Known sometimes as “utopia”, “journey” other times, but also named with name´s place where one wants to go, “Ithaca” home of Ulysses. Typographic Cartesian coordinates are usually two, from the skeleton, the narrower, to the black, the widest. Nowadays, Maese Patau had traveled a road made by four Cartesian axes of typographic geography. A road from thick to thin, from expanded to condensed, to offer us a new family, a larger and extensive series than the traditional family. 48 “relatives” in a pure neo-grotesque font, with a large “eye” that makes it especially suitable for display. Solid hinting in small sizes due to it´s pure and simple basic forms. The jazzy cursive, available in all weights, looks as a simply slanted letter, but when works in conjunction with its regular version, generates an outstanding typographic game. As usual, Maese Patau offer us a extensive typeface in weights, extensive on supported languages, and all kind of OpenType´s capabilities.

“My Dearest Friend” is how she began nearly all her letters to her husband, John. I refer, of course, to Abigail Smith Adams, first Second Lady and second First Lady of the United States. Her famous correspondence with John Adams produced nearly 1,200 letters over a span of some 40 years, leaving us with a priceless record of early American life — from household routines to war and politics to expressions of personal worry and devotion. Although Abigail’s was not the loveliest hand, I found it sure and expressive, as befitting her extraordinary sway and intelligence; it also carries a genuine flavor of the period. In making the font I focused chiefly on her handwriting from the 1780s and ’90s, when she’d taken to using a disconnected cursive, which struck me as distinctive and alluring. The OpenType release of Abigail Adams has scores of ligatures, standard and contextual alternates, lining and old-style figures, cross-outs, ink blots, and full Latin language support.

Ochinorel – A Classic Signature Typeface Ochinorel, a classic signature typeface, exudes timeless elegance and sophistication, making it a distinctive choice for various design applications. Its gracefully crafted letterforms boast fluidity and a sense of hand-crafted authenticity, reminiscent of a bespoke signature. Ochinorel effortlessly strikes a balance between traditional charm and contemporary design, allowing it to add a touch of refinement to invitations, logos, and branding materials. The typeface’s cursive strokes and balanced proportions create a harmonious visual appeal, evoking a sense of personal touch and exclusivity. With its versatile and enduring aesthetic, Ochinorel stands as a testament to the enduring allure of classic design in the realm of typography. Ochinorel is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pépel, full sets of Opentype alternatives and Unicode support for 104 languages ​​plus Cyrillic. 16 weights of typographic beauty in all its glory.

Genesis is a digitization and expansion of a Frank Riley metal typeface called Grayda, originally published to much applause by ATF in 1939. The concept for this disconnected script is quite novel and original among cursives and calligraphic fonts: The minuscules are mostly made with slightly clubbed strokes, which becomes clearly visible in the ascenders and descenders. This alone gives the face a bubbly appearance unlike any other. The formula is completed with two sets of beautiful calligraphic majuscules and a few alternates. The character set of Genesis boasts full support for Western, Central and Eastern European languages, as well as Baltic, Celtic/Welsh, Esperanto, Maltese, Turkish and Vietnamese. Genesis is available for all platforms and in all popular formats. Genesis Pro, the OpenType version, is where the caps and a few other variations alternate stylistically at the push of a button in OT-savvy applications. Genesis Pro also contains class-based kerning.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Introducing of our new product the name is Derojela Serif Font with its unique curves and cut-ins making it one of the most memorable caps fonts on the market .This font is perfect for fashion related branding or editorial design and displays both masculine and feminine qualities. Also you use this font on Logo & Label Design, Apparel Design, Music, Advertising, T-shirts, Brochures And more!

Introducing of our new product the name is Marfanco Serif Display Font with its unique curves and cut-ins making it one of the most memorable caps fonts on the market .This font is perfect for fashion related branding or editorial design and displays both masculine and feminine qualities. Also you use this font on Logo & Label Design, Apparel Design, Music, Advertising, T-shirts, Brochures And more!

Introducing Heroline, a retro-inspired font that evokes the 1950s to 90s nostalgia. This font is perfect for creating vintage-themed designs and giving it a touch of nostalgia and personality. Heroline features a soft, solid design with curved corners and a unique letter shape. This font also includes a variety of alternative characters and ligatures, allowing you to create many different looks with the same font.

