for Macarons, the Boho Family, Bikini Season Script and Matcha Script and so forth. Touch Me was inspired by a character in a story written by Coto while attending a literary workshop with Ina Groovie in Santiago de Chile. The character is a tribal girl who lives on an island in the Caribbean. She is heir of ancestral knowledge and possesses wild beauty, very passionate and sensual: intense, strong and free. These features are reflected in the polyrhythm of the typeface's curves: an irregular baseline, variable x-height, different lengths of initial and terminal strokes (that sometimes expand and sometimes shrink) and amount of brush pressure that generates changes in contrast within the characters. This way, when composing, signs with stroke contrast randomly alternate with monolinear ones and with signs of altered contrast, thanks to the typeface's OpenType programming. The family, with more than 3,000 glyphs, provides a number of alternative characters, swashes, ligatures, initial and terminal forms, in short, a vast ocean of choices! Touch Me is a spontaneous typeface with a fresh and unique personality. It is the perfect choice for short text in both print and digital formats. The family comes with a Script Regular version and a seductive Script Drop that you will enjoy a lot! The Extras set includes some catchwords, dingbats and ornaments that allows for endless composition options. The family also comes with a Caps version —designed by Luciano Vergara—in 2 styles: a funny and big-headed condensed Sans Grotesk display of inverted vertical proportion plus a Grotesk, neutral and slightly expressive Petite. Both versions, available in 6 weights, have been especially designed to create hierarchies when composing. This allows for balance between strokes of different weight when it comes to the Sans and Script fonts. Come and dare yourself! Touch Me! Thanks Alisa for sharing your amazing and beautiful picture with us.

The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards

Oktah Neue is an extended version of a more limited Oktah family. Since its release in 2019, Oktah Neue received two major updates, the most recent in June 2022. The latest version of Oktah Neue is comes in 22 styles as well as one variable font. Oktah Neue inherits the best traits of Oktah—great legibility, simple geometric letters shapes, low contrast across all styles—but also introduces what Oktah fell short of: extensive language support and enhanced OpenType features. While working on Oktah Neue, we strove to create a neutral typeface that would be a workhorse for designers, typographers and other font users alike. Building onto the familiar shapes of Oktah, we tried to make them more neutral, at the same time preserving the unique character of the typeface. Certain characters remained the same, others have undergone a complete transformation, which left them better tailored for the wide implementation range of Oktah Neue. Over the past years the size of the character set in Oktah Neue was significantly expanded (currently standing at 2500+ characters). In addition to Extended Latin, new language systems (Extended Cyrillic, Greek — both Basic and Polytonic — and Hebrew) were introduced. The already vast Cyrillic set also includes localised forms for such languages as Bulgarian, Serbian and many others. Oktah Neue is OpenType friendly: it knows how to do alternatives, contextual alternatives, switch various between stylistic sets and adjust the height of punctuation and symbols as you type. Small Caps include all listed languages as well as numerals and symbols. Oktah Neue comes equipped with various styles of numerals — from standard Proportional Lining figures to Oldstyle, Tabular Oldstyle. Sub- and Superscript, Fractions and two sets of circled numbers. Oktah Neue is well-kerned with more than 3000 kerning pairs and automatically hinted. Oktah Neue comes in 22 styles (11 uprights and 11 italics), two of which — Ultra Light and Black Italic — can be downloaded free of charge to get a firsthand experience of what Oktah Neue is ready to offer. The latest update of Oktah Neue introduced a fully variable option: now, both axes (Slant and Weight) can be accessed in the same file for utmost convenience.

Astral Night - A Blackletter Typeface is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Astral Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Atjeh Night is a twisted and extravagant display font that will add an extraordinary feel to any design project! What's included in this font pack : -- LARGE GLYPH SETS : There are 435 total glyphs in this font pack. Atjeh Night comes with a large range of glyphs including punctuation, numerals, international language support, ligatures & additional extra glyphs for stylistic sets. It includes 209 Glyphs of Stylistic Sets to make your text looks natural and beautiful. -- INTERNATIONAL LANGUAGE SUPPORT : This font supports English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Finnish, Indonesian, Malay.

