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  1. Ambergate by Greater Albion Typefounders, $19.00
    Ambergate is a new typeface family redolent of the late 19th and early 20th centuries. It’s a display family of four small capitals roman faces, incised and elaborated with filigree scrollwork. The four typefaces which comprise the family recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage and book covers.
  2. ITC Mendoza Roman by ITC, $29.99
    ITC Mendoza is a serif typeface with old style characteristics. A generous x-height and a lack of contrast between thick and thin strokes, gives the ITC Mendoza Roman font family good legibility and provides a sturdiness which enables the face to withstand low resolution output and less than ideal printing conditions. It is ideal for continuous text use, particularly in small point sizes.
  3. Havelock Titling by XO Type Co, $40.00
    Havelock Titling builds upon the essential geometry of Havelock , adding new weights for spacious, authoritative text. Made to combine with Havelock’s display capabilities for more traditional reading scenarios. Built on the same weight range as Rocinante Titling , which broadens your design options. Light matches Light, Bold matches Bold, and so on. Both Havelock and Havelock Titling collections are included in Havelock Complete for a lower price.
  4. Raligur by Hishand Studio, $15.00
    Raligur is a harmonious blend of timeless aesthetics and modern versatility, making it a perfect choice for designers seeking a balance between tradition and innovation. Featuring exquisite details and a sense of timeless appeal, Raligur, the newly unveiled serif font, sets the stage for elegant typography that leaves a lasting impression on any audience. Complete with ligatures alternates regular italic icon kerning multilingual support
  5. Kepler by Adobe, $29.00
    Named after the German Renaissance astronomer, Kepler is a contemporary type family designed by Robert Slimbach in the tradition of classic modern 18th century typefaces. Modern typefaces are known for their cool intellectual quality, but Slimbach's Kepler multiple master captures the modern style in a humanistic manner. It is elegant and refined with a hint of Oldstyle proportion and calligraphic detailing that lends it warmth and energy.
  6. Wahoobomex by Alit Design, $22.00
    Introducing the Wahoobomex Dynamic Blackletter Font - A Modern and Strong Typeface with 785 Characters, Ligatures, and Alternates! Are you looking for a font that combines the timeless charm of blackletter typefaces with a modern twist? Look no further than the Wahoobomex Dynamic Blackletter Font. This remarkable typeface strikes the perfect balance between tradition and contemporary design, making it ideal for a wide range of creative projects.
  7. Silky Smoke - Personal use only
  8. Cream Cake - Personal use only
  9. Shade Blue - Personal use only
  10. Beef'd - 100% free
  11. Unquiet Spirits - 100% free
  12. Pea Karen's Doodles - Unknown license
  13. Bou College - Personal use only
  14. Tight - Unknown license
  15. eyesore - Unknown license
  16. 15x5 - Unknown license
  17. Pea Whinney Skinney - Unknown license
  18. schnee - 100% free
  19. Pea Amy*Rica - Unknown license
  20. kindergaden - Unknown license
  21. bellafonte - Unknown license
  22. Jerónimo cartoon - 100% free
  23. Texture - Unknown license
  24. Pea Mystie Unicase - Unknown license
  25. Pea Karen's Print - Unknown license
  26. 07x5 - Unknown license
  27. o-wee-ental - Unknown license
  28. Percance Fatal - Personal use only
  29. Pea Beth R - Unknown license
  30. Pea cammi-pea - Unknown license
  31. Pea Daisy Doodles - Unknown license
  32. Pea Marcie Script - Unknown license
  33. Pea Sue's Print - Unknown license
  34. IAM BLACK by Top Type, $10.00
    I Am Black is a sophisticated, charming sans serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!
  35. Negro by Storm Type Foundry, $32.00
    Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, especially in narrowed styles. The range of interpolated widths is useful for designing a provoking poster, magazine, music or book cover.
  36. Tiger Rag by ITC, $29.00
    Tiger Rag is the work of English calligrapher John Viner, who was inspired by Japanese calligraphy when creating this dramatic, informal typeface. The font is extensive and flexible, with many alternate characters. Tiger Rag is an excellent choice for casual display typography which should produce a fresh, random effect.
  37. Dom LT by Linotype, $29.99
    Dom Casual and Dom Diagonal are a set of informal script typefaces that look like brush writing. They were designed by Peter Dombrezian for American Type Founders in 1952 and were an immediate success. Use these typefaces to create a friendly, informal look in signs, advertising, and invitations.
  38. Moge by BanyumiliStudio, $15.00
    Introducing MOGE: power, retro and modern! Perpendicular and thick forms create strength in your designs. The shapes look retro, but still features modern elements. MOGE is very good if used on: Car / Motorcycle Repair Shop, Barbershop Logo, Brand Logo, and various products that require a touch of strength.
  39. Anttine by AEN Creative Studio, $14.00
    Anttine is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!
  40. Digitalis by G-Type, $46.00
    Digitalis was created from a desire to make an original, æsthetically pleasing rounded typeface using the minimum of strokes. Each character has been reduced to only the most essential elements. Due to the contrast between the thick and thin strokes Digitalis is surprisingly legible when set as text.
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