Slightly curly and very romantic! Olazy can be used for anything that needs a twist of elegance or romance - or would fit perfectly for children's toys! Contains both fi and fl ligature!

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create 'pen-lifts' too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by you. A mature ‘joined-up’ hand is the result of correct instruction from an early age. Sassoon Write typefaces are a direct progression from the separate letters of Sassoon Infant or Sassoon Primary and were specially created for teaching cursive handwriting in a flexible way. Designed for older pupils and adults, rather than children. A family of 4 fonts than join, or enter " | " between letters for unjoined text. For use with OpenType compatible applications such as Word. Enables progressive pupil exercises for a smooth transition between separate letters and teaching joined handwriting. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

Thanks for checking out November Starlight! A lovingly hand-painted script font, fantastically elegant & eccentric with a sprinkle of carefree fun. November Starlight doesn't play by the rules - with extra bouncy characters, long vertical brush strokes and authentic hand-painted edges, it's bound to make a bold statement on anything from greeting cards and invitations, to personalised logos and handwritten quotes. November Starlight consists of 4 fonts; November Starlight • A cursive font containing upper & lowercase characters, numerals and a large range of punctuation. November Starlight Alt • This is a second version of November Starlight, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. November Starlight Clean & Clean Alt • Totally clean versions of each of the November Starlight fonts, with all rough brush textures removed. Perfect for specialised printing techniques such as laser & vinyl cutting, or simply for a silky smooth finish to your text. Special Characters are also available for several lowercase letters, with added beginning & end swashes - please see the character map image for a full list. These characters are accessible via software with a glyphs panel, e.g. Photoshop CC, Adobe Illustrator.

Every font designer has their own favorite font type, which you do not need to find as it takes too much time to figure it out for you until you can match it with a perfect font. Ringtail has the best answer to your needs. Ringtail is a font containing two font types to use together or separately: sans serif and script fonts. Sans serif font has firm, modern, simple looking lines without curvy edges. Meanwhile, the script font has curvy lines in water paint or ink textures. The textures are extra lines added to each letter and to the background letter patterns. A textured script font looks more artistic and more detailed than the other ordinary script fonts to show elegant, romantic impressions in your designs. Additionally, script font can be applied for adding extra visual contrasts to designs with sans serif font. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Ringtail fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next to its agreeable and reader-friendly general impression, also on a relatively robust typeface character which does not sacrifice its power of impression and elegance even when confronted with poor paper and printing qualities. In the 1970s, a bullish and robust design style took over the area of consumer goods which then required a corresponding advertising face. Harald Brödel re-worked the Liberta Ultra for phototypesetting, and, with great sensitivity, designed a matching cursive variation. Both types work especially well as an attention getter for advertising and for emphasis purposes.

Designed as a versatile and functional family, Convexion is the result of a personal exploration into the use of convex forms in serif designs. Its humanist form is inspired by a fusion of classical serif forms with the more expressive forms found in script lettering, to create a legible yet original typeface family. Consisting of 3 weights, with accompanying cursive inspired italics, this family is suited for a wide range of applications such as branding that will expose its defined personality or editorial design were it can be used for both display titles or text. This family supports a range of Opentype features, offering multiple numeral styles, ligatures and other alternate glyphs. With an extended Latin glyph set, it will support most Latin based languages.

Mestika is a resinous spice, in Arabic means gum, the name is Mestika cause the mestika has a mixture of sharp edges and cursive connections, that mixture gives the typeface an edge to stand out, a low contrast sharp design with 9 weights making it works well with text and headlines. The design is a collaboration with the Iranian designer Kamyab Jafari, The typeface is a modern design, and has a wide range of ligatures and features for better justifications. The typeface comes with 9 weights, and works in variable axes, the typeface now supports only Arabic-based languages, but in the near future, it would support Latin-based languages, the Typeface is based on Naskh calligraphy, something in between the Iranian and the Arabic styles.

Molaka Modern Script Font consisting of a fashionable sophisticated signature-style script with it's own unique curves and an elegant inky flow. Molaka Modern Script Font is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. Thanks for use this font, MaulanaCreative

Introducing Balpoine! a wonderful Handwritten, monoline font display. made with a unique and high curve style that makes it look different Balpoine is an eye-catching, and clean handwritten font. balpoine comes with an accent language and ligatures. This font is suitable for handwriting logos, Wedding invitation cards, T-shirts, merchandise, quotes, social media posts, advertising, and a lot more!

