Regio Mono is a monospaced typeface designed with industrial-strength, sturdy columns and tidy layouts. contrasting geometric shapes and sharp terminals. Whether used in design or in a code editor, Design proposal, Ads, Packaging and more. Regio Mono comes in six weights, from Ultra Light to Bold, and with a character set that covers over 200 Latin languages.

VTF Justina is a different typeface with a sans serif style that is inspired by geometric typographies to seek functionality and simple quality in any type of project. This very personal character of its forms together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold, and Black) it has makes it perfect to combine with the VTF Rozanova in digital projects (for example, web or applications) or printed (for example, corporate identity or packaging). Becoming a very interesting option for both large and small bodies without losing legibility in any weight. Justina has Opentype functions (Case sensitive forms, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for its design. Supports the following languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Every element in this typeface shouts tall and narrow, slender and provocative. With wispy delicate serifs attached to elevator-style vertical stems, Stratosphere’s only goal seems to be getting to the top in style. And no matter how you describe it - ultra thin or ultra condensed - this typeface is best for short headlines and titles. Use only in large display sizes and use sparingly. Stratosphere Light is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Hatchway is a monospaced display typeface with rounded corners, suitable for headlines and short passages of text. Hatchway has a tall x-height and unusually short ascenders and descenders. The family contains seven weights from Thin to Black and five widths from Ultra Condensed to Ultra Extended. This version (1.0) comes with Multiple Language Support, including Extended Cyrillic, and Opentype Features.

Balboa is a display design combining elements of early sans serif and grotesque types with contemporary types. It evolved from ATF Headline Gothic, Banner (a headline typeface I drew for the San Francisco Chronicle), and Newsweek No.9, a Stephenson Blake-like grotesque I designed for Roger Black's 1980 redesign of Newsweek Magazine. There are nine styles, including the three new styles that have been added in 2014: Medium, Light and Ultra Light.

Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.

Hello friends! The 'Wolfie' font family is coming; a dynamic and new vintage feel. It's perfect for branding, logo, packaging, header, title, etc. Wolfie is great if you pair it with an 80s illustration, it will make the design even more dope. Wolfie are available in 3 Widths (Condensed - Ultra Condensed - Normal) with matches 5 weights (Light - Semi Light - Regular - SemiBold - Bold) total 30 fonts and support for 75+ language. Happy creating :)

Sidewinder JNL is based on ultra-compressed serif wood type and is perfect for fitting long copy into limited space.

Brookhurst JNL has strong Art Deco influence, and features an ultra-compressed width to set copy into a tighter space.

Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics. Neo Tech offers a suite of alternate characters.

Working at American Type Founders from a Bruce Foundry recutting, Morris Fuller Benton worked out the dramatics of the English Fat Face, and in 1928 produced Ultra Bodoni, a headline spectacular. Using Benton’s 1933 Ultra Bodoni Extra Condensed, Richard Lipton digitized Bodoni FB Bold Condensed, then took compression even further and designed Bodoni FB Bold Compressed, a real technical tour de force; FB 1992

Dutch type designer Donald Beekman created this display FontFont in 2006. The family has 10 weights, ranging from Light to Ultra and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Softsoul provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

Dutch type designer Donald Beekman created this display FontFont in 2006. The family has 10 weights, ranging from Light to Ultra and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Soul provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

Lichtspiele Reklame is the ultra condensed version of Lichtspiele inspired by the 1920s — the golden age of cinema — where neon lights and marquee letters decorated cinema facades. Lichtspiele Reklame is crafted for large narrow formats and contains the display font and two italics (italic & contra-italic), like in these 20s, a time where movie announcements were shown on huge so called Litfaßsäulen.

Fervent is an all caps ultra condensed serif font. It is ideal for headlines, titles, branding, and small blocks of text.

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne is a full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. It’s has a glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne Condensed and Aracne Ultra Condensed!

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

A handsome, square sanserif, the ultra extended Cavalero is strictly a display design. The typeface was inspired by the Chevy Cavalier logotype.

Mightyline- Ultra Condensed font and Come with ligatures collection, It's Perfect for logo, name card, magazin layout,headers, or large scale artwork.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

Monroe was designed in 2010, but in 2013 the font’s designer stopped selling it. Eight years after its initial release, Monroe returns in a new and upgraded version—with improved drawing and spacing—which includes more weights as well as alternate glyphs. Each font style has 819 glyphs and the whole set contains 394 characters which support 207 Latin-based languages. Monroe also includes 5 stylistic sets that offer a wide range of signs, swashes and discretionary ligatures, all specially made to add aesthetic value to your designs. The family comes in 5 weights: Thin, Ultra Light, Light, Regular and Bold. Monroe was designed by Daniel Hernández with the collaboration of Alfonso García.

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

A vintage metal sign saying "No Dogs Allowed" was the model for the ultra-bold Art Deco-influenced lettering comprising Informational Sign JNL.

Getone is an exotic font, based on the Sereno font made by the same designer. It has a modern touch which makes it to stand out, all the glyphs are designed "out of the box" to combine each other in harmonious way. Getone is coming in ten styles : thin, ultra light, light, regular, bold and italics. Is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design.

The October 5, 1935 issue of “Universal Weekly” (a publication detailing current film releases from Universal) was promoting the film “Remember Last Night”. Hand lettering used for this advertisement was an ultra-bold sans serif design with chamfered corners and some stylized characters. This is now available digitally as Road Work JNL in both regular and oblique versions.

Thin, Ultra Condensed, Burned. Bonewire is distressed, shaky, rough, hand drawn. Title with it. Create graphics with it. Create patterns with it. Backgrounds. Frontgrounds. Double page spreadgrounds with it. Design with it. Headline with it. Text copy with it… no. Let it disappear like a signal at small sizes with Bonewire Burned (some call that Thin, or Ultra Condensed?) Bonewire Regular is the heavy version and Burned is the vampire thin version.

In 1932, the great American type designer, Morris Fuller Benton was busy directing the creative departments of ATF and designing type. Big on his plate during that period was the development of the Bank Gothic® family among other typefaces like Raleigh Gothic. Bank Gothic and Raleigh Gothic share some very similar design traits. The most obvious difference being the ultra condensed style of Raleigh Gothic. Although the Bank Gothic family was released with a condensed, Raleigh Gothic could have originally been planned as an ultra condensed Bank Gothic but for reasons we can only speculate, the Ultra Condensed Bank became its own design. So, If you like Bank Gothic, you may also like Raleigh Gothic. Separated at birth? Fun to speculate.

Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.

Cattleman JNL is a reinterpretation of a classic ultra-condensed wood type in the French Clarendon style often associated with Western-themed fliers and posters.

Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Ultra Condensed!

Windstone is a Black Ultra Condensed display sans font published by Variatype, available in regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

The appearance of the 'IA War Bot' speaks for itself. It is a futuristic stenciled robotic font family that would be suitable for lettering comics, computer games, toy packaging, and the like. Many of the glyphs have alternatives. The widest set of font files, from Thin Ultra Condensed to Black Ultra Expanded, and the expanded character set (including Cyrillic) will satisfy all design needs. And the most demanding can turn their attention to the variable font.