10,000 search results (0.018 seconds)
  1. Forgotten Futurist - Unknown license
  2. Shotgun Blast - 100% free
  3. Frostbitten Wanker - 100% free
  4. Futurex Schizmatic - 100% free
  5. Happy Hero - 100% free
  6. Brother Bear - 100% free
  7. !PaulMaul - Personal use only
  8. Commando - Unknown license
  9. VomZom - Unknown license
  10. Casual Brush by Jonahfonts, $40.00
    Read John Downers' article in Typographica®: ‘Our Favorite Typefaces of 2007’ http://www.typographica.org/typeface-reviews/scriptonah-and-casual-brush/ Click the Gallery above for the .pdf. Suitable for posters, titles, book covers, greeting cards, signs, packaging, invitations, ads, headlines and captions.
  11. Adrenalina by BRtype, $25.00
    Adrenalina was created in 2003-2007. In 2014 the project was revised and became a font family. The character set was drawn through digital manipulation from photos of pichações taken in São Paulo - Brazil. Pixação is a form of tagging that comes from Brazilian graffiti writers. This style of pichação (or pixação) is also known as tag reto (straight tag).
  12. BONDAGE DEMO VERSION - Unknown license
  13. Liberation Mono - 100% free
  14. Liberation Serif - 100% free
  15. Liberation Sans - 100% free
  16. Frail&Bedazzled - Personal use only
  17. MCF bad manners - 100% free
  18. BulgeOpen - Unknown license
  19. Spacedock Stencil - Unknown license
  20. Costa Brava by Letterhead Studio-YG, $15.00
    Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.
  21. Costa Dorada by Letterhead Studio-YG, $15.00
    Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.
  22. A La Nage - Personal use only
  23. HaydenPanettiereBats demo - Unknown license
  24. Dearest Outline - Unknown license
  25. Dearest Open - Unknown license
  26. Larabiefont Free - Unknown license
  27. Rueckwarzsalto - 100% free
  28. Dirty Flamingo - Unknown license
  29. el Diablo - Unknown license
  30. Research Remix - Personal use only
  31. Flox Rounded by ParaType, $30.00
    Flex Rounded display typeface was designed in 2000 by Vladimir Pavlikov as alternative 'soft' variant to the original Flox face. In contrast to Flox there are rounded stroke ends and curved shapes in most of Flex characters. The project was aimed to create a decorative vivid alphabet of geometric shapes. Cyrillic was developed in 2005. For use in advertising and display typography. Licensed by ParaType in 2005.
  32. Ming - Unknown license
  33. Victor Moscoso - Unknown license
  34. Max - Unknown license
  35. Sweet Titling No. 22 by Sweet, $39.00
    Sweet Titling No. 22 is part of the Sweet Collection of engraved lettering styles from the 20th Century, published by MVB Fonts. This obscure, art deco design would have been used for engraved letterhead, business cards, etc., and likely first appeared in the 1920s or ’30s.
  36. Barnard - 100% free
  37. KleinKarpets - Unknown license
  38. trashco - Unknown license
  39. El Abogado Loco - Unknown license
  40. Rotola TH Pro by Elsner+Flake, $40.00
    Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing