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  1. Arbuckle - Unknown license
  2. RaveParty Narrow - Unknown license
  3. Crosspatchers delight - Unknown license
  4. Pakenham - Unknown license
  5. Omicron Zeta - Unknown license
  6. PR8 London Ads - Unknown license
  7. Brothers of Metal - Unknown license
  8. RNS BARUTA BLACK - 100% free
  9. Lumio - Unknown license
  10. HIPTRONIC - 100% free
  11. Kovacs - Unknown license
  12. American Dream - Unknown license
  13. Staggering Bob - Unknown license
  14. Prussian Brew - Unknown license
  15. NeverSayDie - Unknown license
  16. Heavy Rotation - Unknown license
  17. Century Oldstyle by Bitstream, $29.99
    Century Oldstyle is Linn Boyd Benton’s and Morris Fuller Benton’s renovation of Phemister’s Miller & Richard Old Style for ATF forty-five years later, using the Century name for marketing purposes.
  18. ITC Japanese Garden Ornaments is a symbol font designed by Akira Kobayashi (before Kobayashi became Linotype's Type Director in 2001, he worked as an independent typeface designer in Tokyo). The images in Japanese Garden are, as the name suggests, mostly floral or herbaceous, derived from designs used in Japanese indigo stencil dyeing. In Japanese Garden," Kobayashi says, "I tried to create a set of type fleurons that are very familiar to a Japanese eye, but not too exotic to people in other countries." Several of the designs fit together seamlessly in repeating patterns; others work either together or as isolated ornaments, a flexibility that also characterizes traditional Western type fleurons. "The original illustrations," notes Kobayashi, "were mostly cut from white paper squares, about two by two inches in size, and were simply scanned and traced. That is why there are few smooth curves and perfectly straight lines in the illustrations. I simply liked the ragged textures of them.""
  19. JASON PERSONAL USE - Personal use only
  20. BARBEDWIRE PERSONAL USE - Personal use only
  21. Paddington - Unknown license
  22. Ashby - Unknown license
  23. Pixeldust - 100% free
  24. Console - Unknown license
  25. JH Mars by JH Fonts, $50.00
    JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...
  26. Aurora by Bitstream, $29.99
    One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.
  27. Gunydrops by Ahmad Jamaludin, $17.00
    Presenting for you, Gunydrops! Gunydrops - it's retro, bold, and playful, really ties together your piece to give it that retro feel. Perfect for make any project like header, quote, layout magazine and other. Even better if you use it on 60s and 70s design project Embracing the psychedelia era combine with groovy style, it came with vector extras and open type features such as stylistic alternates What's you get? Extras AI and EPS Unique letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio
  28. A La Nage - Personal use only
  29. Engebrechtre - Unknown license
  30. SF Laundromatic - Unknown license
  31. SF Wasabi - Unknown license
  32. SF Retroesque - Unknown license
  33. SF DecoTechno - Unknown license
  34. SF Speedwaystar - Unknown license
  35. Dharma Gothic P by Dharma Type, $19.99
    Dharma Gothic P font family is designed based on Dharma Gothic and a distressed offshoot from the original. The glyphs that damaged by printing the original had been tweaked by hand work with great care. This family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of creative works. g, r & y have their alternative glyphs that can be used with OpenType salt feature. This font will be one of the most powerful solutions for printing and web.
  36. Linotype Bariton by Linotype, $29.00
    Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designer Alexej Chekoulaev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.
  37. Chenko by Studio K, $45.00
    Chenko is a nod to Alexander Rodchenko the Russian Constructivist artist and designer whose poster work is characterised by its stark, stripped down typography and bold, geometric graphics. It was truly revolutionary in its day, and continues to be influential in ours. Chenko is my own take on his deceptively simple letterforms, and designing a font without a curve or a diagonal (okay I cheated on a few details like the O-slash and A ring characters) presented some interesting design challenges!
  38. Hexi by Sign Studio, $9.00
    Hexi is a modern style serif font. It has 9 thicknesses (Thin to Black) to provide more support when designing and also Oblique version to give your texts more different or contrast. Have bold serifs to reduce the pixel effect on digital devices. Minimized the nodes in each design to keep the glyphs bodies clean. Give the extrema point on each curve, it will make Hexi look smooth and neat. There are several subpackage options for you to save even more.
  39. Hockeynight Sans by XTOPH, $20.00
    Hockeynight Sans with its round corners is the smoothest sports-font you will find. Its the helvetica under the college fonts. Spice it up and mix some of the alternative glyphs in! Hockeynight comes in 7 Weights and each one available as an Italic. Use it big and bold on your sports-poster, space it up to get that dirty look or use some alternate glyphs for your logodesign. Look out for the Brush Versions and the Slab Version of Hockeynight
  40. Windsor by URW Type Foundry, $35.99
    Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals M and W are widely splayed, P and R have very large upper bowls. The Lowercase a h m and n of the Windsor font have angled right hand stems, e has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.
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