Ogibo is an intrinsic scintillating tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Woqna is a cubist pureness tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Karvx is an arithmetic explication tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Agobb is a gridlock overflow tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Ogibo is a disciplined clairvoyant tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Roqbo is an esthetic puissant tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Vobca is a dynamic fusion linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Magsk is a diminutive sagacious tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Gronra is a structural softness linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

PT Adonis™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original typeface, its characters have slightly oblong proportions, with rounded serifs and generally soft letterforms. The face is both space-saving and quite legible in small sizes. For use in text and display typography.

Leon is a modern wide sans serif type family in Hebrew and Latin. It comes in four styles to match any design need - Headers in Black or Thin to long text in regular and Bold. Includes full Hebrew support including punctuation. Designed in Tel Aviv by Ben Nathan, 2021.

This original display family was designed by Vladlen Erium in 2000 for advertising and display typography, especially for advertising of teenage goods and services. The caps-only face has modern letterforms, dynamic slanted styles, and stable upright ones. It is very useful for creating a memorable product image.

Gianmani Fillet is a sans serif type contemporary designed by Gianmani Yuttapum in 2022. Inspired by the simplicity of the geometric, it is sharp and easy to read, suited to branding and corporate identity, wayfinding, editorial, delicate headlines, digital environments, signage, print, advertising, packaging, text application, and logos.

Introducing Magestand typeface is serif font this is inspired by chopper font relesed in August 9th 2021. magesta typeface support multilingual languages, unique uppercase and lowercase ligatures. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards.

Erpos is a dynamic soften integral tech sans= apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Mstov is an alacritous kooky tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year’s greetings and other cards, of course!

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.