MONIK is a A New Elegant Classy Serif Font A serif that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. MONIK serif font ready with: Ready 3 Weights (Light, Regular, and Bold) Preview as a inspirations that you can do with MONIK font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Introducing Warsuck, a hand-drawn font inspired by the underground culture, and a blackletter font. Warsuck emphasizes the usage of uppercase letters as the main display but still includes lowercase letters. Strong, vintage, and aesthetic blackletter with extra alternates characters. This font is combining several styles in blackletter fonts such as Bastarda, Rotunda, and Old English to produce an experimental font. Great for displays, especially dark and vintage themes. You can use this font on t-shirts, tote bags, stickers, labels, logos, badges, banners, quotes, and short text. Thank you for your visits!

Ceria is a Modern Vintage Display Font A New Vintage font that we created special for Unique branding needs, with extra ligature in unique style that ready to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more unique and vintage. Ceria Modern Vintage Display font ready with: Lowercase and Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Ceria font Available for PC and Mac Wish you enjoy our font.

An ebay purchase of a vintage Speedball lettering pen set yielded an extra bonus… numerous alphabets on paper rendered in both pen and ink and via pencil sketches. One such design in rough pencil layout is a classic serif typeface often found on many passenger and freight trains, trolley cars and busses. This “Railroad Roman” was scanned from the original sketches and then re-drawn digitally, all along retaining the charm and attractiveness often found in hand lettering. The end result is Streetcar JNL, which is available in both regular and oblique versions.

Castor is a woodtype and letterpress hybrid based on grotesque letterforms. It’s a vintage decorative bold distressed display with 3 options for each letter; Uppercase, lowercase, and alternates. Castor comes complete with 4 styles plus catchwords, unique ‘catchword dividers’ (horizontal rules), ornaments, as well as a free set of extras! (grunge, dividers and bullets) The catchwords, ornaments, and dividers are designed to compliment the font family giving it a ton of diversity, and the designer unlimited creative options. Opentype features include alternate letters and numbers, double letter ligatures for realism, subscript numbers,and superscript numbers.

Child Witch - Halloween Font is a display font that is inspired by horror style because its shape is very unique and is perfect for any project that you will use with this theme. Child Witch came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

The Stick Figure - Groovy Fun Font is a display typeface that embodies cuteness and uniqueness to the fullest. With its super thick and groovy letterforms featuring playful bubble-like endings, this font exudes a sense of fun and whimsy. It distinguishes itself further with a wide array of ligatures, adding extra character and distinction. Perfect for children's themes or any design that aims to convey joy and excitement, Stick Figure is a fantastic choice for logos, branding, headlines, titles, books, packaging, quotes, posters, children's toys, stickers, and more.

Say hello to State, this family is inspired by sport and a further development on Comply Slab. This family of fonts has some bold letters as well as stylistic alternates to give your layouts some interesting variation. State comes in 3 styles, Regular, Soft and Rough each with 7 weights and italics. It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes. Use State to get the delivery you need, whether its for print, online or Television.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

Pain de Mie is a soft font, friendly and sweet, kinda creamy, kinda bubbly. It's an all caps font with 2 different glyphs for each letter: easily access these through the keyboard upper or lower cases keys. Make them cycle with OpenType Contextual Alternates. There's also a handful of drawings to add an extra charm here and there. Reach these via OpenType Ornaments or pick your choices through a glyphs palette. Like a fresh loaf of bread, Pain de Mie goes well in so many ways. Give it a try!

Exceptional Is a super trendy Handwritten font, Elegant & modern with gentle brush texture , Exceptional comes with a complete set of lowercase and uppercase alternates(Uppercase letters can be used alone), It gives you the option to customize your text and to make it much more unique (It's very fun). And more great extra is the bonus Swash, this set come with 26 swashes, which allows you to add elegant & trendy finishing touches to your work. It's the perfect choice for personal branding projects, product packaging, social media, fashion, advertising and more!...

Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility. Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script. Crafted Koziupa and digitized by Ale Paul.

