OkayCursive began over coffee, in a local flower shop, where my wife takes a floral arrangement class. I discovered a book there, with old photographs from Paris of flower shop displays. What caught my eye in the background of one of these photos, was the hand-painted lettering on a sign. Inspired, I quickly sketched some of the letters on a napkin and stuck it in my pocket. I began to sketch more over the next few days, looking to construct a full-out cursive font with this distinct French look. I wanted my design to be creative & free flowing, but I also wanted it to be at least somewhat proper. So, I consulted some schoolbooks for reference on the correct cursive forms. After more drawing, I began to create the final vector art. Gradually, these ideas -- plus many hours of careful kerning and metrics -- came together to form OkayCursive. Use OkayCursive any time you want fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text -- go ahead and have fun with it. OkayCursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Fun blocky typewriter-esque lettering.

Tokig is a fun, whimsical font with varying heights and a wiggly baseline, yet very legible and with a very complete character set. It's perfect for kid-related products or other fun applications.

These hand written letters make for such fun designs! Give you designs that stand out feel with these fun, unique letters! With clean lines for crafting, you can do so much with these!

Hot Betty combines clean, modern lines with the fun of mixing it up a bit. Who says you can't substitute an uppercase for a lowercase? or vice versa? Go ahead...have some fun!

Pleased to introduce you to Mister Frogs new playful display font! Its funky and fun design is also perfect for a branding, packaging, merchandise, and anything that requires a fun and confidence look!

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it's friendly personality and bouncy rhythm. If you're looking for a warm typeface that's affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces. Kamber's balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable. Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it's own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included. If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

Introducing my latest creation, Averica! a playful and friendly display font that is sure to add a touch of personality to any project. Averica is handmade with love and attention to detail, ensuring that each character is unique and full of charm. Whether you're looking to create eye-catching headlines, playful graphics, or fun social media posts, title, branding, merchandise, ads, poster, Averica is the perfect choice. With its bold and distinctive style, it will help your message stand out and capture the attention of your audience. Crafted with precision and care, Averica boasts smooth curves, clean lines, and just the right amount of quirkiness. It's playful and approachable, yet still maintains a professional feel, making it ideal for a variety of projects. So why settle for a bland and boring font, when you can add a touch of fun and personality to your work with carefully fashioned display font? Try it out today and see the difference it can make! Any Questions? Just Ask! I hope you enjoy! Thank You. Letteralle Studios

Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes. Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design. Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Akwe Pro™ is a professional, ultra versatile sans serif typeface characterized by excellent legibility and modern design perfect for all design purposes. It is designed for use in long and short paragraphs of text, headlines and user interfaces. Its distinctive character and carefully crafted proportions make it a great option for brand identification and logo design. Akwe Pro™ mega family consists of 164 fonts - each weight in uprights, italics and small caps versions. It has extended language support and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Allotropes are different structural forms of the same element and can exhibit quite different physical properties and chemical behaviors. The change between allotropic forms is triggered by the same forces that affect other structures – pressure, light, and temperature. From Wikipedia the Free Encyclopedia With ten weights in five widths plus Italics, this family comes to a total of 100 fonts. The large number of styles was made with the intent to cover most cases UI designers have to tackle, with one type family. Stylistic alternates were made to follow the same logic, so there is an optional single-story g, serifed capital I, and dotted zero – all available through the OpenType feature. The character set supports Western and Central European languages, as well as Turkish.

Magenos is a modern geometric sans serif family characterized by its simplicity and extensive functionality. With its open apertures, geometric architecture and low contrast strokes, it expresses a sincere tone with a modernistic, neutral, yet friendly personality. It has been designed to work well for a wide range of applications and is a reliable workhorse. Equally suitable for print and screen usage, it works well for both text and display at a wide range of point sizes. The addition of true italics gives the whole family a dynamic edge and flexibility. Magenos comes with many OpenType features including stylistic alternates, standard ligatures, oldstyle and lining (proportional and tabular) numerals, slashed zero and a variety of symbols, making it a perfect choice for contemporary and professional typography.

Point of Sale JNL is a specialty font for producing retro-style price cards, tags, stickers, labels and similar items. Within this design are a large set of numerals and two smaller sets of numerals. Both of the smaller sets are centered against the larger ones with one set also having underscores. In addition, there are a number of price card designs provided for those who want a truly nostalgic feel to their price marks. The layout of Point of Sale JNL breaks down as follows: A through J = 1 through zero in large numbers K = a decimal point L = dollar sign M = cents sign N through Z = various price cards a through j = small centered numbers k through t = small numbers with underscores

Schuss Sans CG Poster 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Black Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss. The character set is slightly different to the non poster styles too. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.

Modesta Sans is a Neo Grotesque sans serif typefamily of seven weights plus matching italics. Inspired by Didone serif fonts and the first Sans serif types from the late 19th century and early 20th century, It reduces many of the eccentricities in order to make them more suitable to modern tastes. Every weight has more than 220 characters and includes uppercase, lowercase, numbers, special characters and a powerful opentype features. Perfectly suited for graphic design, headlines, advertisements, and any display use. It could easily work for editorial design, corporate, web, signage and many other uses in print and digital media.

Statement Sans is a versatile sans serif font family created by the Sudtipos team in the spirit of modern neo humanistic fonts, with a deep grotesk and industrial influence that can be discovered along the system. Developed to express its potential in UX and UI projects, corporative interfaces or editorial web and print layouts, Statement is available in 9 weights with matching real italics, extended latin language support, and also including classic and old style figures as well as plenty of stylistics alternates. Last but not least, Statement Sans includes a one file variable font to join the party.

Gart Sans is a grotesque font that preserves the characteristics of early 20th-century grotesques, primarily used in advertising. The main features of this font include a pronounced contrast, narrow proportions, and light, smooth forms combined with modern design solutions. Compared to geometric or neo-grotesque fonts, Gart Sans distinguishes itself with its attention to detail. As the font weight increases, it acquires a more pronounced character, expanding its usability from headlines to extensive text settings. Gart Sans consists of 5 styles, 630 glyphs, encompassing an extended Latin character set, basic Cyrillic characters, ligatures, numeral sets, and much more.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.