Morris Fuller Benton’s version of the standard American nineteenth century blackletter made for ATF in 1901.

Modakshar was inspired by traditional Indic handwriting scripts which ‘hang’ from a common upper horizontal bar. Adapting this motif to Latin letterforms was challenging. The typeface was first conceived in the 1970's as a design project in school. The current digital design was completed in 2002. Basic motif was inspired by traditional Indic script handwriting.

Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights.

Tina is another powerful script designed in the style of the classic forties and fifties American advertising fonts.

Tomahawk - american authentic layered typeface. A typeface inspired by American ethnic motives, with a touch of gothic spirit.

Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

A fine font for monumental projects. It inspires and perfectly motivates for success and stability. Created from handwritten calligraphy.

A rock solid face that works well in many of today's applications. Sets extreamly well for both large and small sizes. And with very little morter between the joints sets nice and tight.

A condensed American blackletter designed for ATF in 1932 by Morris Fuller Benton; the face grows out of nineteenth century roots.

Scriba is the work of British designer Martin Wait, an informal, all caps open typeface embellished with an unusual shadow effect. With its strong, casual appearance, Scriba is excellent for use in large display sizes.

A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.

Based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris’ Golden Type.

A bold weight of a moderately flourished script designed for ATF by Morris Fuller Benton in 1908, and an industry standard since then.

Refracta is the work of British designer Martin Wait, a simple, condensed italic sans serif capital alphabet. The letterforms were designed with a shadow effect for extra impact. Refracta is ideal for a wide variety of applications.

The hand lettered show card brush lettering in the trailer for the 1960 musical comedy “Bells are Ringing” (starring Dean Martin and Judy Holliday) inspired Musical Comedy JNL, which is available in both regular and oblique versions.

Roquette is the work of British designer Martin Wait, a casual all capital wedge serif typeface which brings the 1950s back to life. The undulating baseline and lively spot illustrations of Roquette will pep up any headline.

Font has Industrial motifs and simple geometric shapes. Best suited for large lettering. Font contains characters for all occasions, many ligatures, alternatives and exotic.

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Sophia Morgant is a modern and stylish calligraphy font with natural thick and thin motifs. It is perfect for branding, wedding invites, posters and others.