Vince was created to be a display font. Each side of the character is carefully crafted so that this font has a premium quality. The curve that has an extrema point will be kept geometric and smooth. Ligatures and Stylistic Alternate work well to provide design variations. Versatile for building branding, invitations, logotypes, magazine headings and posters. Supporting font in preview : Hexi

Introducing Rose Pink, a fun and exciting font suitable for any creative project. From product packaging to logos, this font is the perfect way to express your creativity with a bold style and playful look. The whimsical and flowing curves of this font also can help create a sense of lightheartedness in your design. project. Thank You and Happy Designing!

October Wish is a casual handwritten font with bold handwriting style. Each stroke and curve of this font is unique charm that effortlessly enhances any project, from invitations to digital designs. Adding an authentic touch that resonates across diverse themes and mediums. Elevate your creations and evoke a sense of artful individuality as you harness the power of these versatile handwritten fonts.

Introducing Bume Display psychedelic font, designed to transport you to another dimension with its bold. With its fluid and organic shapes, our psychedelic font is perfect for creating striking headlines, logos, and branding materials that demand attention. The intricate curves and loops in this font create an ethereal and dreamlike quality that perfectly captures the essence of the psychedelic aesthetic.

“Blackduck” font is a typical Gothic, usually named “Blackletter” . This typeface was born with the name of “Textur” and developed from Carolingian cursive. It was used in the middle age as sacred script, became increasingly narrower, his vertical lines were emphasized and his strokes very compacted to save space. Along the time the early German print typefaces derived in others styles that were more readable such as Schwabacher and Fraktur, very popular in Germany and sometimes associated to the identity of the country. The font "Blackduck" was inspired mixing carefully the last two “Blackletters”. We try to joine some characteristics of both to reach good legibility without loosing the strong impact and powerfulness of the shapes. Some minuscules like the “o” “c” “e” “d” are rounded on both sides, while both strokes join in an angle at the top and at the bottom. Some other lower cases are formed by an angular and rounded stroke. This font contains a full set of OpenType features; swashes, stylistics alternates, old style figures (Arabic numeral were carefully shape integrated), ligatures and some extras ornaments were added to help in your design. "Blackduck" includes diacritic signs for Central European languages.

Rockinstead counts 1, 2, 3, 4, 5, 6, 7, 8... Eight variations per letter, plus alternates for numbers and even for punctuation marks! It is equipped with some clever OpenType programming to make substitutions on-the-fly: the Contextual Alternates feature, with the help of a very careful kerning table, takes care of cycling the alternates in an amazing random-like way, impressively mimicking a true handwritten text. The Discretionary Ligatures feature manages the substitution of handy cursive catchwords, adding that charming twist. To put it more bluntly, this font AUTOMATICALLY alters your typing so that it substitutes glyph variations while you do nothing but type away! No need to use PopChar here to do the substitutions manually, the font itself takes care of that for you. This typeface was originally painted on paper, drawing inspiration from Ralph Steadman’s seminal lettering style. On a first glance it may look quite wild - and it proudly is, indeed. But look again: it is stylishly wild, it is strong, unpredictable, full of attitude and good energy. This multifaceted font will certainly strike its way for free-spirited design applications. Just please be warned: it’s seriously addictive!

Alio™– Let Your Creativity Flow. Inspired by sleek sans serifs and flowing cursives, Alio™ features the best of both worlds. The hybrid modular design of this display type gives you tons of alternates and options to play. Just let your creativity flow and enjoy creating a broad range of styles from minimalistic modern to decorative flourish. *Alio Pro* comes loaded with extensive ligatures and alternates. When combined this display type with Alio Decor, you can let your creativity flow to the max. Together, you can create stunning flourish designs and unique type treatment to your projects. The Pro also supports most Latin-based languages. Heck, it even covers Chinese PinYin. Perfect for the logo, branding, poster, book cover, store sign, and packaging. [6 weights/12 font styles. 750+ glyphs each] *Alio Decor* is more than just an Alio Pro’s sidekick. You can enjoy creating flourish designs exclusively with Alio Decor. [6 weights/12 font styles, 300+ glyphs each] *Alio Std* features selected glyphs from Alio Pro (fewer ligatures and alternates). Perfect for web headlines and subheads, and minimalistic, modern print designs. [6 weights/12 font style, 400+ glyphs each]