German type designer Jürgen Huber created this sans FontFont in 2003. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Plus Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

The German-born designer Lucian Bernhard designed Bernhard Fashion in 1929. An American" typeface, Bernhard's original design was created for the American Type Founders (ATF). It bespeaks the spirit of the roaring 20s. The hairline-thin letters exhibit elongated ascenders (but not descenders), and many stylized elements. The capital letters also all descend visibly below the baseline. In text, the extra large capitals seem almost like drop caps. This typeface is best used sparingly in text. Largely set headlines will allow readers to enjoy the fashionable quality of Bernhard Fashion's design."

Fourth is a contemporary roundhand script with a classic feel. It draws inspiration from classic Americana – baseball scripts, sign painting and branding. The family consists of seven weights with ornament extras for good variety in layout and logo development. The forms are rational and refined for consistency and legibility. Contextual alternates are included for smooth initial and ending forms. Stylistic alternates are available for the commonly substituted forms; s, r, l, f, k, and z. Fourth also features Swash capitals, swash lowercase, underlines and catchwords for custom styling.

Stinky Slime - Dripping Halloween Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Stinky Slime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Belle Sans is a clean, straightforward sans serif typeface family, and a very large family at that! It has seven widths, from Ultra Condensed to Extra Wide, and seven weights, ranging from Light to Black, all with Oblique companions. Belle Sans offers up great legibility for on-screen usage, and the breadth of width and weight make it very usable for text applications as well. The heavier weights, especially the Black, are exceptional for creating visual impact! Each font supports Western and Central European languages, ligatures, tabular figures, unlimited fractions, superiors & inferiors, and ordinals.

Agradable is a Modern Stylistic Serif typeface A new serif that we created specially for branding needs, with extra ligatures and alternates in a unique shape just to add value to your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Agradable font, We prepared all the ligatures, and the alternates characters to help you create unlimited variations for your creative needs. Agradable includes: All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

Our Spicy Rice Pro has a festive flair to it that works through winter holidays to summertime jams. Casual and exciting, the extra heavy letterforms are imbued with a little exotic flair and flavor to spice up the party. The SmallCaps and extensive figure sets only offer Spicy Rice Pro an even wider range of creative options. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Bonsai Paufo are a collection of dingbats fonts inspired in the ancient art of Bonsai. A beautiful work with organic forms and sensibility with the taste of the vegetal world, by Chyrllene K, who brings you with an amazing extra gift: Buying the family pack (two fonts) you get a special free bonus: the Victorian Advertising EPS PACK 2 with ten beautiful artworks (in eps) inspired in the Victorian ages magazine advertisings (see the banners). See all the glyphs from BonsaiPaufo in the pdf brochures at the gallery section.

Vamps Crime - Halloween Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Vamps Crime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.

VASARELY has famous roots, its name is related to optical arts own Victor Vasarely. Dropping the field of Op-Art, you already know where we have been aiming at. The REGULAR and LIGHT cuts of VASARELY are quite ordinary, rectangular, but legible typefaces, but with the BOLD and EXTRABOLD versions you will be able to build diverse illusive type illustrations and layouts. Being build on a strict grid with same dimensions, the eye-affecting black-and-white contrast should trigger different optical effects. As an extra we build an EXTRUDED version as well. Have fun!

Inspired by Laatzen’s Bilderbogen etchings by the extraordinary artist and printmaker Horst Janssen, this font is packed with Open Type features that allow the creation of unique typographic pieces. Besides the set of automatic discretionary ligatures, this all-caps font also comes with two extra stylistic sets, so there are 4 versions for each letter (plus the variations contained in the ligatures). When working with ligatures turned on, the carefully handcrafted kerning table takes advantage of overlapping some ligatures with its neighbor letters, multiplying ligatures performance. An unmistakable original font to create outstanding design works!

Roland Bryon Display Ligature Fashion Serif There's beauty in the plain version Roland Bryon, even without all the extras, for a clean and elegant minimal serif. Any version Roland Bryon brings a touch of luxury and bespoke custom typography to modern logos, websites, social media quotes, wedding branding, and more. Thank you so much for checking out my shop, and please get in touch if you have any questions! Roland Bryon Features Full Set of standard alphabet and punctuation Serif Ligatures alternates PUA Encoded Glyph Chart for easy access Multilingual Characters Luhop creative