-Fabulous, beautiful, friendly, talkative, sweet, caring, a little on the odd side, very desirable by many, good at almost everything- That's the definition of Fabiola according to the slang dictionary of americans. If you were you looking for something delicious, a font that covers a really wide range of uses and always looks amazing, Fabiola should be your choice. Although it may look as another of my scripts with juicy swashes, this time I explored in depth the pairing and interaction with capital letters for more unique results. Why? We are going through some crazy days where the number of people interested in letters is only growing. We see lettering everywhere: I can say that finally our field is shouting out loud; letters are THE protagonist more than ever. Hence the need of combining and pairing different styles is booming. Fabiola Script and Fabiola Caps were done in a way that they seem to need each other. There's nothing better than the above images to prove this. But, how does it work? The big swashes of the Script style were designed so they can surround, wrap and mingle with the Caps styles. The smaller swashes are meant to be used when the Script is alone. Simple, right? I hope you find Fabiola useful on your projects and enjoy using it like I did when making the posters! Have a super fabulous day!

The Richie™ typeface grew out of a lettering experiment inspired by the work of Czech type designer Oldrich Menhart (1897-1962). Menhart’s typefaces were primarily text designs with a strong personal calligraphic influence. Monotype Studio designer, Jim Ford, wondered what a display typeface from Menhart might look like, and began drawing bold script characters with a broad-tipped chisel marker. “It was a familiar but laborious exercise,” explains Ford, “I tried to achieve an authentic – yet controlled – randomness that would serve as the foundation of a typeface.” Ford first drew a large suite of characters using the marker. All the drawings were then carefully adjusted, and scanned. Ford then pieced together a typeface from the best versions of letters, and refined those further. The result is a rugged, somewhat eccentric and playful script built on an obvious hand-drawn foundation. In a world of smooth scripts, the Richie design is heavy, chunky and rough. Its hand-made feel and vigorous rhythm put the power of raw brush lettering into the typographer’s hands. OpenType® fonts of Richie include standard, contextual and discretionary ligatures, in addition to contextual and stylistic alternates, old style, lining and superior figures, plus a large complement of swash characters. The name “Richie”? It grew out of Ford’s original premise for the design. “I wondered what it might it look like if ‘Old Richie’ had designed a heavy display face or script.”

Touch Me is a Script hand-drawn style typeface—designed by Coto Mendoza—resulting from polyrhythmic exploration, sign deconstruction and altered calligraphic contrast plays with watercolour brush. Coto has been using these experimental calligraphy techniques when creating the catchwords for Macarons, the Boho Family, Bikini Season Script and Matcha Script and so forth. Touch Me was inspired by a character in a story written by Coto while attending a literary workshop with Ina Groovie in Santiago de Chile. The character is a tribal girl who lives on an island in the Caribbean. She is heir of ancestral knowledge and possesses wild beauty, very passionate and sensual: intense, strong and free. These features are reflected in the polyrhythm of the typeface's curves: an irregular baseline, variable x-height, different lengths of initial and terminal strokes (that sometimes expand and sometimes shrink) and amount of brush pressure that generates changes in contrast within the characters. This way, when composing, signs with stroke contrast randomly alternate with monolinear ones and with signs of altered contrast, thanks to the typeface's OpenType programming. The family, with more than 3,000 glyphs, provides a number of alternative characters, swashes, ligatures, initial and terminal forms, in short, a vast ocean of choices! Touch Me is a spontaneous typeface with a fresh and unique personality. It is the perfect choice for short text in both print and digital formats. The family comes with a Script Regular version and a seductive Script Drop that you will enjoy a lot! The Extras set includes some catchwords, dingbats and ornaments that allows for endless composition options. The family also comes with a Caps version —designed by Luciano Vergara—in 2 styles: a funny and big-headed condensed Sans Grotesk display of inverted vertical proportion plus a Grotesk, neutral and slightly expressive Petite. Both versions, available in 6 weights, have been especially designed to create hierarchies when composing. This allows for balance between strokes of different weight when it comes to the Sans and Script fonts. Come and dare yourself! Touch Me! Thanks Alisa for sharing your amazing and beautiful picture with us.

Kotadaila is a script font that includes a complete set of uppercase and lowercase letters, multilingual symbols, numbers, punctuation, alternatives and ligatures. This font has a Modern Elegant Style, perfect for branding, logos, invitations, masterheads and more. Kotadaila features OpenType style alternatives, International binders and support for most Western Languages included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. Thank you very much for viewing and Enjoying it.

Acerola is a contemporary script font based on calligraphy with the pointed brush. The letterforms have a touch of chancery with a fresh look, full of details and offering great readability. It contains a various OpenType features and supports most Latin-based languages. Over 1200 glyphs make up this display font that can be used for all manner of applications. Acerola includes alternate characters, swashed capitals, terminal forms, ligatures, stylistic sets and small caps. Acerola stands out in any typographic composition and certainly will make your design looks like unique and handmade.

Mother Love is a lovely romantic script font with lots of authenticities!. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. It will turn any design project into a true stand out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Adelaila is a simple handwritten script font that comes in two styles, brush and monoline. With the Contextual Alternate (OpenType) feature, if you type a word with double letters, as in 'sweet' 'mono' or 'creative', the next duplicate lowercase character will be automatically replaced by an alternate character. This will make the handwritten font appear more natural. Other features: Standard Ligatures Stylistic Set - Ending (ss01) Tabular Figure Discretionary Ligatures to access swash glyphs with combination symbols You will need OpenType-savvy programs such as Illustrator, InDesign, Publisher, Designer, CorelDraw etc. to access OpenType features.

ludovica. This beautiful script is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, save the date cards and feminine branding.

Simultaneously futuristic and retro, Retron is perfectly named. Retron is a partially connected script - or is it a connected sans? Either way, it's a strange, unique combination that works surprisingly well.

Right Hand is a legible naturally written script. Tidy pen writing with a casual slant. Right Hand is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Soli, based on an architect's handwriting is a fun, modern script face with a very complete character set. Can be used for journaling, scrapbooking, or anywhere a handmade touch is needed.

This script has almost no historic roots. It is named after hajdamakas, Ukrainian guerilla fighters from past times. It is lively and somehow saucily forms the vibrant lines of a text.

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Paris Doodles... memories of a feeling, a rainy afternoon, a glass of wine, an outdoor cafe, a metro stop… 28 hand drawn whimsical icons and 2 scripted words. Ooh la la!

Unstream Script perfect for branding, logotype, website headers, fashion design and any more. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

Really excited to introduce Caustin Bolar is a bold brush script and will be perfect for all your designs project. Uppercase Lowercase Number & Symbol International Glyphs Ligature Hope you enjoy it.

P22 Symphony is a romantic decorative script originally called Zephyr featuring extra flourishes on the capitals. Useful for lines of display in advertising, packaging etc. or for small extracts of poetry.

Marlita is a carefully made script, great for quotes, branding, packaging, wedding card, advertising, and more. It comes with 10 variations of ampersands as well as various titling and ending swashes.

Arbor Brush is a fresh and lively brush script from the FontHaus design studio. The design is organic, strong, painterly, and anything but tentative. Great for advertising, menus, signage, or display.

Haldane is an Art Nouveau 'punctuated' (i.e. not joined) script, ideal for certificates, calligraphic lettering and signage. Stroke width vary from almost hairline to extremely wide. Great fun for every application!